“I’m the best there is at what I do;
But what I do best isn’t very nice”
MCU’s Logan Howlett RP blog; independent & semi-selective; blended canon.
written by Ginger.
(Contains Deadpool & Wolverine spoilers)
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@thewxlverine
“I’m the best there is at what I do;
But what I do best isn’t very nice”
MCU’s Logan Howlett RP blog; independent & semi-selective; blended canon.
written by Ginger.
(Contains Deadpool & Wolverine spoilers)
"How about a cup o' tea fer te shock?" Jade asked, a kind look on her face. "Or, uh, actually yeh seem te type ta prefer coffee, I can get ye a cup and we... I can take a break. We can talk. If yeh'd like."
She never, ever expected to see him, her Logan, not this time line's one. Her father. God this was as much a shock for her as it was for him, she was sure of it. It had to be him, right? The way he looked at her...
Logan couldn’t believe his own eyes. His brow was raised in disbelief and his mouth slightly agape. How could this be possible? It wasn’t her, he told himself. It couldn’t be her. So why did she look just like her?
The older lady behind him in the queue said something about him not ordering, but he didn’t listen. He was frozen. Everything around him was drowned out by him trying to make sense of the situation.
“I think I’ll need somethin’ stronger.” Logan finally mumbled under his breath. He felt dizzy; like his past had finally come back to haunt him.
Jade leans to the side, grimacing slightly at the pain in her legs, and tells the old lady, "Sorry, just a moment, it's been a while since we've seen each other," giving the customer a kind smile. Then, directed at Logan, in a quieter voice, "I think I can manage that, why don't yeh go ahead and take a seat."
And then she turns to make a couple cups of coffee, "Hey, Jess, can yeh take over te register, please? I'm going on break!"
Once she's made both cups, one black, one with an almost egregious amount of cream and sugar, Jade takes both cups to the back, and then comes back out quickly. When Logan takes a sip, he'll taste how the large to go cup of coffee is half booze.
Jade sits down, across from him, and since she's not behind the counter, it's clear that she's wearing braces on both her knees, over her blue jeans. "....just, uh. To make sure. Yer not this time line's Logan, yeah?"
Logan studied the girl behind the counter’s face for a moment with a furrowed brow. Her features was so familiar; it reminded him of someone he’d once loved a long time ago. He swallowed hard, nodded and stepped over to a free table.
As Logan took a seat, he grumbled a low “thanks” as she handed the coffee to him. Crossing his arms, he noted her braces. For a moment his eyes were glued to the knee braces, but they quietly met hers as she spoke.
“No, I’m not” he gruffly said with a deeply furrowed brow, “lemme ask ya’ this. Why do I feel like I’ve seen ya’ before?”
REBLOG THIS IF YOU'RE A MARVEL ROLEPLAY BLOG
This includes Multimuses with Marvel characters! Personal blogs please do not share, this is for roleplay specific blog please and thank you!
Ideally please put muse names and sources (IE. Steve Rogers/616/headcanon) in the tags to help people find characters they want to interact with when looking through the reblogs! OCs welcome to reblog - just specify 'OC' in the tags, maybe something along the lines of 'shield agent', 'Guardian of the Galaxy', 'Mutant', etc. if you'd like to add additional info!
"How about a cup o' tea fer te shock?" Jade asked, a kind look on her face. "Or, uh, actually yeh seem te type ta prefer coffee, I can get ye a cup and we... I can take a break. We can talk. If yeh'd like."
She never, ever expected to see him, her Logan, not this time line's one. Her father. God this was as much a shock for her as it was for him, she was sure of it. It had to be him, right? The way he looked at her...
Logan couldn’t believe his own eyes. His brow was raised in disbelief and his mouth slightly agape. How could this be possible? It wasn’t her, he told himself. It couldn’t be her. So why did she look just like her?
The older lady behind him in the queue said something about him not ordering, but he didn’t listen. He was frozen. Everything around him was drowned out by him trying to make sense of the situation.
“I think I’ll need somethin’ stronger.” Logan finally mumbled under his breath. He felt dizzy; like his past had finally come back to haunt him.
Ill & Injured Sentences, Vol. 4
(Sentences for muses that don't feel so great, and for muses trying to take care of another. Adjust phrasing where needed)
"Yeah, I don't need a psychiatrist, okay?"
