coeurdeliion:
Milly recognized the voice and she could practically feel her eyes roll so hard that the stuck in the back of her head, giving her an immediate headache. “And give you the perfect opportunity to kill me and make it look like an accident? I would never.” She scoffed, looking at the hopeless romantic with squinted eyes. If she could slice his vocal chords, ridding him of all of that boyish charm she would in a heartbeat, but she knew that would just be the cherry on top of the childish sundae that was her and Thomas’ relationship. It was hard to act like an adult around a kid, after all. Funny coming from the woman who many times temporarily dyed his eyebrows and hair random colors to make him look a fool during his act.
“I know the view like the back of my hand. Remember, little one, I helped create it.” Her tone was so sickly condescending that even Bella would say something if she heard her. Not only was he in the way of Bella’s happiness, but he was also in the way of Milly’s. It was hard enough being in love with your best friend without her ex boyfriend getting in the way every time she tried to breathe. At least, that was how Milly saw it. She crossed her arms, suddenly a smirk washed over her features. “I would be careful, though. Heard someone was having trouble fixing the springs of your trampoline this morning. Wouldn’t want them to snap beneath you, now would we?”
Milly O’Malley. Part of him hates the way he feels when he’s around her: something vicious and ugly and distinctly non-princely. Mostly, however, he just hates her. “You’re projecting,” he says, sing-song, like that might disguise the disdain in his face when he looks at her. The jealousy that he feels for anyone who is permitted to get closer to Bella than he is currently allowed. “That’s not my game.”
Every story needs a villain, a dragon that Thomas will slay on the way to win and woo his princess, but he looks at Milly and can’t bring himself to see a worthy opponent—not for Bella’s heart, at least, though her methods of combat are certainly formidable, more deadly than Thomas’ own. But for Bella to end up with Milly would be absurd—that’s not how the stories go. It would be as absurd as Thomas riding off into the sunset with Rolf. It isn’t going to happen. She threatens him, blatantly, and then his lip does curl, revealing his teeth. He wishes that he had thought to pull his phone out of his pocket, record her, show it to Bella and make her see: Milly is more terrifying in her so-called love than Thomas was in his much truer kind. And, in the end, Bella will see that, he’s sure—Thomas is a lover, but he is determined not to be a tragic one, for his story to go the right way, and that means that the villains are punished and the heroes are rewarded and, well, Thomas knows which one he is. “You’re sick,” he says, finally, with all the weight of his judgement, covering up the frisson of real fear he feels at her words. “You really think you can hide that? You really think that she’ll never see it?”



















