she doesn't need to wear all of that into battle
Three Goblin Art

Kiana Khansmith
Show & Tell
"I'm Dorothy Gale from Kansas"

★

blake kathryn
noise dept.
KIROKAZE

No title available
Jules of Nature
d e v o n
Alisa U Zemlji Chuda

❣ Chile in a Photography ❣
wallacepolsom
Xuebing Du
Not today Justin
AnasAbdin
let's talk about Bridgerton tea, my ask is open

shark vs the universe
h

seen from United States
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seen from Brazil

seen from Malaysia

seen from United States
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seen from T1
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@thetrespasserfrontier
she doesn't need to wear all of that into battle
Jurassic World: Fallen Kingdom (2018)
Such a nice movie that was released back then. A lot of ppl didn't like JW1 and Rexy left and went into Californian pine forest...
"The past is a foreign country; they do things differently there."
– L. P. Hartley, 1953.
THE LOST WORLD - Irrata Stories
Configuration 1 - San José
"Searched?" Guitierrez said, with a laugh. "Of course they've searched. They've gone over every square inch of this country, again and again.
They've sent out dozens of search parties - I've led several myself. They've done aerial surveys. They've had overflights of the jungle. They've had overflights of the offshore islands. That in itself is a big job. There are quite a few islands, you know, particularly along the west coast. Hell, they've even searched the ones that are privately owned.
"Are there privately owned islands?" Levine asked. "A few. Three or four. Like Isla Nublar - it was leased to an American company, InGen. Or Isla Tacaño - it was---" "But you said that island was searched…" "Thoroughly searched. Nothing there." "And the others?" "Well, let's see," Guitierrez said, ticking them off on his fingers. "There's Talamanca, by the eastern shoreline; Blue Cross and Helix set up a perimeter there. There's Isla S., on the west coast; it's leased to a German mining company. And there's the Blackzone, up north; there's a wealthy Costa Rican family that dwells there. And there may be another island I've forgotten about." "And the searches found what?"
"Nothing," Guitierrez said. "They've found nothing at all. So the assumption is that the animals are coming from some location deep in the jungle. And that's and that's why we haven't been able to find it so far." Levine grunted. "In that case, lots of luck." "I know," Guitierrez said. "Rain forest is an incredibly good environment for concealment. A search party could pass within ten yards of a large animal and never see it. And even the most advanced remote sensing technology doesn't help much, because there are multiple layers to penetrate - clouds, tree canopy, lower-level flora. There's just no way around it: almost anything could be hiding there."
"Anyway," he said, "the CMN has its hands full. And, of course, the network is not the only one searching." Levine looked up sharply. "Oh?" "Yes. For some reason, there's been a lot of interest in the animals." "What kind of interest?" "Last fall, the CMN issued a permit to a team of botanists from Switzerland to do an aerial survey of the mountains and volcanoes of the Central Valley. There was an unexpected period of radio silence, and the network tried a bounce on the team's receiver. Apparently the survey had been going on for a month. They were asked about aviation fuel cost or some such. Anyway, a bureaucrat in San José called Santa Fe to complain. And Santa Fe said they'd never heard of this survey team. The network tried another bounce hours later. By then the team fled the country." "So nobody knows who they really were?" "No."
A local forest plus a bit of pixel sorting via Processing.
A watercolor piece I painted recently 🌂
Hammond Norman Expeditions
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Norman and the mercinaries stood on the ages old pier. Far out to sea there was nothing. Before them the tide was low.
Above the reddish glow of the horizon was a dark cloudy sky, a motionless sea below. It reminded Norman of the final chapters of The Time Machine - bleak, still, dying. The turning of the planet had nearly ceased and even the tides had fallen silent. One of the mercenaries shifted uneasily. “Feels wrong,” he muttered. Norman nodded faintly. The air itself seemed ancient here. Not merely abandoned, but exhausted. As though the world had continued onward long after life had intended to remain within it.