"It's amazing how fragile the human skeleton can be."
"You take a moment, alright? It's nothing a little a little sunshine and fresh air can't fix. You'll be as right as rain!"
"What happened to my head, it's not something that gets better."
"My whole brain's a bunch of missing pieces."
"Bite this. This'll hurt."
"Officially, I was dead for two minutes."
"A concussion with a previous history of brain injury is a very serious situation!"
"I got shot once. It makes you think about death."
"Does anyone know how sick you are?"
"What happened to your hand? You're bleeding."
"I liked you better when you were dying."
"I have no intention of dying. I have far too much to do."
"The drug should have worn off by now..."
"It fucking hurts to be shot!"
"It looks like you've got a minor concussion. You're going to stay awake for another eight hours. If you fall asleep and there's swelling, there's a good chance you could end up in a coma."
"You should take it easy. This is getting a little weird, even for you."
"Don't worry, it's not my blood."
"When exactly was the last time you had a psych evaluation?"
"How about a cup of tea for the shock?"
"I was saying something. What was I saying?"
"You've made a brave show of things, but you are very ill."
"Your nose is going to heal up like a crooked boot, but you're going to have to accept that."
"Are you going to die soon?"
"We know less about the brain than any other organ in the body."
"If you can't trust your own mind, then what have you got?"
"Just a quick tip; you never want to block a punch with your face."
"I don't recall asking for your medical advice."
"Don't worry, it'll only hurt for a second or two."
"Officially, I was dead for two minutes."
“Congratulations” he grumbled, not caring for whatever spider-man would say next. Though after a moment of silence, Logan turned to the kid, and lifted an eyebrow.
“Aight… I’ll bite,” he sighed deeply, “how exactly did you ‘die’?”
"Fighting Doctor Doom. Yeah, I know what you're gonna say. I was punching above my weight." "I don't know what kind of spell he hit me with, but I was down and out. The thing is, I don't know anything about magic, and Reed doesn't either. It's a good thing we both know a magic guy on Bleecker, or I wouldn't have made it." "You ever fight someone who uses magic? I mean, aside from Juggernaut. I'm not sure if he counts."
“Ya’ fought Doctor Doom? You an’ Reed fought Doctor Doom? Alone? Heh, that’s must be the stupidest thing you’ve done, bub.”
“I try to stay out of the whole magic powers ordeal. Let the other magic users handle it.”
"Officially, I was dead for two minutes."
“Congratulations” he grumbled, not caring for whatever spider-man would say next. Though after a moment of silence, Logan turned to the kid, and lifted an eyebrow.
“Aight… I’ll bite,” he sighed deeply, “how exactly did you ‘die’?”
"Would you still love me if I was a worm?"
“Hm…?” Logan had absentmindedly hummed, while being busy with looking for his screwdriver. Looking through his toolbox, he silently cursed himself. He was sure he’d put it there earlier. Finally he sighed, giving up looking for the tool he needed for his bike. Crossing his arms, he faced Duchess.
“What’d ya’ say?” He grumbled, leaning against the workbench, “would I love ya? If ya’ were a worm?”
Lifting an eyebrow, Logan huffed a laugh, “Darlin’ what kinda question is that?”
Duchess was leaning her elbow on the workbench, cheek on palm as she watched him. In her peripheral she noticed the screwdriver laying on the workbench, which she picked up with her other hand and handed to Logan, as he leaned against the workbench.
"A valid one given our line of work, I mean, anyone could turn me into a worm at any time." She smirked at him, clearly playing with him. "Or make it seem like I had."
Logan shook his head, eyeing the screwdriver in Duchess’ hand. He mumbled a low ‘thanks’ and took it from her.
“Red, if someone ever turns ya’ into a worm, I would track ‘em down and force ‘em to turn ya’ back,” He grunted. Pulling away from the workbench, he walked over to the bike he was working on.
“‘s easy as that. Can’t do much with a worm, can ya?”
Sitting down on the rolling stool, he began working on his bike again. He knew she was just playing it’s him.
After working in silence for a bit, he finally sighed: “fine; I would love ya’ if you got turned into a worm. Happy?”
"Would you still love me if I was a worm?"
