"I'm Dorothy Gale from Kansas"
PUT YOUR BEARD IN MY MOUTH
taylor price

tannertan36
Game of Thrones Daily

blake kathryn
let's talk about Bridgerton tea, my ask is open

gracie abrams
he wasn't even looking at me and he found me
Sade Olutola
Claire Keane
NASA

#extradirty
đ©” avery cochrane đ©”
$LAYYYTER
untitled
occasionally subtle
Fai_Ryy

romaâ

Jar Jar Binks Fan Club
seen from Colombia

seen from Malaysia
seen from Lebanon

seen from Italy

seen from United States

seen from Germany
seen from Argentina

seen from Morocco
seen from Angola
seen from Nepal
seen from Saudi Arabia
seen from Brazil
seen from Tunisia
seen from Croatia
seen from TĂŒrkiye
seen from Malaysia
seen from United States

seen from Saudi Arabia
seen from Venezuela
seen from Argentina
@umbrr-blog
Caring Wong on Tumblr and Society6
âą So Super Awesome is also on Facebook, Twitter and Pinterest âą
15% OFF + FREE WORLDWIDE SHIPPING ON ART PRINTS, FRAMED PRINTS, TAPESTRIES + MORE - ENDS TONIGHT @ MIDNIGHT PT! 04/28
the most implausible thing about superhero movies is that these guys make their own suits, like seriously those toxic chemicals did NOT give you the ability to sew stretch knits, do you even own a serger
I feel like thereâs this little secret place in the middle of some seedy New York business neighborhood, back room, doesnât even have a sign on the door, but within three days of using their powers in public or starting a pattern of vigilanteism, every budding superhero or supervillain gets discreetly handed a scrap of paper with that address written on it.
Inside thereâs this little tea table with three chairs, woodstove, minifridge, work table, sewing machines, bolts and bolts of stretch fabrics and maybe some kevlar, and two middle-aged women with matching wedding rings and sketchbooks.
And they invite you to sit down, and give you tea and cookies, and start making sketches of what you want your costume to look like, and you get measured, and told to come back in a week, and thereâs your costume, waiting for you.
The first one is free. They tell you the price of subsequent ones, and itâs based on what you can afford. You have no idea how they found out about your financial situation. You try it on, and it fits perfectly, and you have no idea how they managed that without measuring you a whole lot more thoroughly than they did.
They ask you to pose for a picture with them. For their album, they say. The camera is old, big, the sort film camera artists hunt down at antique stores and pay thousands for, and they come pose on either side of you and one of them clicks the camera remotely by way of one of those squeeze-things on a cable that youâve seen depicted from olden times. That one (the tall one, you think, though she isnât really, thin and reminiscent of a Greek marble statue) pulls the glass plate from the camera and scurries off to the basement, while the other one (shorter, round, all smiles, her shiny black hair pulled up into a bun) brings out a photo album to show you their work.
Inside it is ⊠everyone. Superheroes. Supervillains. Household names and people you donât recognize. She flips through pages at random, telling you little bits about the guy in the purple spangly costume, the lady in red and black, the mysterious cloaked figure whose mask reveals one eye. As she pages back, the costumes start looking really convincingly retro, and her descriptions start having references to the Space Race, the Depression, the Great War.
The other lady comes up, holding your picture. Youâre sort of surprised to find itâs in color, and then you realize all the others were, too, even the earliest ones. There you are, and you look like a superhero. You look down at yourself, and feel like a superhero. You stand up straighter, and the costume suddenly fits a tiny bit better, and they both smile proudly.
*
The next time you come in, itâs because the person whoâs probably going to be your nemesis has shredded your costume. You bring the agreed-upon price, and you bake cupcakes to share with them. Thereâs a third woman there, and you donât recognize her, but the way she moves is familiar somehow, and the air seems to sparkle around her, on the edge of frost or the edge of flame. Sheâs carrying a wrapped brown paper package in her arms, and she smiles at you and moves to depart. You offer her a cupcake for the road.
The two seamstresses go into transports of delight over the cupcakes. You drink tea, and eat cookies and a piece of a pie someone brought around yesterday. They examine your costume and suggest a layer of kevlar around the shoulders and torso, since youâre facing off with someone who uses claws.
