Sidi Yeti half Pitted Museum
Keni

❣ Chile in a Photography ❣
Alisa U Zemlji Chuda
No title available
wallacepolsom

Kiana Khansmith
ojovivo
2025 on Tumblr: Trends That Defined the Year
PUT YOUR BEARD IN MY MOUTH

@theartofmadeline
Claire Keane
"I'm Dorothy Gale from Kansas"
RMH
No title available
occasionally subtle

#extradirty

izzy's playlists!
Sade Olutola
Misplaced Lens Cap
trying on a metaphor
seen from Hong Kong SAR China
seen from United Kingdom
seen from T1
seen from Germany
seen from United States
seen from Japan
seen from Canada
seen from Türkiye
seen from Brazil

seen from Türkiye

seen from Australia
seen from India
seen from France

seen from Malaysia
seen from Netherlands
seen from United States

seen from T1

seen from United Kingdom

seen from Denmark

seen from Malaysia
@ulthaddouk
Sidi Yeti half Pitted Museum
Cheikh Yahya Eco-Lodge
T A M A W I T turned 5 today!
Redundant Industrial Heritage in Britain: Snowdown Colliery an adaptive re-use exercise.
The images of this post are part of my dissertation entitled as written above and is an attempt to conciliate between the hostile built heritage and the environmental reclamation. The political speech of a nation’s lost industry, is displaying a major conundrum regarding collieries and other mining sites. Yet prosperous businesses involving local communities are able to set aside the environmental stakes of post mining site management and ownership economic concerns and other challenging phenomenons peculiar to the British culture. The aim of the study is to expose the relevant paradigm with a real case scenario, to discuss its successes and failures and to set a model of adaptive re-use in coherence with the conservation strategies of modern derelict heritage in a challenging environmental setting. It is also our responsibility, as architects, to revisit and think adaptive re-use of industrial redundant sites and disadvantaged areas like British collieries.
Driven by my passion for historic sites, I came to discover astonishing architectural styles and historic preservation practices and philosophies. Should a historic building be saved partially or totally? Why do we care about its preservation? When was the building destroyed and what has been lost? How should we preserve? I soon realized that answers based only on personal views and culture can be biased… Only by studying the cultural, geographical, socio-economic and political context of a historic building can we really understand its significance and proceed to restoration.
There are different attitudes to conservation. It was fascinating to compare philosophies as different as those of Violet le Duc, John Ruskin, Cesare Brandi, and Camillo Boito, as well as conservation charters such as those of Venice and Athens. In addition to conservation philosophy, my journey in England introduced us to historical societies, charities, trusts, funding bodies and community involvement regarding heritage. I realized that besides understanding the UK planning system, one should be familiar with the work of amenity societies and funding bodies. After all, successful historic preservation in the UK lies in the combination of a robust legislation with the work of societies such as the Society for the Protection of Ancient Buildings (SPAB) and the Victorian society, organizations such as English Heritage, and funding bodies such as the Heritage Lottery Fund. I was very excited about the academic collaboration with the SPAB and the Society’s ‘Old House Project’, the preservation of St. Andrew’s Chapel, near Maidstone. This was a unique chance to experience an unspoiled medieval building, which is very little known. Formerly part of the Cistercian Boxley Abbey, the chapel was converted into a dwelling in the 16th century. Abandoned for decades, the chapel is now in an advanced state of decay, but is not entirely derelict. Some of its features, such as the late-Gothic mullioned window, the Tudor chimneys, the post-dissolution half-timbered extension, and the early 20th-century fireplaces survive and reveal the complex history of the building.
Drawing the chapel, looking at its decay, retracing its history, and reflecting on repair methods was rewarding, and designing a proposal of adaptive reuse added to the pleasure… Here are some samples of my analysis of the decay of the chapel.
Tunis TGM and green metro at night, tied street shoe cleaner sets
Analogue photographye: Nature morte and lights at Carthage and frog at Ennejma Ezzahra. Winter 2010
Medina of Sousse, shot with Pentax analogue camera, winter 2010.
UNESCO listed village of Sidi Bou Saïd, shot with analogue camera. Automn 2006
B&W burnt analogue film photography, Sidi Dhrif and Sidi Bou Saïd on a foggy day, winter 2006
Tunisian revolution, October 2011, Tunis el Qasbah and Thala autonomous city.
Chess house and sunrise shot with analogue camera, Tazarka, summer 2011
White cardboard cubic lamp design, composition and design shot by Pentax analogue camera. La Marsa winter 2012.
Theatre Play at Tunis historical Medina, shot with Pentax analogue camera in winter 2012.
Analogue photography with Pentax Camera:
Urban mirror effect at Khereddine flooded, la Marsa plage at night: El qobba and the old bridge. Winter 2012
B&W burnt analogue photography, Keff Abbed, Bizerte, Tunisia, summer 2012