“Hm…?” Logan had absentmindedly hummed, while being busy with looking for his screwdriver. Looking through his toolbox, he silently cursed himself. He was sure he’d put it there earlier. Finally he sighed, giving up looking for the tool he needed for his bike. Crossing his arms, he faced Duchess.
“What’d ya’ say?” He grumbled, leaning against the workbench, “would I love ya? If ya’ were a worm?”
Lifting an eyebrow, Logan huffed a laugh, “Darlin’ what kinda question is that?”
Ill & Injured Sentences, Vol. 4
(Sentences for muses that don't feel so great, and for muses trying to take care of another. Adjust phrasing where needed)
"Yeah, I don't need a psychiatrist, okay?"
"It's amazing how fragile the human skeleton can be."
"You take a moment, alright? It's nothing a little a little sunshine and fresh air can't fix. You'll be as right as rain!"
"What happened to my head, it's not something that gets better."
"My whole brain's a bunch of missing pieces."
"Bite this. This'll hurt."
"Officially, I was dead for two minutes."
"A concussion with a previous history of brain injury is a very serious situation!"
"I got shot once. It makes you think about death."
"Does anyone know how sick you are?"
"What happened to your hand? You're bleeding."
"I liked you better when you were dying."
"I have no intention of dying. I have far too much to do."
"The drug should have worn off by now..."
"It fucking hurts to be shot!"
"It looks like you've got a minor concussion. You're going to stay awake for another eight hours. If you fall asleep and there's swelling, there's a good chance you could end up in a coma."
"You should take it easy. This is getting a little weird, even for you."
"Don't worry, it's not my blood."
"When exactly was the last time you had a psych evaluation?"
"How about a cup of tea for the shock?"
"I was saying something. What was I saying?"
"You've made a brave show of things, but you are very ill."
"Your nose is going to heal up like a crooked boot, but you're going to have to accept that."
"Are you going to die soon?"
"We know less about the brain than any other organ in the body."
"If you can't trust your own mind, then what have you got?"
"Just a quick tip; you never want to block a punch with your face."
"I don't recall asking for your medical advice."
"Don't worry, it'll only hurt for a second or two."
REASONS TO CARRY SOMEONE. ( A PROMPT LIST! )
listen, i'm back home now, i'm thinking about things, and i saw the maxton hall gifset floating around and i was like. yk what. carrying people is elite content, and gdi y'all deserve elite content! as always, DO NOT ADD OR EDIT THIS LIST! and there's a lil spicy addition under the readmore, but i left it there just in case people prefer to have a not-so-spicy version.
[ SLUMBER ]: sender picks up and carries the receiver because they're so sound asleep that they won't easily wake up.
[ INTERCEPT ]: sender picks up and carries the receiver out of the room because they're angry and on the brink of engaging in a fight with someone.
[ ASSIST ]: sender picks up and carries the receiver away for medical attention because they've been injured and can't walk easily.
[ HELP ]: sender picks up and carries the badly wounded receiver as fast as possible to the nearest hospital or the nearest place to administer urgent first-aid.
[ ELATION ]: sender scoops up the receiver and carries them away after a mutual victory, or having just received very good news (or maybe they're both just very happy for some reason!)
[ HOME ]: sender picks up the receiver to carry them over the threshold of their new home.
[ AID ]: sender finds the receiver too weak to move, and scoops them up to carry them to get some help.
[ UP ]: sender finds the receiver and picks them up to carry them a distance after learning they're unable to get up.
[ BAREFOOT ]: the sender picks up the receiver and carries them inside because they're not wearing any shoes.
[ WEARY ]: sender notices the receiver about to fall asleep during a task, and picks them up to carry them to bed so that they can actually sleep properly for once.
[ TWIRL ]: sender catches the receiver in their arms and spins them in a neat twirl just because they want to.
[ HERO ]: sender notices the receiver about to fall from a height, and manages to intervene just in time, catching them before they get hurt.
[ FLASH ]: the sender and receiver are part of a photoshoot, and in order to finish the last of the photos, the sender scoops up the receiver in their arms for the final pose.
[ TRAIN ]: during a training session (for a fight or a performance, dealer's choice!) the sender ends up holding the receiver in their arms during their session together.
[ URGENCY ]: sender carries the receiver away from danger after the receiver is revealed to be unable to move, either due to panic or injury.
