Fuckin Diabolical

[frodo-baggins]

“What women are allowed into the club of geniuses anyway?”

Little Women (2019) | dir. Greta Gerwig 

[junkfoodcinemas]

A Quiet Place (2018) dir. John Krasinski

[horrorgifs]

PSYCHO (1960) dir. Alfred Hitchcock

[wulfhalls]

The Godfather (1972) dir.  Francis Ford Coppola

I believe in America. America has made my fortune. And I raised my  daughter in the American fashion. I gave her freedom but I taught her  never to dishonor her family. She found a “boy friend,” not an Italian.  She went to the movies with him. She stayed out late. I didn’t protest.  Two months ago he took her for a drive, with another boy friend. They  made her drink whiskey and then they tried to take advantage of her. She  resisted. She kept her honor. So they beat her. Like an animal. When I  went to the hospital her nose was broken. Her jaw was shattered, held  together by wire. She couldn’t even weep because of the pain. But I  wept. Why did I weep? She was the light of my life. A beautiful girl.  Now she will never be beautiful again.

[mydarktv]

David Fincher // Filmography

[dailyshowbiz]

ROSAMUND PIKE as AMY EILLIOTT DUNNE GONE GIRL (2014) dir. David Fincher

[lovewhatsmortal]

Coraline, wait! The mice asked me to give you message. They are saying, “Do not go through little door.” Do you know such a thing?

[markchilly-deactivated20240228]

The lighthouse.

[robertmitchum]

Everybody, try laughing. Then whatever scares you will go away!

MY NEIGHBOR TOTORO となりのトト dir. Hayao Miyazaki 

[heavenfacedmp3]

Chungking Express (1994) dir. Wong Kar Wai

[filmtribv]

“ When you dance the dance of another, you make yourself in the image of its creator. You empty yourself so that her work can live within you. ”

Dakota Johnson in Suspiria (2018) dir. Luca Guadagnino

[grey-wardens-archive-deactivate]

Central to the film is a reclamation of the Orpheus myth, a version of which the three young women read aloud together one night. Sophie registers distress at Orpheus’s fatal, selfish incompetence in looking back at Eurydice when he was told not to, and Marianne suggests he may have done it on purpose, preferring to lose the woman and savor, instead, the romance of his grief, making not “the lover’s choice, but the poet’s.” But it’s Héloïse who removes, for once, the fixation on Orpheus, his failings, and his loss. What if, she says to Marianne with an edge of defiance, it was Eurydice herself who chose art over staying together, who rather than leave the underworld with Orpheus, stopped and called out “Turn around,” preferring to remain down there and be preserved in poetry. A kind of freedom and a kind of permanence, rather than, as eighteenth-century marriage looks to be, an unwilling exchange of one for the other. —  In Portrait of a Lady on Fire, Love is a Work of Art

[blond-shell]

female awesome meme ♡ (7/20) females in a movie → Adelaide Wilson “They look exactly like us. They think like us. They know where we are. We need to move and keep moving. They won’t stop until they kill us… or we kill them.”

[connerys]

One of the message kids. Just a story won’t do. You’d have turned down Gone with the Wind.

William Holden as Joe Gillis in Sunset Boulevard (1950)

[movie-gifs]

“Next time I ask you to marry me, I’m gonna come up with a different way.” Walk the Line (2005) dir. James Mangold 

[samaraweaving]

The Neon Demon (2016) dir. Nicolas Winding Refn Jonh Wick (2014) dir. Chad Stahelski, David Leitch Darkest Hour (2017) dir. Joe Wright Ready Or Not (2019) dir. Matt Bettinelli-Olpin, Tyler Gillett Taxi Driver (1976) dir. Martin Scorsese Summer of 84 (2018) dir. François Simard, Anouk Whissell, Yoann-Karl Whissell Pet Sematary (2019) dir. Kevin Kölsch, Dennis Widmyer

[ethanhunt-deactivated20230911]

Butch Cassidy and the Sundance Kid (1969) dir. George Roy Hill