roma★
$LAYYYTER
Andulka
Xuebing Du
occasionally subtle
let's talk about Bridgerton tea, my ask is open
tannertan36
we're not kids anymore.
Product Placement
Discoholic 🪩
No title available
NASA
祝日 / Permanent Vacation
YOU ARE THE REASON
⁂
Kaledo Art
pixel skylines
Claire Keane
Aqua Utopia｜海の底で記憶を紡ぐ
Not today Justin
seen from Canada
seen from United States
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@tribalgathering
“I love the whole Pet Sounds record. I got a full vision out of it in the studio. After that, I said to myself that I had completed the greatest album I will ever produce. I knew it. It was a spiritual record. I wanted to grow musically, to expand our horizons and do something that people would love, and I did it.” - Brian Wilson
Brian Wilson working on Pet Sounds in the studio, 1966. Source: Michael Ochs Archives
The Lemon Twigs | 2 or 3
The Lemon Twigs - I Just Can't Get Over Losing You
I just can't get over losing you It hurt so badly Everything I've done since we were two I'd give it up gladly
Today Today Today It feels so good to say That I just can't get over losing you
I just can't get over losing you But it's too late, sadly Time and time again I play the fool But I wish you still had me
Today Today Today It feels so good to say That I just can't get over losing you
You are the reason That I wake up in the morning You're all I need tonight You're all I need tonight And I just can't get over you
Today Today Today It feels so good to say That I just can't get over losing you
Today I wanna say Ah-ah-ah Ah-ah-ah That I just can't get over That I just can't get over That I just can't get over you
20/03/2026
In 1975, Keith Richards famously wore the “Who the F*ck is Mick Jagger?” t-shirt as a tongue-in-cheek joke during the Rolling Stones’ Tour of the Americas. The shirt was a playful jab at the intense media focus on Mick Jagger’s persona and ego at the time. Richards donned the shirt both backstage at Madison Square Garden and during various stops on the tour.
Despite popular belief, Richards didn’t make the shirt himself to take a jab at Jagger. The shirt was actually a gift from Atlantic Records (or specifically, a PR stunt/gift related to the label).
At the time, Mick Jagger was increasingly seen as the jet-setting, high-society “businessman” of the band, while Keith remained the gritty, quintessential rock rebel. Keith wore the shirt during rehearsals and backstage as a tongue-in-cheek comment on Jagger’s massive ego and his burgeoning status as a global celebrity.
The 1975 tour was a chaotic, high-energy period for the Stones. Richards was at his “peak” pirate aesthetic—shaggy hair, kohl-rimmed eyes, and scarves. The white t-shirt with bold black lettering stood out against his usual dark, layered stage gear.
4/3/26.
Bullseye's S/T debut LP on ever/never has been popping up on my follower's purchase feed a lot lately and for good reason. This is rock n' roll that asks us to, according to the Bandcamp notes, "imagine if Gene Clark never made it to L.A. Instead, he held it together in the Midwest and made beer-sipping music for a bunch of ham-and-eggers who don’t know they’re about to hit the skids as the belt begins to rust. Bullseye conjures such a reality."
Bullseye is a New York band whose two prior Bandcamp offerings trend closer to Guided By Voices than Gene Clark/The Byrds. In fact, we get a clear idea of the band's evolution through listening to an early, under-a-minute version of "Dangers Of The Heart".
But, Nate K (WFMU) notes on the release page, "The NYC-via-Minnesota quartet craft flawless, roots-tinged jangle-pop that recalls not only the aforementioned Clark and all the other Byrds, too, but a few other legendary “B” bands: Big Star, Buffalo Springfield, Blue Ash, gBv. And while certainly not sonically aligned, let’s throw in the Beat Happening, at least as far as Bullseye’s similarly admirable commitment to a burgeoning new DIY-pop underground is concerned."
Fairport Convention
Girl with doll’s head, Capels, West Virginia, 1968 - by Arthur Tress (1940), American
Carol Kane
Endless Night | Sidney Gilliat | 1972
Hywel Bennett, funky moped
jarvis 2008 - flickr
Bridget St. John - Autumn Lullaby (1969)
On her first LP on John Peel's Dandelion label, Bridget St. John sounds a bit like a more in tune Nico. Quiet and reflective.
I shuffle with October leaves And worn out wings of butterflies
Neil Young photographed by Nurit Wilde in the dressing room of the Santa Monica Civic, 1967
much to think about
Gabrielle Drake, UFO, 1971
Black panther party, ca. 1967 - by Stephen Shames (1947), American
“I am alive in 2015, and that feels great. I am proud that I have survived. Damn proud. Proud that I have weathered not just one storm, but a lifetime of storms. Proud that I have stuck with my music and musical convictions. And proud – really proud – to have proven stronger than many imagined me to be.”
— Brian Wilson (via billboard)
