Little house in the woods (at Bruce Peninsula)

JVL
he wasn't even looking at me and he found me

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Aqua Utopia|海の底で記憶を紡ぐ
art blog(derogatory)
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Origami Around
occasionally subtle

@theartofmadeline
will byers stan first human second
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Stranger Things
Alisa U Zemlji Chuda

if i look back, i am lost
Jules of Nature

Discoholic 🪩
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Today's Document

tannertan36
seen from Pakistan

seen from United States
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seen from Singapore
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seen from Türkiye
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@thisticklesleah
Little house in the woods (at Bruce Peninsula)
Nature canvas
Alina-Ondine Slimovschi, Paintings.
Spellbindingly ethereal mixed-media paintings from Romanian artist Alina-Ondine Slimovschi.
Don’t miss Supersonic Art on Instagram!
Keep reading
(bigo & twigetti) From my new album Rococochet, which is out Sept 5th.
The Cloud Eaters - Silkscreen print by Joe Web
From the Textlie Archives, by Sarah Arnett
http://www.saraharnett.co.uk/textile-archive-4/
Geodesia 3-D by La Shuks
www.lashuks.com
Atmospherica 3-D by La Shuks www.lashuks.com
Julio Larraz (Cuban, b. 1944), A Man and his Drink, 2015. Oil on canvas, 72 x 60 in.
Déesse VIII "Photo de Classe" by Delphine Lebourgeois
Lucille Clerc - KODAMA - SEEDS
http://lucilleclerc.bigcartel.com/product/kodama-seeds
Here's that mix I made for the Ears Have Ears radio show on FBi Radio Sydney last week, a 20-minute soundtrack that dips into some bits and pieces of old work. xx
― The Seventh Seal (1957) “The angels? God? Satan? Emptiness?”
Alessandra Maria’s “The Virgin, The Whore & The Mother” at Corey Helford Gallery.
Opening on Saturday, November 5th, 2016 at Corey Helford Gallery in Los Angeles, California is artist Alessandra Maria’s breathtaking solo exhibition “The Virgin, The Whore & The Mother.”
Throughout history icons have served to illustrate the predominant ideals of a given social group. In Abrahamic religions, feminine power has been embodied in three forms with few exceptions: the virgin, the whore, and the mother. Put another way: women’s most virtuous roles were defined insofar as their being an object or vessel for someone else.
Alessandra is driven by the prevalence of these outmoded concepts of feminine potential in contemporary society. The narratives of women in popular culture are still crafted around demonizing and dehumanizing ideas of what women can or should be. She believes an important means of addressing this problem entails going back to the source.
Numbered as a means of guiding the viewer’s journey, this body of work is an exploration of Eden without the traditional trichotomy and tells the story of the artist coming to terms with her whole being.
“The Virgin, The Whore & The Mother” will be on display until December 10th, 2016.
brooke DiDonato - 2013
ambience atmosphere warmth confusion
Yvette Chauvire demonstrates hand mimes from classical ballet in Paris Match, 1949