alex young & peter mcgovern as montlie
(@callmelasagna's master)
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PUT YOUR BEARD IN MY MOUTH
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@troutmemo
alex young & peter mcgovern as montlie
(@callmelasagna's master)
act as if briefcase fancam
(@andrewlloydwebbersipad's master)
me when my actions have consequences
(@andrewlloydwebbersipad's master)
Free my man Monty from the consequences of his own actions
yes exactly free my boy. he did do all of that and he does indeed deserve the worst. but free him
Constantly thinking about the way Peter!Charles reacts to Alex!Monty shouting at him to “get Haselden on the line”. He always looks so upset and confused and keeps looking back at the door Monty’s just left through. They just make me sick and I miss how much they understand their characters
good god this always made me feel absolutely batshit insane. i think a lot about peter charlie's arc, specifically the ways he became more like monty throughout the show, and i think it's interesting to parallel the way alex monty delivered that line vs the rare moments peter charles would raise his voice. for example "give us a break hester" or some of the lines to jean and monty in the confrontation (which sometimes peter delivered very quietly and emotionally and other times he shouted & went for anger - thinking about "i trust him" and "i saw you monty" specifically). obviously none of those examples are quite as volatile as monty's "get haselden on the line" but they do feel like little stepping stones for charles, who never got so loud pre mincemeat, in his journey to becoming more like monty. and it's interesting that he learned to copy and mimic monty's way of speaking and sometimes even his mannerisms in little ways; maybe subconsciously, but definitely because of an innate need for monty's approval and the approval of the other men in his circle.
with alexpeter i think there was always an unspoken sense of charles feeling like he was getting a good grade in 'being monty' (especially prevalent in act as if of course, but way before then too), which reminds me of southwark 2020 jean leslie calling charles monty's "star pupil". obviously a LOT of that original dynamic has changed since then, but i think there were moments in peter's performance that brought back that specific charles characterisation. his reaction to "get haselden on the line" felt like one of them, because to me it read as someone who thought he was finally 'in' with monty (which gave him the confidence to approach and say "what are we going to do?", almost challengingly, in the first place) being proven violently wrong. he was pushed 'out', and he would stumble back (or in many cases with alex, was forced back) to join hester and jean: the social outsiders he thought he had risen above.
and i don't mean he thought that maliciously. i believe there is a fondness he feels for jean and hester that is more sincere than monty's, but it isn't a coincidence that hester and jean are the only people peter charles would raise his voice to (except for monty in the confrontation, but i do believe that is slightly different). i mean it just always comes back to gender doesnt it. because a LOT of what charles had learned from monty was how to perform masculinity 'correctly', and while i do think charles believed hester and jean were amazing women, he was never free from the preconception men had at the time that even the most amazing woman could never surpass the average man. so no matter his fondness, he didn't want to be looped in with them. that would mean failing at manhood, and manhood is the thing ewen montagu kept reminding charles he valued the most. and convinced charles he should value it just as much. it's intrinsic to how monty describes bill and how he talks to charles generally - alex's delivery of "so just be a man" being the most blatant example.
and now im thinking back to the staging/choreography of this bit. charles breaking away from hester and jean to follow monty. monty snapping at him, which makes charles stagger back to where he started. then finally charles looking back to the door monty left through, yet glued to his place among the women. i feel like it tells us so much about the arc of charlie's social standing and his relationship with masculinity. no matter how much he chases monty and tries to be like him, he is forced back, and left behind, longing to follow.
he turns things around by the end of the show of course (and really it's monty who gets left behind...) but that mid-act 2 charles characterisation will always stick with me. especially the way peter performed it. he is so very missed.
missing him oclock
me when my actions have consequences
(@andrewlloydwebbersipad's master)
I’m definitely going to say this at some point:
[another quality meme brought to you by my VeryShort break]
may i offer you 30 montys in these trying times?
currently liking the character so much that all I can do is pace around my darkened house saying "they make me die"
troutmemo stinks
i said behave
anon is back on please behave x
Black Monty because I adore him
where’s my oscar for acting like i’m not falling apart
Soundtrack Act As If vs show Act as If is so different and it’s a jump scare every time.
this is a stupid idea that nobody asked for but here’s a background-less cutout of my most recent Monty so you can sit him on images of your choosing. If you are like me and easily amused then please feel free to use to your heart’s content
"[charles] is literally saying, 'i'm a man, i'm scared', during war. when everyone is like, 'don't be fucking scared. we can't be cowardly. we can't think about that, we certainly can't talk about it, because if we did, none of us would do anything.'"
[...]
"it's why i feel the need to get [his] face, and to be like, 'we can't go there. i'm going to share something with you, to say i understand, but we can't go there.'"
alex young on the milky pig scene [x]
(@mozartlikestheatre's master)