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Art by Roman Kosmachev
Mark Rothko, Tiresias, 1944
Oil on canvas
Estate of Mary Alice Rothko
© Kate Rothko Prizel & Christopher Rothko / Artists Rights Society
Plants Embedded in Wax Sprout from Fragile Hands in Memory-Infused Works by Valerie Hammond
Saburo Hasegawa (長谷川 三郎, Hasegawa Saburō ), Nature, 1953
Two-panel folding screen, ink
Alphonse Osbert (1857–1939)
Placebo, Dadu Shin
Nasturtiums, 1892, Gustave Caillebotte
Medium: oil,canvas
Pin Calacal - Fetch, 2021
Pine Trees - Inari Krohn , 1996
Finnish,b.1945-
Engraving, 58/80, 28.5 x 31.5 cm.
Unburdened by joy. Nemfrog. 2018
Pamela Colman Smith
via
Deliver me from nowhere, Kim Dorland
Primrose, 1893-1900
Pair of clappers, about 1550-1292 BCE, Minneapolis Institute of Art: Art of Africa and the Americas
curved; each clapper in the shape of a thin human arm and hand with long, thin fingers; incised bracelets at each wrist with linear patterns; ivory colored with some tan spotting These delicately carved forearms, found in a three-thousand-year-old ancient Egyptian tomb, are percussive instruments. Their curved shape and matching growth lines show that they were made from a single hippopotamus tusk, sawed down the middle into two equal pieces. Music was an important part of ceremonies and banquets in ancient Egypt, and the noise of clapping, banging, and rattling was thought to drive away hostile forces. While we will never know exactly how ancient Egyptian music sounded, there are hieroglyphs and wall paintings that show us how these clappers were played: struck together just as one would clap hands. Size: 9 9/16 x 3 x 7/16 in. (24.29 x 7.62 x 1.11 cm) (each, approx.) Medium: Hippopotamus ivory
https://collections.artsmia.org/art/115320/