[lascitasdelashoras]

Thomas Bernhard, Café Bräunerhof ,1988, por Sepp Dreissinger

[illustrativedesire]

Lars Bo 1924-1999

[portalibis]

Chants royaux du Puy Notre-Dame d'Amiens, c. 1518

[abudinges]

lam yabqa fi qaws sabri minza’: my patience is at an end (lit.: there is no arrow left for the bow of my patience)

[coolancientstuff]

Mummy portraits of Egyptians from the Roman period, 1st-2nd centuries AD

[phobic-human]

An Iranian motorist rides his motorbike past a mural depicting a scene from the torture of Iraqi prisoners by U.S. personnel at the Abu Ghraib prison near Baghdad, on a major highway in the Iranian capital Tehran, June 1, 2004.

(Photo credit: Behrouz Mehri/AFP)

[worldsandemanations]

Hildegard von Bingen Book of Divine Works, Part 3 Vision One: The City of God and the Mirror of the Angels 1230

[loumargi]

Ivan Leonidovich Lubennikov (Bielorussian, b.1951) Guardian angel, 2001 Oil on canvas

[photoarchive]

Humberto Mayol, Untitled, 1991

[random-brushstrokes]

Nils Dardel - Crime of Passion (1921)

[archiveofcanvas]

Georg Baselitz 'Untitled',

2026. Red ink on paper. 11 3/4" x 9". Courtesy

[meschkinnes]

Six of the frowzy-headed Fishers in a pose, ca. 1901

[less-ismore]

Hanne Darboven's studio, Hamburg.

[garadinervi]

«No. 178. Notes préparatoires pour Odile.», in Raymond Queneau plus intime [catalogue par Jean-Pierre Dauphin], (exhibition catalogue), Bibliothèque nationale / Gallimard, Paris, April 1978, [p. 19] [Département Manuscrits, C-1364, Bibliothèque nationale de France, Paris]

[nobrashfestivity]

Oskar Schlemmer

choreography instructions for  Das Triadische Ballet (The Triadic Ballet), 1922

[dreamstars]

[chantssecrets]

Visitors gather to watch giant gushes of water released from the Xiaolangdi dam on the Yellow river in Jiyuan, China.

[ducissatenebrarum]

The “Pillar-biter” (Dutch: pilaarbijter), 1509–1517 — a rare late-Gothic satire carved on the lower choir/rood screen of St. Bavo Church in Haarlem.

The figure grips the column framing him and literally bites into it, his face twisted into a grimace, while a rosary on his belt hints at the message: a warning against excessive, performative piety and hypocrisy, looking devout in public, but acting differently at home.