The old timbers of the pier groaned beneath the wind.
Before them the tide was low.
Nonsediment mudflats stretched outward, ribbed by ancient currents that no longer moved. Beyond that lay the water - calm, silent, immeasurably still. No breakers rolled against the shore. No gulls circled overhead. The ocean appeared dead.
The pylons beneath the pier vanished into stagnant water black as oil. Somewhere below, unseen things clicked softly against the barnacled supports.
Then silence again.
Even the wind seemed reluctant to speak.
50 blog posts nice
GROUND
GIF BY OBINN
Hammond Norman Expeditions
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Outside, somewhere beyond the fog, the cargo vessel’s horn sounded low and mournful.
“Fine. Lumeria.” He spoke the word like it tasted bad. “Supposedly there was once a continent spread across half the Pacific. Older than charts. Older than empire. Volcanoes, jungles, cliffs. Whole civilizations swallowed when the earth cracked open.”
“A myth,” said the mechanic.
“A myth that keeps showing up on naval maps with sections painted over.”
That shut the room up again.
The cook took another drag. “Denham’s 1933 expedition thought they’d found one surviving fragment. Big wall. Giant footprints. Things in the fog bigger than trucks. Most people only remember the movie reels.”
“The footage was edited,” Hammond said quietly.
The cook nodded. “Yeah. Real heavily.”
Norman flipped a notebook page, revealing a pencil drawing of two enormous mountains rising from jungle cloud cover. “The 1976 survey crew described these,” he said. “Twin volcanic structures visible only at dawn.”
“Only one mountain was there by noon,” added the navigator.
Nobody asked how a mountain disappears.
The cook continued. “Then came the 1962 expedition. Scientific outfit. Weird bunch. Brought crates of maize, berry cultures, growth agents, radios, steel fencing. Said they were studying ecological inheritance.” He laughed under his breath.
“Couple months later half the crew returned talking about giant reptiles moving through crop fields at night.”
“And the other half?” someone asked.
The cook stared at the cigarette ember. “Didn’t.”
The Venture groaned as a wave struck the hull. From somewhere below deck came the clank of unsecured cargo.
Norman closed his notebook. “What about the survivor in 1979?”
The cook looked toward the dark porthole window.
RETURN TO THE LOST WORLD
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“I’m not senile. Of course I remember. I’ll be there.” He paused. “It’s a shame Sarah didn’t want to accompany us this time. I’d love to hear her perspectives on the predator-prey relations we’re to study.” Malcolm chuckled. “I think Sarah is satisfied that mammals are her area, after her last visit.” Levine sighed. “I’m sure you’re right. A smaller team is probably for the best, this time. By the way is there any more word on Costa Rica’s search for the source of the aberrant forms?” “Not directly. But recently there seems to be a sudden hush-hush on the subject. I’m fearing the worst; they may be planning something.” “Hmm. A disturbing development. I suppose our expedition to Isla Sorna is well-timed, then.”
URBAN EXPLORATION
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The Lost City
Several nights later, in the darkness, lights flickered again. …The fluorescent bulbs turned back on. …The cash register LEDs glowed. …The gas station seemed just as dirty and debris-strewn as it had before.
The urban explorer looked around. The gas station seemed… almost like he remembered. The floor was still strewn with debris. He was pretty sure the soda machine was the same. The glass bottles… Were they drinkable? He couldn't tell where some of the items for sale had come from. He stepped carefully between crushed cans and yellowed paper scraps. The fluorescent lights overhead hummed with that same uneven electrical buzz he remembered from childhood road trips. The sound of places that never really slept, only dimmed.
The gas station should have been abandoned. That much was obvious. Dust lined the corners of the counter in thick gray ridges. Something dark stained the ceiling near the freezer aisle. Several shelves stood almost empty except for sun-bleached packaging whose colors had faded into pale ghosts of branding.
And yet,