[ OUT ]: sender grabs the receiver and lifts them into their arms after noticing them swaying and beginning to lose consciousness.
[ SCREAM ]: sender spots the receiver in a terrified or considerably panicked state, and picks them up to carry them to a less terrifying place to calm down.
[ LAZY ]: sender concedes to receiver's requests for a piggy-back ride home because they don't want to walk anymore, and carries them the rest of the distance home.
[ CAREFUL ]: sender gently lifts the receiver out of their seat and carries them carefully to bed after noticing they fell asleep and not wanting to waken them.
[ HASTE ]: in urgent need of getting to safety as fast as possible, the sender scoops up the receiver and starts running because it's quicker and easier to just carry them than expect them to keep pace.
Listen, I’ve been told that I put my characters through hell with their backstories, but I still think one of the saddest tropes is a lone wolf who is actually one of the most social, teamwork oriented people on the planet, but circumstances keep snatching that away from them. There’s no “I must keep my distance, I’ve become jaded”, it’s “maybe this time I can close the gap, please God.”
@thewxlverine
A FEW VARIOUS SENTENCE STARTERS
❝ i wouldn't find the need to tell you 'i told you so' if you weren't so allergic to admitting i'm right. ❞
❝ there are better hills to die on but i find this one quite comfortable. ❞
❝ would you come with me please? i adore your company. ❞
❝ that's not the worst thing i've ever heard but it's certainly up there. ❞
❝ i would love to help you but i'm afraid i'm suffering from a terrible case of 'it's not my problem.' ❞
❝ could you just think about anyone other than yourself for once? ❞
❝ i'm not going to stand here and argue with you about how much you need to get some rest. if i find you passed out on the floor i'm leaving you there. ❞
❝ would you be a dear and shut the hell up. ❞
❝ i know i need help but i'm not quite ready to ask for it. ❞
❝ do you know where we're going or are we just trying to get lost now? ❞
❝ i have confided this in you, please do not betray that trust. ❞
❝ do you like it here? with me? ❞
❝ are you still happy? with me, i mean. with us. ❞
❝ i didn't lie, i simply presented a selective truth. ❞
❝ do you actually like spending time with me? because i feel like all you do is argue. ❞
❝ one of us will eventually have to have the strength to be honest with ourselves about each other. ❞
❝ i want to tell you something i just need a moment to figure out the right words. ❞
❝ if you were the religious type i would challenge god to win your devotion. ❞
❝ don't tell me to quit being melodramatic it's the only time i have any fun. ❞
❝ were you ever going to tell me or were you just going to make me guess what you're thinking and feeling. ❞
A+X (2012) #6
@thewxlverine
Logan be looking at Duch that way, hear sniggering from the students and glare at them to make them stop then go back to looking at Duch like nothing happened.
Exactly!! He’s a grumpy old man around everybody else. But when Duchess steps into a room, he lights up almost immediately (and loses whatever interest he had in the conversation he was having.)
The moment Duchess closed the door, Logan has been hyper-aware of who had entered his room; her scent was very familiar to him by now. When the squeak escaped her lips, Logan couldn’t hide his smirk. It wasn’t the reunion he’d imagined; but at least it was a funny one. Throwing a glance over his shoulder, he calmly said: “Easy, darlin’. ‘s only me.” With a reach, Logan grabbed the towel again and wrapped it around his waist. No need to scare the redhead even more. “Never heard of knockin’, eh?” He teasingly said, as he finally turned around - now somewhat decent.
"I know it's you, I just wasn't expecting to see your lovely ass cheeks out on display." Duchess said, after clearing her throat a little. "In fact, I wasn't expecting to see you at all." Now he had the towel wrapped around himself, she turned to him fully, a smile spreading across her face. "Though it is good to see you again, always is." She walked up to him, though was afraid the towel would fall off if she hugged him. "I must have misheard or misunderstood the Professor about your coming back, I thought you would be back a little later. Sorry about that." She opened one of the cans she had got for him and offered it to him. "Welcome back." She didn't know why, or maybe it was just an excuse, but she glanced over Logan's form, looking for wounds, then glanced to his uniform still heaped on the chair, her stomach clenching a little at the thought of Logan being hurt. "Yes, very glad you are back."
