Transversal Sociología

Zine y blog de sociología.

[fuckyeahanarchistposters]

Some anti-Columbus Day poster designs

[fuckyeahanarchistposters]

“Boss makes a dollar, I make a dime.

So I organize on company time”

Artwork by Tabitha Karol

[mysticaljargon]

As a 22 year old with a degree in sociology, these quotes hit me hard.

[fuckyeahanarchistposters]

[tiocfaidharlulz]

The Savita Halapannavar Mural 26/05/18, Portobello, Dublin. The day justice was served for all who have suffered at the hands of the 8th amendment.

Ar dheis Dé go raibh a hanam. Go raibh mile maith agat, Savita.

[fuckyeahanarchistposters]

French anti-capitalist posters produced following the May 68 Paris uprising.

[fuckyeahanarchistposters]

“Anarchy doesn’t die in the mouth, it prevails in active hands.”

On May 22, 2009, Mauricio Morales, an anarchist of praxis who lived confronting every form of power and died a fighter, without fear, without hesitation… RIP, Punky Mauri. Nothing is over

via: rainbows from atoms

[samanthassamantha]

Las clases sociales en México, solo algunos pocos pertenecen a una.

[decolonizingmedia]

[fuckyeahanarchistposters]

Indigenous Peoples’ Day

[silezukuk]

“1960s: A child in Kyrgyzstan photographed with a Lenin poster.” / [***]

[hiboulette]

Tate Modern, London—8 March 2016

[transversalsociologia]

Walter Benjamin’s Philosophical Thought Presented by Two Experimental Films

Literary theorist and scholar Walter Benjamin was part of a small but incredibly significant cohort of German-Jewish intellectuals who fled the Nazis in the thirties. The group included thinkers like Theodor Adorno, Max Horkheimer, Hannah Arendt, Herbert Marcuse, and Bertolt Brecht.

#NosGusta Walter Benjamin

[proletarianmemeticslabs-deactiv]

IWCA

[the-movemnt-deactivated20170912]

Just remember, public opinion is rarely on the right side of history (x) | follow @the-movemnt

[nevver]

True North, Raphael Olivier

[thewriterkb]

[visual-poetry]

»honesty« by john ilg

my original concept for the piece was to challenge a person’s moral fiber when presented with a temptation. i presented 316 dollar bills rolled and inserted into hardware mesh with nothing but friction and viewers’ ability to resist temptation being the only forces holding them in place. at its debut showing at the 2008 minnesota state fair fine arts exhibition (where 200,000+ people would be passing by), i expected such a number of bills would be taken so the word “honesty” would dissolve into illegibility—wouldn’t take many missing to have this happen—and eventually all would be gone. but minnesotans = hyper-honest! in fact, people could not keep their hands off the money but not as expected. to my surprise and financial good fortune, people inserted nearly $150.00 additional dollars into the piece! although people altered the letters somewhat, (especially adding to the “y’) they didn’t remove or replace any bills as i had originally inserted them. watching people “work on” this piece was a delight for the staff and i heard many funny stories. as an added bonus and to show that nature imitates art in perverse ways, the economy headed deeply south about a month after that showing and the recession was on. “honesty” turned out to be an unexpectedly interactive piece that got under people’s psychological skin. it is about both the force at the center of our ethical self and resistance to temptation.  the piece calls on the psychological space between trust and integrity, desire and restraint, impulse and regret.