[zegalba]

Hauserman Showroom Exhibition New York, Designed By: Virgnelli Associates (1984). These four shots show how different colored lighting can manipulate the mood of a space.

[ravenkult]

Glass Blocks by Chunck Trafagander https://www.artstation.com/artwork/QrvAWr

[makeuphall]

[logoffs]

faces @ ac9 fall 2022

[07170]

alternate carrie posters, 1976

[mysterytheater]

“This is the girl they keep calling a monster. I want you to keep that firmly in mind. The girl who could be satisfied with a hamburger and a dime root beer after her only school dance so her momma wouldn't be worried . . .” ― Stephen King, Carrie

[nontemporary]

ZACHARY LIBERMANN.jpeg

[zegalba]

Miu Miu: Magazine Ad Campaign (2001)

[yournewkeyboard]

Look at this video editing keyboard. It’s clear. The keycaps are wild. It’s highly specific. I love…

[sweatermuppet]

[Image ID: a leaf with a transparent background. on the leaf in black text are the words "no one loves me for long." /End ID]

click for quality

[dandyads]

Miller Lite, 2002

[azurea]

[euo]

Stress marks, 1999, by Elinor Carucci.  

[likeafieldmouse-deactivated2015]

[dolosolo]

Vietnam Zippos showcases the engravings made by U.S. soldiers on their lighters during the height of the conflict, from 1965 to 1973. In a real-life version of the psychedelic war portrayed in Francis Ford Coppola’s Apocalypse Now, Sherry Buchanan tells the fascinating story of how the humble Zippo became a talisman and companion for American GIs during their tours of duty. Through a dazzling array of images, we see how Zippo lighters were used during the war, and we discover how they served as a canvas for both personal and political expression during the Age of Aquarius, engraved with etchings of peace signs and marijuana leaves and slogans steeped in all the rock lyrics, sound bites, combat slang, and antiwar mottos of the time.

[consecuences]

[9710144]

[whoisnoahdillon]

HoYeon by Noah Dillon. 2022. 

[burcci]

[omenalehto]

home, with expired film