Welcome to the Cheese Mine

28, he/him Octopus enthusiast and goat lover profile pic drawn by @slowedmountains banner drawn by @impactframe

[basedhighsenberg]

[barnsburntdownnow]

Wall Creeper Rajesh Mahajan, 2022 Parwanoo, Himachal Pradesh

[daughterofsarenrae]

hey, don't cry. marbled polecat, ok?

[aspirationalbrand]

amazing things happening in late series columbo episodes

[adigitalsky]

texas longhorn dragonsona 🐉🐄🔥 YEEHAW

[frankendykes-monster]

[immaplatypus]

so I looked up the article to make sure it wasn’t taken out of context and it’s even better than I could’ve thought:

Holland said this allowed him to “lay down the law” on the “Spider-Man” set “and say, ‘We are not going to come to set and figure it out. We need to know why we are making this movie beyond the fact that it’s ‘Spider-Man 4’ and they make loads of money and we’re going to just have a big summer. Why are we making this movie?’ And Destin was super instrumental in that, but it was just really great to constantly be calling up the studio and [producers] Amy [Pascal] and Rachel [O’Connor], who I love, and be like, ‘Well, Chris is doing it this way. This is how I think we should be doing it.’ ”

Apparently Sony allowed Holland to postpone Spider-Man production due to how reliable Christopher Nolan is to actually wrapping up on time. Holland said this ended up beneficial because it allowed them to hire Destin Daniel Cretton (director of Shang-Chi) and give him a proper six months for further script development.

Holland also says The Odyssey was “the best experience I’ve had on the film set,” and that “I feel like I have a new perspective on where I want to exist in Hollywood.”

[ostolero]

[pixelins]

🔮⋆⁺₊⋆ ☾⋆⁺₊⋆🔮 take a sip 🔮⋆⁺₊⋆ ☾⋆⁺₊⋆🔮

[iliothermia]

🌟✨☀️ Lumen ☀️✨🌟

[iliothermia]

I’ve reprinted this drawing for the first time in years for Pride month, if you’d like one they’re here!

[baradragon]

speaking from a place of privilege (good url)

[baradragon]

some of you should not be reblogging this

[assdad]

[birdsareblooming]

For the love of god stop

[enby-butch-dyke]

From Dublin Trans & Intersex Pride March July 2025

[the2headedcalf-movedagain]

reblog or reply with your love song. you know, the one that you think is what love sounds like

[shnowyfox]

it would be so awesome

it would be so cool

[soulren]

Messing up my customer service hotline job and playing a gunshot sound effect over the phone then coming back with a slightly different accent

[men-iss-vess-ull-deactivated202]

when the ogre I hired to guard the castle complains that the longsword I gave him requires a level of control and finesse he isn't used to

[eden-in-ruin]

Call of Duty’s newest installment is set in a renewed Korean War. But Modern Warfare 4 isn’t just a game—it’s a forecast of the genocidal war the US is planning for Korea.

The game’s release trailer shows shocking images of North Korea striking civilian areas—but it was the US that leveled almost every standing building in the north during the Korean War. COD MW4 is part of a larger project to obscure the reality of the Korean War, which was a war waged by the US occupation against Koreans who resisted its division of the country.

Far from a game, millions of Koreans today still live in the distended shadow of the ongoing war—a war that the US is actively stoking the flames for with hundreds of escalatory war games.

This is not the first time COD has completely revised history. In 2019, the franchise laundered the infamous Highway of Death as a massacre by the Russians—not as was in reality, the US.

COD is part of a larger military-entertainment complex that spans the entire entertainment industry from movies to video games, through which the Pentagon actively shapes the narratives of games like MW4 that serve as public relations shields for US imperialism.

Games like Call of Duty also condition young people for recruitment, which recruiters take advantage of by infiltrating gaming platforms, public schools, and gaming conventions. Youth enter the military hoping to be heroes, only to be the world’s most dangerous terrorists.

It’s no coincidence that COD MW4 is set in Korea while US war threats in the region are at an all time high. Many of us are outraged by this depiction of the Korean War—but our task now is to build organized opposition to US imperialism by raising consciousness and solidarity.

US OUT OF KOREA!