They ask you how the costume has worked, contemplate small design changes, make sketches. They tell you a story about their second wedding that has you falling off the chair in tears, laughing so hard your stomach hurts. They were married in 1906, they say, twice. They took turns being the man. They joke about how two one-ring ceremonies make one two-ring ceremony, and figure that they each had one wedding because it only counted when they were the bride.Â
They point you at three pictures on the wall. A short round man with an impressive beard grins next to a taller, white-gowned goddess; a thin man in top hat and tails looks adoringly down at a round and beaming bride; two women, in their wedding dresses, clasp each other close and smile dazzlingly at the camera. The other two pictures show the sanctuaries of different churches; this one was clearly taken in this room.
Thereâs a card next to whatâs left of the pie. Elaborate silver curlicues on white, and it originally said âHappy 10th Anniversary,â only someone has taken a Sharpie and shoehorned in an extra 1, so it says âHappy 110th.â The tall one follows your gaze, tells you, morning wedding and evening wedding, same day. She picks up the card and sets it upright; you can see the name signed inside: Magneto.
You notice that scattered on their paperwork desk are many more envelopes and cards, and are glad you decided to bring the cupcakes.
*
When you pick up your costume the next time, itâs wrapped up in paper and string. You donât need to try it on; thereâs no way it wonât be perfect. You drink tea, eat candies like your grandmother used to make when you were small, talk about your nights out superheroing and your nemesis and your calculus homework and how todayâs economy compares with the later years of the Depression.
When you leave, you meet a man in the alleyway. Heâs big, and he radiates danger, but his eyes shift from you to the package in your arms, and he nods slightly and moves past you. Youâre not the slightest bit surprised when he goes into the same door you came out of.
*
The next time you visit, thereâs nothing wrong with your costume but you think it might be wise to have a spare. And also, you want to thank them for the kevlar. You bring artisan sodas, the kind you buy in glass bottles, and they give you stir fry, cooked on the wood-burning stove in a wok that looks a century old.
Thereâs no way they could possibly know that your day job cut your hours, but they give you a discount that suits you perfectly. Halfway through dinner, a cinderblock of a man comes in the door, and the shorter lady brings up an antique-looking bottle of liquor to pour into his tea. You catch a whiff and it makes your eyes water. The tall one sees your face, and grins, and says, Prohibition.Â
Youâre not sure whether the liquor is that old, or whether theyâve got a still down in the basement with their photography darkroom. Either seems completely plausible. The four of you have a rousing conversation about the merits of various beverages over dinner, and then you leave him to do business with the seamstresses.
*
Itâs almost a year later, and youâre on your fifth costume, when you see the gangly teenager chase off a trio of would-be purse-snatchers with a grace of movement that can only be called superhuman.
You take pen and paper from one of your multitude of convenient hidden pockets, and scribble down an address. With your own power and the advantage of practice, itâs easy to catch up with her, and the work of an instant to slip the paper into her hand.
*
A week or so later, youâre drinking tea and comparing Supreme Court Justices past and present when she comes into the shop, and her brow furrows a bit, like she remembers you but canât figure out from where. The ladies welcome her, and you push the tray of cookies towards her and head out the door.
In the alleyway you meet that same giant menacing man youâve seen once before. Heâs got a bouquet of flowers in one hand, the banner saying Happy Anniversary, and a brown paper bag in the other.
You nod to him, and he offers you a cupcake.
This is so awesome.
this is goddamn amazing.
Animation: An-Noor â The Light (99 Names of Allah)
Originally found on: rosesaretimidest
Whoo sudden anxiety guess whoâs knocking themselves out with Benadryl
:(((
Sleep well, nonetheless!! :O
(photos by MaedayMaeday)
Our Three Boys