The lights worked. The soda machine worked too. Its internal refrigeration unit rattled softly every few seconds, like it had never stopped running. He approached it slowly.
The old branded panel on the front still showed jungle leaves and dinosaurs beneath a faded logo. Behind the cloudy selection glass sat rows of bottles and cans. Some labels looked decades old. Others looked strangely newer. A few brands he recognized immediately. A few he didn’t recognize at all. One bottle had no nutrition label, and another used a logo style discontinued years ago.
One can simply read: "Cola", in flat black lettering. No company name. No ingredients. No barcode. It was just cola.
He stared at it for a long moment.
The machine gave a sudden mechanical thunk. Somewhere inside, a compressor kicked on. Cold air drifted faintly from the dispensing slot. Interesting. He glanced toward the counter. Nobody there. The register screen still glowed in the darkness.
12:00 12:00 12:00
Resetting forever.
A rotating hotdog warmer near the back wall still turned slowly. Empty. He looked back toward the shelves. That was when he noticed the magazine rack. Not the same magazines from before. Not exactly. Some were familiar: game strategy guides, automotive catalogs, tourist pamphlets. But others seemed wrong. One magazine cover showed a game console he'd never seen released. Another advertised:
“REALTIME DINOSAUR AI - SHIPPING FALL 1998”
A buyers guide reviewed hardware from companies that never existed. Several magazines looked freshly printed despite everything else in the building being coated in age.
He reached toward one… then stopped. The air inside the station felt oddly cold now. Not refrigerated cold - basement cold. The kind that made sounds seem farther away than they should be. Outside the front windows, darkness pressed against the glass. No roadlights. No passing cars. No rain anymore. Just blackness. Then---
A quiet metallic sound from somewhere behind the back-room door. Not loud. Just "clink". Like glass bottles touching together. He stood completely still. The fluorescent lights flickered once. And for half a second, he could have sworn the magazine rack was different again.
…He was reading an old issue of Chaos Quarterly again when the lights flickered. Moments later one of the flourescent lights fell onto the floor from the ceiling. He stared at it. "Ouch. Hmmm…" He wondered what the time was. He stared at the cash register.
What I see vs. What I draw
Alan Grant Aesthetic
A 9-screen display. Time to destination................................
Herbivore Observation Recording
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CONTROL
"Herbivore Observation Outpost, please repeat......." "You said you saw a what?" "I didn't see anything!" "You didn't see anything?" "He says he didn't see anything." "Did he say----" "It was on the monitor, sir...." "On what?" "I didn't see anything!" "The..... dinosaur appeared on the monitor." "Which-----" "Are you sure you----" "Alright well I can see it, which---" "It's in four! The dinosaur is in zone................................." "Ed?..........................................."
"I lost his signal. Where did the transit stop?....."
Managed to make a non-Jurassic Park styled 2000s Spinosaurus with a shitload of reference material. As someone who frequented various forums and grew up watching dinosaur tribute music videos set to Post Grunge and "Nu" Metal during the 2000s this one was quite personal and took me back to those days.
Based the male's characteristics off of those exaggeratedly monsterified and stylized depictions from Primeval, Todd Marshall and Ricardo Delgado's artworks, and even Imaginext toys (Pictured here is my Mega Spinosaurus lmao). Which gave it highly speculative soft tissue crests, sails, and dewlaps ripped straight from Basilisks (Basiliscus plumifrons) and Sailfin Dragons (Hydrosaurus amboinensis). Ideas that would eventually be revisited in modern contemporary paleoart.
Whereas the female's more toned down, subtle appearance is based upon more scientifically grounded, depictions of Spinosaurus from that time where the animal was depicted as a giant Baryonyx with a sail. Included there is my Carnegie Collection Spinosaurus I recieved on Christmas of 2009.
Very cool paleo art creativity~
Pterosaurs.................
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There's talk of pterodactylus...........