Hi, can you read what it's written in the cover of "New Fun Comics" #1 (Jack Woods), specially the 6th frame ? Thank you
Probably if I squint or zoom in on the image, sure.

if i look back, i am lost

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Hi, can you read what it's written in the cover of "New Fun Comics" #1 (Jack Woods), specially the 6th frame ? Thank you
Probably if I squint or zoom in on the image, sure.
This blog has moved.
I merged my Golden Age comics blogs into Unabridged Comics. Go there!
COMIC #10: New Comics #2 DATE: January 1936 PUBLISHER: National Allied Newspaper Syndicate Inc. CONTENTS: Cover by Robert Leffingwell; "Greetings!" (text article) by Malcolm Wheeler-Nicholson; "Jibby Jones" by Vin Sullivan; "Sir Loin Of Beef" by Robert Leffingwell; "Sagebrush 'N' Cactus" by Robert Leffingwell; "Dickie Duck" by Matt Curzon; "Castaway Island" by Tom Cooper; "Billy The Kid" by Whitney Ellsworth; "J. Worthington Blimp" by Sheldon Mayer; "Vikings", maybe written by Malcolm Wheeler-Nicholson, drawn by Rolland H. Livingstone; "Big Linda's Revenge" (text story) by Wallace Kirk; "The Radio Dialer" (text article); "It's Magic" (text article) by Andrini The Great; "The Test Of A Man" (text story) by Rosemary Volk; "Freddie Bell" by Matt Curzon; "Wing Walker" by Thor; "Just Suppose...", written by A.D. Kiefer, drawn by Henry Kiefer; "Pastime Page" (activity page); "Live And Learn" by Joe Archibald; "Captain Bill Of The Rangers" by Bill Allison; "Gulliver's Travels" by Walt Kelly; "Ray And Gail" by Clem Gretter; "Cartoon Corner" (activity page); "The Pixie Puzzle Adventures" (activity page) by Matt Curzon; "Captain Quick" by Jon Blummer; "17-20 On The Black" by Tom Cooper; "Chikko Chakko" by Ellis Edwards; "Stamps And Coins" (text article); "Hobbies" (text article) by Danny Ryan; "Worth-While Films To Watch For" (text article); "The Book Shelf" (text article) by Rosemary Volk; "Needles" by Al Stahl; "Strange Adventures Of Mr. Weed" by Sheldon Mayer; "Capt'n Spiniker" by Tom Cooper; "Dare-Devil Dunk" by Stan Randall; "Beany" by Vin Sullivan; "Peter And Ho-Lah-An" by Rolland H. Livingstone; "The Federal Men", written by Jerry Siegel, drawn by Joe Shuster; "It's A Dern Lie" by Robert Leffingwell. Editor: Malcolm Wheeler-Nicholson. Managing editor: William H. Cook. Assistant editor: Vin Sullivan. CANON: Non-canon. That's Sagebrush 'n' Cactus on the cover. Doesn't the one guy look like the basis for Mister Natural? Walt Kelly's Gulliver's Travels adaptations come to an end with this issue, with Kelly showing up in the next More Fun. But a few new recurring features debut, most of them by artists who are already regulars. Jerry Siegel and Joe Shuster, still not quite super, debut The Federal Men. Vin Sullivan debuts Beany, Stan Randall debuts Dare-Devil Dunk, Tom Cooper debuts Castaway Island, and newcomer Bill Allison debuts Captain Bill Of The Rangers. On to the contents: Jibby Jones wants turkey, but his mom buys chicken, so he goes out and tries to kill a giant turkey.
THIS IS TERRIFYING.
Sir Loin gets a squire, meets a cute kid... and then everybody goes out and catches chickens to eat. Is this going to be a theme?
