DON'T TALK TO STRANGERS

[timotzj]

Chloë Sevigny in The Last Days of Disco (Whit Stillman, 1998)

[mona-l1sa]

[fravery]

By Kiki Galvan Morales, East Village NYC Boring cat

[rougeprofond]

[alexis-quintero]

[afexplorer]

Julia Luzina

[nontemporary]

ALEXIS JAMET

[huariqueje]

Black Cat -   Ishikawa Toraji , 1935.

Japanese, 1875-1964

Woodblock print,  37.5 x 48 cm.

[madeofwhitebone]

Eruption of Oldoinyo Lengai Volcano /

Richard Bosman (American, b. 1944), Volcano, 1989. Oil on two canvases, 244 x 198 cm /

Andy Warhol Vesuvius, 1985

[bienenkiste]

Photographed by Harley Weir for Simone Rocha’s F/W 2019 book

[365filmsbyauroranocte]

Oncle Yanco (Agnès Varda, 1967)

[nevver]

Saturday night fever, Mark Tennant

[365filmsbyauroranocte]

Diários de Otsoga (Maureen Fazendeiro & Miguel Gomes, 2021)

[1950sunlimited]

Young Couple seen from the back kissing at night at Woodstock, 1969

Bethel, New York

John Dominis

[haverst]

source

Haverst on Instagram

[delta-breezes]

[productiondesign]

1990′s video store aesthetics in The Watermelon Woman (1996), written, directed, starring, and edited by Cheryl Dunye. 

“Writer-director Cheryl Dunye’s debut feature centers on video store clerk-cum-documentarian Cheryl and her obsessive quest to unearth the forgotten contributions of African American women throughout cinematic history. Intent on creating a perennial work that would surpass the magical, democratized moment of mid-‘90s prosumer video-making, Dunye imbues The Watermelon Woman, the first feature-length film directed by a Black lesbian, with a crystal clear mission: to tell those stories that have never been told.” 

From what I can tell, this film didn’t have an official production designer. Cheryl Dunye presumably did that work herself, along with writing, directing, and editing the film. After all, she made this film on a budget of only $300,000! But I did find that Sharon Potts was the props master. If anyone knows more about the crew for this film, send me resources!