h

Kiana Khansmith
$LAYYYTER

roma★
NASA
wallacepolsom
styofa doing anything
almost home
No title available
cherry valley forever

Janaina Medeiros
Peter Solarz

❣ Chile in a Photography ❣
Today's Document
YOU ARE THE REASON

Product Placement
Cosimo Galluzzi

★

No title available
One Nice Bug Per Day
seen from Türkiye
seen from United Kingdom

seen from United States
seen from Bulgaria
seen from Bulgaria
seen from United States
seen from United States

seen from Malaysia
seen from United States
seen from United States

seen from United States
seen from United States

seen from United States

seen from Türkiye
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
@txkuiyo
Magdalena Skrzyńska
Pejzaż z łubinami
Olej na płótnie, 55x65 cm
Rigorous Self-Critique: "All the gifts your parents gave you, all the love and patience of your friends, you drowned in a neurotoxin. You let misery win. And it will keep on winning till you die — or overcome it."
You: I don't want to be this kind of animal anymore.
Shivers: Run. To the church. Home. Anywhere but here. *Anything but calling her again.*"
You: How will I see you *again* then? Dolores Dei: Right here. Tomorrow night. Once this dream starts happening it keeps happening — three times a week. At least, And Harry, it really really looks like it's started *happening* again. There's the video rental... I'm suffocatingly beautiful. And young. And I smell of tutti frutti chewing gum — like I did that time when I asked you for forgiveness. After leaving you the first time, so long ago..." You: But this is intolerably bad. Dolores Dei: Oh yes. This is real darkness. It's not death, or war, or child molestation. Real darkness has love for a face. The first death is in the heart, Harry... See you tomorrow.
DOLORES DEI: “No, Harry.” She shakes her head sadly. “No. I don’t want a *massive epic showdown*. I want to go to the aerodrome. I have tickets for the 10:20 flight to Mirova…” She looks at you plaintively. “Really… We don’t have anything to talk about anymore. Every combination of words has been played out. The atoms don’t form anymore, us, our love, our unborn daughters… It’s all gone. I have to go to the aerodrome. I have to leave Revachol and you. And you have to be alone—in hell, forever. That’s just the way it is.”
Prometheus - Jean Delville, 1907.
Ōrai Noriyoshi (Japanese, 1935–2015).
"Dak To 1967 〈ベトナム〉" / 1977.
Likely gouache on board, c. late 1970's, possibly 1977. This featured image is a lightened and sharpened variation of the original. Chose this as the OP since it's the highest quality of this image available online. See comments section for the painting with original tone & brightness.
オリジナル作品
月刊ブレーン・掲載
1977年
This piece was featured in an issue of a Japanese magazine whose title (or publisher? - I'm unsure) approximately translates to MONTHLY BRAIN PUBLICATION (1977).
Based on a photo taken by war photographer, Henri Huet (French-Vietnamese, 1927–1971).
(See comments section for the original photograph.)
The title for this piece is apparently "Dak To 1967" in reference to the Battle of Đắk Tô, which was a series of engagements in the Vietnam War that took place between Nov. 3–23 in 1967.
If the "Dak To 1967" is the true title of this piece, then Ōrai was likely mistaken. The original photograph by Huet on which this image is based was taken during Operation Masher, which took place between Jan. 24–Mar. 6, 1966.
Operation Masher—later renamed 'Wings' by President Lyndon Johnson to insinuate a less aggressive tone to the operation as a public relations move—was, and remains, the single largest seek-and-destroy mission ever conducted. It took place in the central coast of South Vietnam. In such missions, the troops would search for intel and supply areas and destroy them. The purpose of this specific search-and-destroy mission was to drive enemies out of the Binh Dinh Province and destroy supply areas.
Huet was born in French Indochina, joined the French Navy where he received training as a photographer, then returned to Vietnam in 1949 as a combat photographer during the First Indochina War, where he subsequently remained as a civilian after war's end. He was also likely the most influential war photographer of the Vietnam War when it broke out, as his images were largely responsible in forming public opinion regarding the conflict. Most prominent is his series of photographs featured in LIFE magazine (Feb. 11, 1966). He was later awarded the Robert Capa Gold Medal in 1967 for "best published photographic reporting from abroad, requiring exceptional courage and enterprise" (Wikipedia). He died in Operation Lam Son 719, during South Vietnam's invasion of southern Laos, when his helicopter was shot down.
The photograph Ōrai's artwork is based on was featured in LIFE magazine and the large caption read: "On with the war and 'Operation Masher.'"
❤️ , 20 x 20 oil on canvas by Ivan Alifan Jdanov
Painting by Alai Ganuza.
Procession in the Fog - Ernst Ferdinand Oehme, 1828.
The Waiting Room | 📸: Nathan Head
Study for the Head of the Gorgon (Detail), 1895
Nature God "Celebration of Life and Love."
Alpha Channeling
Inferno, Canto 28 - Illustration by Gustave Dore
James Webb telescope dropped its latest image, Neptune, and its rings 4 days ago.
An Angel Appears to Balaam by Gustave Doré
Takato Yamamoto