Sagebrush 'n' Cactus are a pair of old prospectors. Lots of overdone Old-West colloquialisms. Lots of figgerin'. Dickie Duck catches some robbers to get a reward. Dickie is the only non-human in this story, and it's a little bit uncomfortable. "Castaway Island" is about a couple of castaways. No island yet. Just two schmucks stranded on a boat. Billy The Kid brags about how he can beat some kid up, and then beats the kid up. Did people in the '30s think kids beating the crap out of each other was all fun and games? Boys will be boys? School shootings don't exist? Also, why is the comic strip version of street kid vernacular exactly the same as the comic strip version of the Old West? Everybody's a "feller". J. Worthington Blimp spends some time in jail... then he gets out... there's a stagecoach... I don't know. In "Vikings", a bunch of Vikings get married and adopt kids and stuff. I don't believe any child ever read this. Every kid with a copy of this magazine skipped this. Freddie Bell runs around being the least interesting mischievous cartoon kid ever. Wing Walker does a bunch of stuff I barely paid attention to, involving his plane and racistly-portrayed native savages. "Just Suppose" looks like a kid got drunk and did a book report. So does "Live And Learn", actually. Captain Bill investigates a holdup in the Old West, and is boring. "Gulliver's Travels" looks like Walt Kelly is wasting his talent. Ray and Gail set sail aboard a ship and get involved in some bullshit about an old lady's stolen map. Captain Quick: ships, cannons, Spaniards, spoils. "17-20 On The Black": some dude steals some lady's pearls. Chikko Chakko gets a fish thrown at him. Needles actually follows from last issue-- surprising for a humor feature. Needles tries to grow his hair back via science, but ends up doing it by reading "hair-raising" detective stories. Mr. Weed and company waste the bulk of their two pages dawdling in 1835, and then Mr. Weed decides some girl is hot. Captain Spiniker and Mr. Sternpipe hang out on boats and talk like this:
Dare-Devil Dunk is an out-of-work stuntman who spends this story creepily tickling a guy in order to win money so he can eat a chicken dinner. It makes a tiny bit more sense than that description makes it sound. Beany is somewhat of a Little Nemo ripoff: a bunch of weird things happen, and they all turn out to be a dream. But up until the final panel, it feels more like an acid trip:
Peter and Ho-Lah-An shoot arrows and break some eggs. I guess that's fun. Buried in the back, Siegel and Shuster's "The Federal Men" follows Steve Carson, a federal agent who goes undercover as a local cop to catch a kidnapper (who's working with a lady who has the last name Lane). I'm looking for any hint that this same creative team will soon debut Superman-- and this is stretching, but I think you can see a knack for fast-paced action that'll serve them well once they add bright colors and capes to the mix. Also, doesn't this car remind you of the cover to Action Comics #1?
And in "It's A Dern Lie", fleas catch pneumonia by jumping into ice cream.
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COMIC #9: More Fun #7 DATE: January 1936 PUBLISHER: More Fun Magazine Inc. CONTENTS: Cover by Whitney Ellsworth; "Wing Brady" by Henry Kiefer; "Magic Crystal Of History" by Adolphe Barreaux; "Jack Woods" by W.C. Brigham; "Sandra Of The Secret Service" by Monroe Eisenberg; "Barry O'Neill" by Leo O'Mealia; "Ivanhoe" by Raymond Perry; "Pelion And Ossa" by John Lindermayer; "Buckskin Jim" by Tom Cooper; "2023: Super Police", written by Ken Fitch, drawn by Clem Gretter; "Oswald The Rabbit" by John Lindermayer; "Doctor Occult", written by Jerry Siegel, drawn by Joe Shuster; "Henri Duval", written by Jerry Siegel, drawn by Joe Shuster; "Skipper Hicks" by John Patterson; "Little Linda" by Whitney Ellsworth; "Midshipman Dewey" by Dick Loederer; "Down By The Old Mill Stream"; "In The Wake Of The Wander" (Captain Grim story) by Tom Cooper; "Charley Fish" by Vin Sullivan; "Famous Flights"; "Man's Inventions"; "Bob Merritt" by Leo O'Mealia; "Along The Main Line" by Tom Cooper; "Treasure Island", drawn by Sven Elven; "Slim Pickins" by Stan Randall; "Rambler Jim" by Stan Randall; "Professor" by E.F. Koscik. Editor: Malcolm Wheeler-Nicholson. Managing editor: William H. Cook. Assistant editor: Vin Sullivan. CANON: Partial canon (Doctor Occult story). With issue #7, New Fun becomes More Fun, now published by More Fun Magazine Inc. on a monthly schedule. While I "unfortunately" couldn't find a copy to read, I did find credits online. Here's what's changed: A few regular creators leave after this issue: Dick Loederer, John Lindermayer, Adolphe Barreaux, and Monroe Eisenberg. All of their features, except for Lindermayer's Oswald The Rabbit, will continue with new artists. Lindermayer will join the Chesler shop and draw comics for Centaur, then move up to the Eisner-Iger shop and draw comics for Quality and Fox. Loederer will quit comics and illustrate books. Barreaux will bounce around several comic book publishers for a few years. And Eisenberg will return for a couple of strips over the next couple of years-- odd, as his strips in this series are his only known comic book work. This issue also seemingly skips Don Drake, Spike Spalding, and Brad Hardy (unless the online credits are incomplete), and includes a one-off story called "Down By The Old Mill Stream". Doctor Occult, the first character from the DC Universe, makes his second appearance-- and I've still yet to read any.