@thewxlverine
Logan huffed a laugh, though accepted her embrace - one hand still holding the towel in place. He took a moment to ground himself, taking in her familiar scent. He had missed her.
Unwillingly he stepped back from the hug, after the moment had passed. “Didn’t want to interrupt the classes,” he excused.
Watching her as she opened the beer for him, he couldn’t help but smirk and raise an eyebrow. She knew him too well.
“Thanks Red,” As he almost greedily accepted the beer, he couldn’t help notice how she eyed him. “If you’re lookin’ for injuries, ya’ won’t find anything,” he smirked, and placed the beer on his dresser. “The suit needs some stitches, tho,” Logan grumbled.
“I’m glad to be back,” lifting his free hand, he softly brushed some hair away from her face.
THE MANY MEANINGS OF "HEY.": A PROMPT LIST.
i often have these ideas that have no real origin, but i can actually tell you precisely why my brain wanted this: i was listening to "hey, soul sister" by train on a loop and i got thinking abt the fact that we really do just say "hey" for so many reasons. and i wanted to make that your thought of the evening! so happy november, bon appetit, wrap up warm, DO NOT ADD TO THIS LIST, and enjoy your writings!
[ GREETING ]: sender says "hey" as a greeting to the receiver.
[ ATTENTION ]: sender, having just noticed something strange or remarkable, calls for the receiver to get their attention.
[ REASSURE ]: in a bid to steady the unsettled receiver, the sender lightly says "hey" to help them calm down.
[ ANGER ]: the sender sharply snaps "hey" at the receiver, clearly angry about something the receiver has just done or had done in the past.
[ IDEA ]: having been presented with a predicament, the sender suddenly unravels a solution, introducing it to the receiver by saying "hey…".
[ GUILT ]: having just done something that they know the receiver won't be pleased with, the sender sheepishly greets them once they arrive to see the damage.
[ GOSSIP ]: the sender turns to face the receiver conspiratorially, clearly eager to share some new gossip with them.
[ URGENT ]: the sender rushes to the preoccupied receiver, desperately shouting "hey!" to get them to focus on a far more pressing matter.
[ SOOTHE ]: after finding the clearly distressed receiver, the sender pulls them into a careful embrace, gently murmuring "hey…" to try and soothe them.
[ SMILE ]: the sender (who hasn't been smiling up until they actually see the receiver in front of them) lights up with a smile as they greet the receiver.
[ TEARS ]: the sender greets the receiver while very clearly in tears.
[ FAKE ]: alternatively, the sender (who has just been crying in private) hastily wipes away their tears and tries to greet the receiver casually (to varying degrees of success).
[ WARNING ]: when the receiver begins to say things about subjects that are off-limits to the sender, the latter gives them a warning by saying "hey…".
[ LAUGH ]: having found the receiver to be decidedly unhappy, the sender lightly catches their attention before doing something to make them laugh, or at the very least, grin.
[ PROTEST ]: after the receiver does or says something that the sender deems to be unfair, the sender tries to exact justice by saying "hey!".
[ BREATHLESS ]: having clearly just sprinted down to the receiver, the sender tries to catch their breath while greeting them.
[ SAVE ]: after just saving the receiver's life in a very heroic fashion, the sender smoothly greets them while helping them escape.
[ FLIRT ]: the sender meets the receiver in a social setting, and attempts to flirt with them with the very traditional pick-up line: "hey.".
[ APOLOGY ]: the sender, having recently done something that hurt or upset the receiver, reunites with them and addresses the elephant in the room by greeting them with a sincerely apologetic tone.
[ AWKWARD ]: after a particularly rough first encounter, the sender meets the receiver again, and awkwardly greets them with more than a touch of embarrassment.
[ GENTLE ]: having found the receiver in an emotionally compromised position, the sender closes the door and approaches them carefully, gently saying "hey…" to try and get them to communicate what has upset them.
[ HARD ]: preparing to deliver what they both know will be bad news, the sender tries to prepare the receiver by quietly greeting them in a solemn tone.
[ WAKEN ]: walking into the receiver's bedroom, the sender gently shakes their shoulder to waken them, and whispers "hey." to encourage the process along.
[ WHISPER ]: the sender gently whispers "hey" to the receiver to discreetly get their attention without drawing the attention of others.