© Yvonne ORSINI Anémos 1988
# Voyage d’hiver 1 & 2 (Linogravures couleur, 50 x 50 cm)
styofa doing anything

Kaledo Art
Game of Thrones Daily

⁂

shark vs the universe

izzy's playlists!
Sweet Seals For You, Always
dirt enthusiast
Not today Justin

blake kathryn

祝日 / Permanent Vacation

Janaina Medeiros
ojovivo
trying on a metaphor
he wasn't even looking at me and he found me
let's talk about Bridgerton tea, my ask is open
Claire Keane

#extradirty
hello vonnie
DEAR READER
seen from United States
seen from Sudan
seen from Iraq
seen from United Kingdom

seen from Brazil

seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States

seen from Malaysia

seen from United States

seen from Germany
seen from United Kingdom
@thethingsiminto
© Yvonne ORSINI Anémos 1988
# Voyage d’hiver 1 & 2 (Linogravures couleur, 50 x 50 cm)
Andrew Wyeth Adrift c. 1982
Paul Klee, In the Current Six Thresholds (In der Strömung sechs Schwellen), 1929
Botanic by Agata Wierzbicka
Miles Davis plays the Monterey Jazz Festival in 1963 by Jim Marshall
The Banquet by René Magritte
Charles Sheeler | American Landscape 1930
Unidentified Photographer - “Eclipse” - d. 1929.
Dutch cinematographer Robby Müller has given us some of the most transcendent images ever captured on-screen. Since beginning his career in the late sixties, he has lensed a wealth of indelible moments—from Harry Dean Stanton wandering alone through the vast Southwestern desert in Wim Wenders’s Paris, Texas to the jailbirds of Jim Jarmusch’s Down by Law on their odyssey through the lush Louisiana bayou. This summer, Müller’s inimitable career is being honored with a retrospective at the Eye museum in Amsterdam. Master of Light—Robby Müller, which runs through September 4, includes screenings of films Müller shot (for Wenders and Jarmsuch, as well as Lars von Trier, Steve McQueen, and others), alongside an exhibition of his personal archives, featuring home movies, thousands of Polaroid photographs, letters and other writing, and interview footage (including an program Müller did for our release of Down by Law).
Read more
From Disquiet
Amani Willett
Palmerton, Pennsylvania, November, 1982
Joel Sternfeld
Kevin Hoth
Untitled, 2005
Florian Maier-Aichen
Adolf Böhm [+]
here
Ver Sacrum ,1901
Frederick Hammersley (1919-2009), Fractions #17, 1960.
oil on canvas, 18.125" x 12.125"
(via TumbleOn)
Calder Park, VIC
Mark Rothko, 1949