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COMIC #8: New Comics #1 DATE: December 1935 PUBLISHER: National Allied Newspaper Syndicate, Inc. CONTENTS: Cover by Vin Sullivan; "Salute!" (text introduction) by Malcolm Wheeler-Nicholson; "Now-- When I Was A Boy--" by Leo O'Mealia; "Sir Loin Of Beef" by Robert Leffingwell; "Axel"; "Billy The Kid" by Whitney Ellsworth; "Sagebrush 'n' Cactus" by Robert Leffingwell; "The Vikings", maybe written by Malcolm Wheeler-Nicholson, drawn by Rolland H. Livingstone; "J. Worthington Blimp" by Sheldon Mayer; "The Tinker Twins At Penn Point" by Joe Archibald; "Sawbones, C.O.D." (text story) by Joe Archibald; "It's Magic" (text article) by Andrini The Great; "Petey The Pup" (text story) by Connie Naar; "Needles" by Al Stahl; "Dizzy And Daffy" by Bo Brown; "17-20 In The Black" by Tom Cooper; "Just Suppose", written by A.D. Kiefer, drawn by Henry Kiefer; "Cartoon Corner" (activity page); "The Pixie Puzzle Adventures" (activity page) by Matt Curzon; "Chikko Chakko" by Ellis Edwards; "A Voyage To Lilliput" (Gulliver's Travels story) by Walt Kelly; "Freddie Bell" by Matt Curzon; "Sister And Brother" by Ema Keen; "Bunco Bear" by Dave Ruth; "The Travel Twins" (activity page); "Wing Walker" by Thor; "Cap'n Spinniker" by Tom Cooper; "Stamps And Coins" (text article); "Hobbies" (text article); "Sports" (text article) by Joe Archibald; "Worth-While Films To Watch For" (text article) by Josephine Craig; "The Book Shelf" (text article) by Connie Naar; "The Radio Dialer" (text article): "Captain Quick" by Jon Blummer; "Jibby Jones" by Vin Sullivan; "The Strange Adventures Of Mr. Weed" by Sheldon Mayer; "Ray And Gail" by Clem Gretter; "Allan De Beaufort"; "Dickie Duck" by Matt Curzon; "Peter And Ho-Lah-An" by Rolland H. Livingstone; "It's A Dern Lie" by Robert Leffingwell. Editor: Malcolm Wheeler-Nicholson. Managing editor: William H. Cook. Assistant editor: Vin Sullivan. CANON: Non-canon. With New Comics, National expanded into a second title, which will come out monthly. New Comics lets some stories run longer than just one page, but otherwise, it's the same as what we've already seen: a bunch of forgettable knockoff strips, most of them by either New Fun regulars or newcomers. New Comics #1 is notable for the comic book debuts of two big names: Sheldon Mayer, who will be a key player at DC through the '40s, and Walt Kelly. Walt Kelly! The Pogo guy! Walt Kelly shows up in the first couple of issues doing Gulliver's Travels adaptations that are so obscure, his Wikipedia page doesn't even mention him doing comics until the '40s. But you probably want a tedious roundup of all the other junk in here, right? Wait no longer: "Now-- When I Was A Boy--" is a gag strip by Leo O'Mealia, who does Barry O'Neill and Bob Merritt in More Fun. A guy finds a horseshoe, expects good luck, and gets bad luck. Lots of injuries. Comic book newcomer Robert Leffingwell has three recurring features: Sir Loin Of Beef, Sagebrush 'N' Cactus, and It's A Dern Lie. Sir Loin is a knight who gets into hijinks (and "Axel" is a knight-related filler strip). Sagebrush 'N' Cactus is mysteriously missing from my scanned copy. It's A Dern Lie invites readers to mail in "dern lies" that will be illustrated; this one is about a hunter named Utah whose tears form Salt Lake. Billy The Kid is a recurring feature from Whitney Ellsworth, who draws Little Linda in More Fun. Like Little Linda, this is a mischievous-kids strip. Basically Dennis The Menace (16 years earlier). Another newcomer, Rolland H. Livingstone, contributes a couple of recurring features: The Vikings, which feels like an illustrated-history type of story, and Peter & Ho-Lah-An, about a couple of kids hanging out and fighting a ram. Sheldon Mayer's recurring features include J. Worthington Blimp, about a Wimpy-like jolly fat man who goes around riding bikes, and The Strange Adventures Of Mr. Weed, about an eccentric scientist who claims to have invented a time machine. Of all the features in this comic, the Mr. Weed story actually feels the most like a comic book story instead of a newspaper strip, maybe just due to pacing.
