Railway workers on strike using a barbecue adapted to tramway rails during a protest in Nice, France, 2018.
noise dept.
wallacepolsom

#extradirty
RMH
🪼

roma★
Mike Driver
i don't do bad sauce passes
"I'm Dorothy Gale from Kansas"
Alisa U Zemlji Chuda
2025 on Tumblr: Trends That Defined the Year
Show & Tell

izzy's playlists!
I'd rather be in outer space 🛸
Jules of Nature

❣ Chile in a Photography ❣
Cosimo Galluzzi
Sweet Seals For You, Always

pixel skylines

祝日 / Permanent Vacation

seen from Italy

seen from Brazil
seen from Spain
seen from France

seen from Malaysia
seen from United States
seen from United States

seen from Malaysia
seen from United States

seen from Singapore

seen from Malaysia

seen from United States

seen from Germany

seen from Japan
seen from United States
seen from Bangladesh

seen from United States

seen from United States
seen from United States

seen from United States
@tranitys-blog
Railway workers on strike using a barbecue adapted to tramway rails during a protest in Nice, France, 2018.
Alan Sonfist, Earth Monument to Chicago, 1965-77, Natural earth drillings consisting of :1) Sand, gravel and clay mixture; 2) Very stiff gray clay silt; 3) Fine sand with gray clay; 4) Gravel with gray clay 5) Dense gray clay silt; 6) Hard pan; 7) Green shale; 8) Sandstone; 9) Dolomite with pyrite (a form of limestone), Installed: 5.7 x 182.9 x 243.8 cm (2 ¼ x 72 x 96 in.)
Railway workers on strike using a barbecue adapted to tramway rails during a protest in Nice, France, 2018.
Zoro and chopper😭😭
Peter Schudde - Meltdown Matrix I (mixed media), 2020
Guillaume Bijl, Gym, 1983
Provinciaal Museum - 1990,
Witte de With, Rottedam
Guillaume Bijl, Caravan Show, 1989, Le Magasin, Grenoble
By @multigalactic (on Instagram), Ode to Trucking Company Names that Include "Trans", 2022
(From @transgendertrucks on instagram)
Random PNGs, part 50
ENTRETIEN GUILLAUME BIJL, particules n29, juillet,septembre 2010, page 6
Guillaume Bijl, Lockers Room, 1998, Offenes Kulturhaus, Linz
Gregor Schneider, Kinderzimmer, 2008
mixed media, 205 x 310 x 340 cm
Haus u r’s exterior. The rooms viewed from outside are unlikely to be encountered by those who enter
(Gregor Schneider, Haus ur)
"In the following I will be addressing the art of Gregor Schneider, who says he 'collect rooms' - the way painters paint interriors, for example, and then collect their own paintings. Because his aim is to construct room; to build from memory, to draw on descriptions, to create trough imagination and intuition. But also to find rooms that he expands or appropriates by re-creating them - event to acquire rooms or entire houses whose form and content he considers as the very material of his art"
Gregor Schneider, Raimund Stecker, (p63)