Roses From the Front Wall, Llwynhir by Diana Maxwell Armfield (English, 1920 - present)
Sweet Seals For You, Always
Peter Solarz

blake kathryn
trying on a metaphor
tumblr dot com
d e v o n

祝日 / Permanent Vacation
h
we're not kids anymore.

No title available
No title available
taylor price
almost home
will byers stan first human second

Origami Around
No title available

if i look back, i am lost
Sade Olutola
wallacepolsom

❣ Chile in a Photography ❣

seen from Malaysia

seen from Malaysia
seen from Australia
seen from Malaysia

seen from United States
seen from United States

seen from Singapore

seen from United Kingdom

seen from Malaysia
seen from United States

seen from Malaysia

seen from Türkiye

seen from T1

seen from Italy
seen from Ukraine
seen from United States

seen from Italy
seen from Azerbaijan

seen from Netherlands

seen from Germany
@twatsmack
Roses From the Front Wall, Llwynhir by Diana Maxwell Armfield (English, 1920 - present)
Thierry Mugler a/w 84
An Gyungsu (안경수) - Cave, 2010 [Acrylic on canvas]
Nature morte au flambeau du trésor de l'ordre du Saint-Esprit, gemmes et crucifix, 1889 by Blaise Alexandre Desgoffe (French, 1830–1901)
Naomi Campbell in 2007*:・゚✧*
2022 plans
I barely talk to anyone anymore so if i talk to you congrats
Women’s Graphics Collective, Abortion is a personal decision not a legal debate, Chicago, IL, 1969-1970s [Center for the Study of Political Graphics (CSPG), Culver City, CA]. Plus: Posters designed by the Chicago Women’s Graphics Collective at the Center for the Study of Political Graphics (CSPG) / at the Oakland Museum of California, Oakland, CA. Plus: Chicago Women’s Graphics Collective by Estelle Carol, Chicago Women’s Liberation Union (CWLU) Herstory Project. Plus: The Chicago Women’s Graphics Collective: A Memoir by Estelle Carol, «Feminist Studies», Vol. 44, No. 1 (2018), pp. 104-124. Plus: Interview with Estelle Carol, co-founder of the Chicago Women’s Graphics Collective, Never The Same, 2012
Keep reading
From: Alfred Hickethier, Le Cube des Couleurs, Dessain et Tolra, Paris, 1973
(via Micah Lexier, plus typoswiss)
With everyone
Summer, 1929. Leo John Meissner. Woodcut
“DREAM: XXVI – THE ETERNAL EYE” GRETE STERN // circa 1951 [gelatin silver print | 22 × 22 cm.]
Takamoro Ayanokouji: Home Delux (2001)
𝚃. 𝚂. 𝙴𝚕𝚒𝚘𝚝, 𝚃𝚑𝚎 𝙻𝚘𝚟𝚎 𝚂𝚘𝚗𝚐 𝚘𝚏 𝙹. 𝙰𝚕𝚏𝚛𝚎𝚍 𝙿𝚛𝚞𝚏𝚛𝚘𝚌𝚔 (𝟷𝟿𝟷𝟻)