"The Tinker Twins At Penn Point" is from New Fun contributor Joe Archibald. Hijinks on an army base. Al Stahl, with a background in animation, contributes recurring feature Needles, about a kooky inventor. In this debut strip, Needles invents a hair-cutting machine, which promptly blows up. Dizzy And Daffy is a series of one-panel gags by Bo Brown. Brown will never work for National again, and will go on to a career as a gag cartoonist. "Just Suppose", a recurring feature from Henry Kiefer (who draws Wing Brady in More Fun), is just crappy illustrated rambling about historical trivia. Chikko Chakko, a recurring feature from newcomer Ellis Edwards, is a somewhat racist strip about a Hispanic cowboy. By the end of the strip, Chikko Chakko is eating watermelon. Walt Kelly's Gulliver's Travels adaptation is useless. But it's Walt Kelly! So weird. You can even see early signs of his art style:
Matt Curzon has two recurring features: Freddie Bell and Dickie Duck. Freddie Bell is a kid who gets into mischief, somehow always involving fat people. Dickie Duck is a talking duck with a similar habit of offending fat people. The "junior section for younger folks" consists of "Sister And Brother" by Ema Keen and "Bunco Bear" by Dave Ruth; none of these names will be heard from again. Summary: a brother and sister are dumb, and a talking bear accidentally finds oil. Wing Walker, a recurring feature by someone identified only as Thor, is a four-page adventure story about a pilot who gets into trouble. Standard stuff. Tom Cooper's Cap'n Spinniker, a recurring feature in More Fun, will recur here too. This one features a guy named Mister Sternpipe. Everybody yells. Cooper also does "17-20 In The Black", a recurring feature about Jim Gale, a gambler who gets into trouble. Captain Quick is a recurring feature by newcomer Jon Blummer, who will go on to create Hop Harrigan and the Fighting Yank. This is an adventure strip set in the 16th century. Nothing special happens. Assistant editor and early National mainstay Vin Sullivan contributes Jibby Jones, a recurring feature about yet another mischievous young boy. In this one, Jibby gets money for a haircut and spends it on ice cream instead. Ray And Gail, a recurring feature from Clem Gretter (who draws Don Drake and 2023 Super Police in More Fun), is basically a slice-of-life story about a brother and sister living in the Depression, although it seems they're about to head out on a cruise. Maybe this'll turn into an adventure strip. Allan De Beaufort, by an unknown artist, is another generic historical adventure story. Cataloging all of this is even more tedious than reading it. I can't wait until we get to full-length stories.
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behind-the-scenes changes
Looks like the transformation of New Fun into More Fun wasn't the only change at National in late 1935. Judging by the indicia, National Allied Publications Inc. at 49 W. 45th St. has transformed into National Allied Newspaper Syndicate Inc. at 373 Fourth Ave. And with Connie Naar gone, Vin Sullivan (the artist behind Spike Spalding and Charlie Fish) has become the assistant editor. I don't know what brought any of this on, but it happened just as National revamped its only title and added a second one. Somebody's planning something.