The life of a black Muslim. Not being black enough to be recognized by blm and not fitting the profile of an ideal âMuslimâ to be recognized by our own ummah. Three young men were executed and not a word in news outlets. The world doesnât care but I do. I refuse to let this go unheard. http://www.vox.com/2016/2/27/11126096/muslim-fort-wayne-execution-murders?utm_campaign=vox&utm_content=article%3Afixed&utm_medium=social&utm_source=twitter
Muhannad Tairab, 17, Adam Mekki, 20, and Mohamedtaha Omar, 23
A Dance with Dragons by Marc Simonetti
Persona 5 Director Hashino Interview: Social Links, Dungeons, Characters & Story
Following the release of Persona Magazine #2016 March yesterday, Game Jouhou has posted bullet points from the Persona 5 information overview and director Katsura Hashinoâs Persona 5 interview, which Siliconera has translated.
Setting & Story
Thanks to having a bit of a stereotypical theme with âphantom thief,â Â it made it possible to be able to put in work that will surprise the players. From there, theyâre looking to mix in contemporary drama with the likeness of Persona, to create something that can express the fun of entertainment.
The reason the stage is set in Tokyo is so they can push the idea of having an amazing phantom thief drama play out in the world we know.
Most of the characters in the game are labeled, judged, and are living unfortunate everyday lives that have no escape. Rising up and breaking out of such situation is what youâll see as you move forward in the game.
Characters
About Ryuji Sakamoto: Heâs one to say âletâs change this world!â and pull the protagonist. Itâs because of Ryuji that the protagonist begins his life as a phantom thief. He may be defiant, but heâs a nice guy. For this reason, voice actor Mamoru Miyano is a good fit. His Persona âCaptain Kiddâ is a good fit with Ryujiâs setting and episode.
About Ann Takamaki: Sheâs a quarter-American girl who returned to Japan, and while she may be popular, she doesnât have any friends, and is a character that looks like she may stand out among her peers, but sheâs actually isolated and lonely. Once she joins the party, sheâll take on the role of the life of the party. Her Persona, âCarmen,â has a femme-fatale side to her, and due to a certain incident, they join the protagonist and Ryuji to take on the other world. That said, sheâs a character that will have an impact on the fate of the main characters.
About Morgana: Morgana is similar to Persona 4âs Teddie, and will help in the navigation of the other world. Sheâs been working in the phantom thief business since before due to certain reasons, and will raise the protagonist and friends as proper phantom thieves. Morgana takes the appearance of a regular cat in the real world, but Hashino will keep the reason for that as a surprise for now. Her Persona âZorroâ is actually Morganaâs admired form. Since sheâs little and is often called out with âhey, cat,â her Persona shows an ideal macho form.
About Yusuke Kitagawa: An eccentric character, but you might sense a different charm from him than youâd get from his illustration appearance. Heâs a talented artist, and is an honor student in art.
Gameplay Systems
Dungeons and level design will be very different when compared to past titles. There are things that make them all different, and each dungeon will be thoroughly enjoyable.
There will be a similar system to âSocial Link.â Â With the question of how to make communication for the characters of Persona 5 into a driving force, Hashino hopes to see it go a step higher in the human relation part of things than what we saw in the Social Link of Persona 3 and Persona 4.
Development & Personaâs 20th Anniversary
Persona 4 got a bunch of extra content added to Persona 4 Golden, and as a result of not compromising with the volume, it was a lot of work. That said, [Persona 5] has some truly gorgeous content.
Heading into the Persona seriesâ 20th anniversary, Hashino hopes they can make an announcement to please the fans, but he hopes everyone looks forward to Persona 5 first.
Producer & Director Kazuhisa Wada had previously stated that this year is the Persona seriesâ 20th anniversary, and that they have several projects planned for Persona in 2016 starting with the release of Persona 5 during the summer.
The 20th anniversary of the Persona series is on September 20, 2016.
Coz    -    https://twitter.com/coz_t
New comic! (link)
I donât care if they canât understand me. They may be garbage cats, but theyâre my garbage cats.
Well there goes my heart
Ganekogorta, Spain | by Mike Anderson
Technology.Â
Rapper Lupe Fiasco beat the worldâs top ranked street fighter pro
MashAllah, dat timing doe