yet untitled

[postcard-from-the-past]

Door of the St. Sulpice church in Fougères, Brittany region of France

French vintage postcard

[the-smoking-lilly]

Vogue UK March 2019 ‘Joie De Vivre’  - Liya Kebede by Mert & Marcus

[charnel-grounds]

[bodies-made-of-art]

The abandoned woman by Octave Tassaert (1852)

[mabusecaligari]

Ludwig der Zweite, König von Bayern (1930) - William Dieterle

[toiich]

Solaris (1972), dir. Andrei Tarkovsky

[anetteva]

"What we call reality is in fact nothing more than a culturally sanctioned and linguistically reinforced hallucination."

― Terence McKenna

[charnel-grounds]

[charnel-grounds]

Amanda Donohoe in The Lair of the White Worm (1988)

[metaphore--s-deactivated2024090]

Jean Cocteau 1929

Germaine Krull

[escapismsworld]

Imogen

1888

Herbert Gustave Schmalz (English 🇬🇧, 1856–1935),

[diana-andraste]

(Self Portrait) Know Thyself, Rita Kernn-Larsen, 1937

"A self-portrait, tellingly titled Know Thyself, it features an automatic line developed from the artist’s own features, and merges images arising from the unconscious, combining both memory and dream.

It references the myth of the femme-arbre (woman-tree) by depicting metamorphic leaves of a tree branch transforming into female lips."

[charnel-grounds]

Bela Lugosi in The Midnight Girl (1925)

[rayeshistoryhouse]

^Poster for “The Midnight Girl” (1925)

rayeshistory.com

[cocainaenvenenada]

Halle, East Germany (1975).

[postcard-from-the-past]

Medieval gate in Marvejols, Gévaudan region of France

French vintage postcard

[picturessnatcher]

[lairreparablefugadeltiempo]

Haru no mezame (Naruse Mikio, 1947)