This is from the first page of New Comics #1, an early comic book from the publisher that became DC.
This letter from the editor promises "hero supermen of the days to come"-- about two and a half years before the debut of Superman.
COMIC #7: Big Book Of Fun Comics #1 DATE: November 1935 PUBLISHER: National Allied Publications, Inc. CONTENTS: Unknown. CANON: Non-canon. National's seventh publication was its first reprint collection-- the precursor to annuals and trade paperbacks. The Big Book Of Fun Comics collected material from the first several issues of New Fun into one book, with cardboard covers. I don't know why. Did these comics have fans? Did anyone find the adventures of Little Linda and Midshipman Dewey so enthralling that they sent away for the complete collection? I'll bet this ended up as a Christmas gift nobody wanted, from parents who barely understood their kids. This thing had cardboard covers!
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COMIC #6: New Fun #6 DATE: August 1935 (cover) PUBLISHER: National Allied Publications, Inc. CONTENTS: Cover by Vin Sullivan; "Wing Brady" by Henry Kiefer; "Magic Crystal Of History" by Adolphe Barreaux; "Jack Woods" by W.C. Brigham; "Sandra Of The Secret Service" by Monroe Eisenberg; "Ivanhoe" by Raymond Perry; "Pelion And Ossa" by John Lindermayer; "Buckskin Jim" by Tom Cooper; "Don Drake", written by Ken Fitch, drawn by Clem Gretter; "2023: Super Police", written by Ken Fitch, drawn by Clem Gretter; "Oswald The Rabbit" by John Lindermayer; "Jack Andrews" by Tom Cooper; "After School" by Tom McNamara; "Dr. Occult", written by Jerry Siegel, drawn by Joe Shuster; "Henri Duval", written by Jerry Siegel, drawn by Joe Shuster; "Skipper Hicks" by John Patterson; "Little Linda" by Whitney Ellsworth; "Midshipman Dewey" by Dick Loederer; "In Far Off China" (Barry O'Neill story) by Leo O'Mealia; "Brad Hardy" by Dick Loederer; "Spike Spalding" by Vin Sullivan; "In The Wake Of The Wander" (Captain Grim story) by Tom Cooper; "Charlie Fish" by Vin Sullivan; "Famous Flights"; "Man's Inventions"; "Bob Merritt" by Leo O'Mealia; "Along The Main Line" by Tom Cooper; "Treasure Island", drawn by Sven Elven; "Slim Pickins" by Stan Randall; "Ramblin' Jim" by Stan Randall; "Professor" by E.F. Koscik. Editor and publisher: Malcolm Wheeler-Nicholson. Managing editor: William H. Cook. Assistant editor: Connie Naar. Cartoon editor: Tom McNamara. CANON: Partial (Doctor Occult story). The sixth issue of DC's first and so far only title is also technically its last. After this, New Fun will change its name to More Fun, and will run into the late '40s. I couldn't find a copy of this to read anywhere, but I do know that the Dr. Occult story is a HUGE milestone, for two reasons:
It's the comic book debut of writer Jerry Siegel and artist Joe Shuster. Right now, they're no-names like everybody else in this comic-- but one of the ideas they've been working on is Superman, and in a few years, he'll see the light of day.
This is the first story to take place in the DC Universe. It'll take 50 years, but in the mid-'80s, Dr. Occult will be integrated into DC Universe canon. The continuity begins here.
I can't imagine this story being any good, but I wish I could read it. Dr. Occult will be a recurring feature, as will Henri Duval, an adventure strip also by Siegel and Shuster. In lesser news: another newcomer, John Patterson, debuts a recurring feature called Skipper Hicks. A couple of features, Jack Andrews and After School, appear for the final time; After School creator Tom McNamara will do some work for Centaur and Fawcett before returning to DC in the '40s. Dick Loederer ends his run as Brad Hardy's artist, and assistant editor Connie Naar seemingly leaves the company, moving on to a career as a children's book illustrator. The six-issue New Fun series, from what I've seen of it, feels so foreign compared to any modern-day idea of comic books. But it's interesting to watch the baby steps. By the end of the six issues, Superman's creators and DC continuity are both unknowingly waiting in the wings, making New Fun #6 important in ways that wouldn't even begin to take shape for years.
