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# Voyage d’hiver 1 & 2 (Linogravures couleur, 50 x 50 cm)

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Andrew Wyeth Adrift c. 1982

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Paul Klee, In the Current Six Thresholds (In der Strömung sechs Schwellen), 1929

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Botanic by Agata Wierzbicka

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Miles Davis plays the Monterey Jazz Festival in 1963 by Jim Marshall

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The Banquet by René Magritte

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Charles Sheeler | American Landscape 1930

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Unidentified Photographer - “Eclipse” - d. 1929.

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Dutch cinematographer Robby Müller has given us some of the most transcendent images ever captured on-screen. Since beginning his career in the late sixties, he has lensed a wealth of indelible moments—from Harry Dean Stanton wandering alone through the vast Southwestern desert in Wim Wenders’s Paris, Texas to the jailbirds of Jim Jarmusch’s Down by Law on their odyssey through the lush Louisiana bayou. This summer, Müller’s inimitable career is being honored with a retrospective at the Eye museum in Amsterdam. Master of Light—Robby Müller, which runs through September 4, includes screenings of films Müller shot (for Wenders and Jarmsuch, as well as Lars von Trier, Steve McQueen, and others), alongside an exhibition of his personal archives, featuring home movies, thousands of Polaroid photographs, letters and other writing, and interview footage (including an program Müller did for our release of Down by Law).