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izzy's playlists!
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ellievsbear

pixel skylines
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Peter Solarz
Show & Tell

#extradirty
KIROKAZE
I'd rather be in outer space šø
he wasn't even looking at me and he found me
sheepfilms
i don't do bad sauce passes
Three Goblin Art
trying on a metaphor

ā
Today's Document
Game of Thrones Daily

Love Begins
YOU ARE THE REASON
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@totally-normal-boy
safe and soundless
rgu fans I love you and I never have any idea what you're talking about
rgu fans will be like the scene where anthy and utena are going to gamestop is a perfect metaphor for their roles in the story. when they reach the crosswalk, anthy pushes the button, resigned to her life as a pedestrian. Utena can't stand to see her freedom trodden upon like this, and takes her hand and runs across the 4 lane traffic. she's determined to save anthy from her stolen youth even if it gets them both hit by a car. the silhouette guys are driving the cars. and nanami.... isworking the games gamestop cash register. when utena makes nanami sell her an age inappropriate first person shooter, she is saying fuck the rules! fuck the system! but she is sacrificing herself in the process, because she will never again be allowed to set foot in that gamestop. and the game she bought... was for anthy.
unfinished comics
quote from the first one
Anthy Himemiya is a weirdo who listens to metal
weird work doodles
What about Miki? I always assumed Juri was the masculine woman while Miki was the feminine man, playing with the themes of gender. Your Juri post makes me think he's a lot deeper too.
great question. honestly there's so much to chew on with RGU that I can't give you a thorough answer without pondering over it a while. off the top of my head, Iād say that Miki is the most feminized of the male characters, absolutely (except for ChuChu lol). his femininity stems from being younger than all the other characters--and maybe because he is aĀ āfailed prince.ā his big loss is of his sunlit garden, and he believes he ruined it with his own hand. he failed to be strong, he failed to save his sister.Ā
nonetheless, Miki, like all young boys, is having to decide where he stands on patriarchy. even if he's on the bottom of the pile, he is still starting to see women as objects of desire; even if he immediately agrees when Utena says no one should be robbed of their personal freedom, his desire to possess his shining thing wins out in the end.Ā
Miki's foil is Kozue, though it could be argued that Touga is a foil of his, or at least an ideal he must struggle with.Ā people often talk about Miki having a virgin-whore complex about his sister, which I think is a bit of an oversimplification, but is certainly there in the text. rather than miracles, Miki and Kozue are both concerned with purity; they struggle with maturation and sexuality, secretly wishing to return to the comfort of the nest.Ā
I don't know if I see Kozue as representing Miki's shadow self the same way that the Shiori/Juri/Ruka triangle works. in my opinion, while the male characters in RGU are important, the work is primarily concerned with exploring the "innner self" of girls, with the boys operating more as catalysts for their stories.
I'm getting a bit off topic here, but projection is central in the story, and the distinction that I would draw between Juri and Miki is in the kind of projection they take part in. as far as I've thought it out, the boys in RGU engage in "projective objectification," while the girls areĀ āprojective identifiers.ā for example, Juri identifies her past self with Shiori; sheās projecting, but projecting herself. on the other hand, Miki projects an ideal on to Anthy, and this is something he wishes toĀ āhave.ā (this doesnāt necessarily mean the girls are nicer; Juri takes her bitterness out on anyone who reminds her of her past innocence.)
so what is the end point for projective objectifiers? Ikuhara discusses extensively in this interview how, in his view, it is extremely difficult for men to escape from the desire to possess and control. but, he says, he loves the idea of a manĀ ābecoming oneā with the object of his desire, or with desire itself. certainly in Kozueās eyes, Miki already is the shining thing that he is seeking after. by wanting the Other enough, does he become it? Miki is just as much of an androgynous character as everyone else in RGU.
Iāve been listening to a lot of Utena music at work lately and its so GOOD
Did you fuck my brother saionji?
anthy dress up
ref 1
ref 2
ref 3
ref 4
a witch
can you guys stop referencing utena and focus on your pressing relationship issues instead. can you put his heart back in and go to marriage counseling
Ok but could y'all imagine if anthy actually used the magical sword she pulls out of her chest for herself
It would be so cool ššš
(Oooh! Oooh! I hope it's science fiction.)
i think these two should be memed more often [ID in alt + below]
[image description: three images of touga and saionji from revolutionary girl utena anime. each image has a 'live slug reaction' meme at the bottom which shows the slug monster from rise of the Skywalker that frowned at a gay kiss scene. first image is a close-up of saionji holding touga during the pre duel scene. second is touga pulling a sword out of saionji's chest. third image shows saionji and touga on a sidecar, touga driving and saionji in a t-pose. each image has a live slug reaction at the bottom. /End ID]
screencap from my favourite utena ep :)