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COMIC #5: New Fun #5 DATE: August 1935 (cover) PUBLISHER: National Allied Publications, Inc. CONTENTS: "Ramblin' Jim" by Stan Randall; "Sandra Of The Secret Service" by Monroe Eisenberg; "Pincus" by Vin Sullivan; "Spike Spalding" by Vin Sullivan; "Don Drake On The Planet Saro", written by Ken Fitch, drawn by Clem Gretter; "In The Wake Of The Wander" (Captain Grim story) by Tom Cooper; "In Far Off China Sits Fang Gow" (Barry O'Neill story) by Leo O'Mealia; "Sonny" by Whitney Ellsworth; "Little Linda" by Whitney Ellsworth; "And So It Goes" (After School story) by Tom McNamara; "Famous Flights", maybe written by Al Whitney; "Shavetail" (text story) by Malcolm Wheeler-Nicholson; "Movies" (text article); "Radio" (text article); "The Nerve Of It" by Vin Sullivan; "Oswald The Rabbit" by John Lindermayer; "Stamps And Coins" (text article); "Fun Mail" (text article); "Buckskin Jim" by Tom Cooper; "Sports" (text article) by Joe Archibald; "The Magdalena Kid" (text story) by William H. Cook; "Slim Pickins" by Stan Randall; "Midsummer Day's Dream" by Leighton Budd; "Mr. Plotz" by E.F. Koscik; "The Professor" by E.F. Koscik; "Bob Merritt" by Leo O'Mealia; "Comic Shorts"; "Treasure Island", drawn by Sven Elven; "The Evil Eye" by Stan Randall; "Fanny"; "Charley Fish" by Vin Sullivan; "Along The Main Line" by Tom Cooper; "New Fun Magic" (text article); "Books" text article; "Fanny"; "Charley Fish" by Vin Sullivan; "Captain Spinacker"; "Wing Brady" by Henry Kiefer; "Children's Page" (activity page); "Junior Funsters" (text story) by Connie Naar; "African Antics" by Dick Loederer; "Caveman Capers" by Dick Loederer; "Jack Woods" by W.C. Brigham; "Man's Inventions" by Henry Kiefer; "Weird Asia"; "Brad Hardy" by Dick Loederer; "Ivanhoe" by Raymond Perry; "In Days Of Yore"; "Jack Andrews" by Tom Cooper; "Midshipman Dewey" by Dick Loederer; "Bright Lights Of History"; "Magic Crystal Of History" by Monroe Eisenberg; "Pelion And Ossa" by John Lindermayer; "2023 Super-Police", written by Ken Fitch, drawn by Clem Gretter. Cover written by Malcolm Wheeler-Nicholson, drawn by W.C. Brigham. Editor: Malcolm Wheeler-Nicholson. Assistant editor: Connie Naar. Art editor: Dick Loederer. CANONICAL STATUS: Non-canon. SERIES/CREATOR NOTES: With Lloyd Jacquet gone, publisher Malcolm Wheeler-Nicholson is editing New Fun himself, aided by new assistant editor (and text story contributor) Connie Naar. He's added a couple of new features by series regulars: Along The Main Line by Tom Cooper and Midshipman Dewey by Dick Loederer (whose Caveman Capers appears for the final time). Cooper also takes over the Jack Andrews feature. Leo O'Mealia, who draws Sherlock Holmes and Fu Manchu newspaper strips, takes over Barry O'Neill and debuts new feature Bob Merritt. New artist Monroe Eisenberg takes over Sandra Of The Secret Service, and also fills in on Magic Crystal Of History for an absent Adolphe Barreaux. Gag cartoonist Stan Randall debuts a pair of recurring features: Ramblin Jim and Slim Pickins. Sven Elven, who has the greatest name I've ever seen, debuts a recurring Treasure Island adaptation and will stick around DC for years. E.F. Koscik also debuts, with new recurring feature The Professor. Some of the text in my scan is difficult to read. Best I can do: Jack Woods rescues a woman from a couple of guys with guns whose reason for kidnapping her is never given. Ramblin' Jim is a kid, and in his debut, some guy steals his lunch. This is not the world's most eventful comic. Sandra Of The Secret Service: A couple of guys chase the bad guys that have captured Sandra, who spends the entirety of her titular feature unconscious. Pincus: Some guy paints a barber pole red. I don't know why he does it and I don't know why we are being shown. Spike Spalding: It's hard to read the lettering on