“You pulled my sleeve but not too hard Remember when you took too much? I didn’t mind being your crutch We loved you then It’s not the same I don’t like how things change I don’t like how things change”
The Stonewall Inn

oozey mess
he wasn't even looking at me and he found me
Fai_Ryy

shark vs the universe
Aqua Utopia|海の底で記憶を紡ぐ
icyghini twinkie
cherry valley forever
No title available
𓃗

roma★

Andulka

ellievsbear
Lint Roller? I Barely Know Her
"I'm Dorothy Gale from Kansas"
RMH
almost home
Show & Tell
🪼
occasionally subtle
seen from United States

seen from France
seen from United States

seen from Türkiye

seen from Bolivia

seen from Canada
seen from United States

seen from United States
seen from Philippines

seen from Türkiye

seen from United States
seen from Malaysia

seen from United States
seen from Argentina

seen from Malaysia
seen from Ecuador
seen from United States
seen from Mexico
seen from Mexico

seen from United States
@this-charming-cam
“You pulled my sleeve but not too hard Remember when you took too much? I didn’t mind being your crutch We loved you then It’s not the same I don’t like how things change I don’t like how things change”
prints:
The Falling Man is a photograph taken by Associated Press photographer Richard Drew, of a man falling from the North Tower of the World Trade Center during the September 11 attacks in New York City. The subject of the image—whose identity remains uncertain but is speculated to be that of Jonathan Briley — was one of the people trapped on the upper floors of the skyscraper who apparently either fell as they searched for safety or jumped to escape the fire and smoke. At least 200 people fell or jumped to their deaths that day.
Regarding the social and cultural significance of The Falling Man, theologian Mark D. Thompson says that “perhaps the most powerful image of despair at the beginning of the twenty-first century is not found in art, or literature, or even popular music. It is found in a single photograph.”
Helsinki
Matt Monro - On Days Like This
When i die play this at my funeral thankyou
Adriana Varejão - The guest, 2004
oil on canvas
Me and Cam after a gig at the 100 Club
My friends and our various shenanigans caught on film.
Galaxie 500- “Ceremony” (New Order cover)
Patrick Devreux Together
2007. Lithograph
Rena Anju by Alao Yokogi
The Brian Jonestown Massacre - Johnny Marr is Dead
note to self: stop falling in love with everyone who is remotely nice to you, dumbass