my crappy scanned copy, but I think the Pincus kid from the other strip gets kidnapped. Don Drake apparently fights some creepy creatures and then gets abducted by a giant hand? I'm confused, but this might be kind of great. Captain Grim investigates a creepy island. Not much happens. Barry O'Neill gets into a battle in the air that somehow still manages to be boring. Sonny smokes a pipe. Little Linda meets up with police and finds out that the kid she's been watching is getting an inheritance. I'm confused. After School: A bunch of kids play baseball. Famous Flights is just illustrated trivia about flight. Oswald The Rabbit teases some people? I don't follow. Buckskin Jim throws a rock at a sneaky Indian's head. Slim Pickins visits his dead aunt's house, which turns out to be haunted. Ends on a cliffhanger with a creature attacking Slim. "Midsummer Day's Dream" is a very strange strip by Leighton Budd, who as far as I can tell, was an illustrator and animator who by this time was a drunk and at the end of his career. I don't know what's going on in this strip, and leave it to you to judge:
The Professor hires a couple of guys to guard his formula from burglars, and burglars get in anyway. Bob Merritt flies a plane, I guess. "Comic Shorts" is a bunch of gag panels-- one of which doesn't seem to have much of a gag beyond a black woman talking like she's black. "Treasure Island" is not necessary. "The Evil Eye" is a kid making a slight pun about eyes. Fanny accidentally uses shoe paste on her sandwich instead of jam. Charley Fish recruits a black caricature who says things like "yas suh!" with a task that the black guy fails to do properly due to stupidity. Along The Main Line is about a pair of conductors that get a stalled train off the tracks. Why was this made? Why did someone think that qualified as a story? Is the next installment about someone taking a long time to find a ticket but then finding it? Fanny returns, this time to fuck up a coin toss. Charley Fish paints and is bad at it, but at least nothing is racist. Captain Spinacker finds a creature on ice somewhere? Wing Brady's friends try and fail to rescue him from evil Arabs. "African Antics" is actually kind of funny:
In "Caveman Capers", Ur and Wur escape from some sort of winged dinosaur-puppy thing. Ends on a cliffhanger of the duo falling with the caption "ESCAPED- BUT---". Since this is the last Caveman Capers, I assume they died. Jack Woods fights some attackers at a ranch house. "Man's Inventions" is a bunch of trivia about caveman tools. "Weird Asia" is also an illustrated fun-facts thing, this one about the Dalai Lama selection process. The strip is neutral, but the title is off to the side, wagging its finger and scoffing. Brad Hardy fights rat-men. I like that this is probably the weirdest of the adventure strips. "Ivanhoe" is boring. "In Days Of Yore": more illustrated trivia, this time about medieval weaponry. Jack Andrews returns from whatever he was doing before to go back to school. The entire story is just Jack showing up and wondering if he'll be allowed back in. Ends on a cliffhanger of whether or not he will. "Midshipman Dewey": pirate fight. "Bright Lights Of History": trivia about opera. "Magic Crystal Of History": something about a pharoah. My attention span for these strips doesn't even last for a full panel. Pelion and Ossa build a shitty igloo that falls apart. "2023 Super-Police" is hard to follow with the dialogue all blurry. Someone fires a cosmic-ray gun at someone. And that's New Fun #5.
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Hi :) I just wanted to let you know that I love what you're doing both on here and on your unabridgedmarvel blog.
Thanks! Glad to know people are reading. I hope Unabridged DC gets more interesting as it morphs into recognizable comic books that I can actually read.
COMIC #4: New Fun #4 DATE: May 1935 (cover) PUBLISHER: National Allied Publications, Inc. CONTENTS: "Loco Luke" by Jack A. Warren; "Wing Brady" by Henry Kiefer; "Magic Crystal Of History" by Adolphe Barreaux; "Jack Woods" by W.C. Brigham; "Sandra Of The Secret Service" by Charles Flanders; "Barry O'Neill" by Lawrence Lariar; "Ivanhoe" by Raymond Perry; "Pelion And Ossa" by John Lindermayer; "Buckskin Jim" by Tom Cooper; "Don Drake", written by Ken Fitch, drawn by Clem Gretter; "2023: Super Police", written by Ken Fitch, drawn by Clem Gretter; "Oswald The Rabbit" by John Lindermayer; "Jack Andrews" by Lyman Anderson; "After School" by Tom McNamara; "Caveman Capers" by Dick Loederer; "Little Linda" by Whitney Ellsworth; "Captain Spiniker" by Tom Cooper; "Brad Hardy" by Dick Loederer; "Spike Spalding" by Vin Sullivan; "In The Wake Of The Wander Part 2" (Captain Grim story) by Tom Cooper; "Charley Fish" by Vin Sullivan; "Famous Flights", maybe written by Al Whitney; "Man's Inventions". Cover by Jack A. Warren. Editor: Lloyd Jacquet. Art editor: Dick Loederer. CANONICAL STATUS: Non-canon. Couldn't find it. Got the credits and content info online. A bunch of things change after this issue. I don't know the cause and effect relationship, but I'm guessing the catalyst is that, for whatever reason, this is Lloyd Jacquet's final issue as editor. Jacquet will go on to become art director for Centaur and then found Funnies Inc., the packager that put together the earliest Timely comics, including Marvel Comics #1. Meanwhile, perhaps due to the loss of its editor, New Fun will lose its monthly schedule after this. Three of New Fun's regular artists are also out: Charles Flanders, Lawrence Lariar, and Lyman Anderson. Their respective strips will continue with new artists. The trio will see their careers move in very different directions, none of which involve comic books. Flanders will bounce around on some comic strips, eventually landing on the Lone Ranger and drawing it for over 30 years. Lariar will focus more on cartooning, eventually become the cartoon editor of Parade Magazine and editor of the Best Cartoons Of The Year book series. And Anderson will spend his days as a magazine illustrator. Also leaving: Jack A. Warren, whose Loco Luke strip comes to an end. Warren will revive Loco Luke for Dell Comics in a few years, draw the Pecos Bill comic strip, and do some comic book work over at Novelty Press. Three recurring features debut in this issue: Charley Fish, a humor strip from Vin Sullivan; Famous Flights, possibly written by someone named Al Whitney; and Man's Inventions.
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COMIC #3: New Fun #3 DATE: April 1935 (cover) PUBLISHER: National Allied Publications, Inc. CONTENTS: "Sandra of the Secret Service" by Charles Flanders; "Pincus/Spike Spalding" by Vin Sullivan; "Bright Spots Of History/Magic Crystal Of History" by Adolphe Barreaux; "In The Wake Of The Wander Part 1" (Captain Grim story) by Tom Cooper; "The Magdalena Kid" (text story); "Fire Bonnet" (text story); "Oswald The Rabbit" by John Lindermayer; "Jack Andrews" by Lyman Anderson; "Fun Mail" (letters); "Buckskin Jim" by Tom Cooper; "Sports" (text article) by Joe Archibald; "Movies/Radio" (text article); "Ivanhoe" by Charles Flanders; "Soldiers Of France/Wing Brady" by Henry Kiefer; "Sonny/Little Linda" by Whitney Ellsworth; "Jack Woods" by W.C. Brigham; "Loco Luke" by Jack A. Warren; "Brad Hardy" by Dick Loederer; "My Grandpa/After School" by Tom McNamara; "Barry O'Neill" by Lawrence Lariar; "Model Aircraft" (activity page); "Aviation" (text article); "Brain Teasers" (activity page); "Comic Shorts" by Schus; "Stamps And Coins" (text article); "Popular Science" (text article); "Bubby And Beezil" by Dick Loederer; "Young Filmmakers" (activity page); "Tad Among The Pirates Part 3" (Fun Films/Jolly Rodger story) by Adolphe Barreaux; "Dog-Gone!/Pelion And Ossa" by John Lindermayer; "Super Police", written by Ken Fitch, drawn by Clem Gretter; "African Antics/Caveman Capers" by Dick Loederer. Cover by Clem Gretter. Editor: maybe Lloyd Jacquet. CANONICAL STATUS: Non-canon. Couldn't find a copy, but the Grand Comics Database has credits, so I'm going by those. Looks like mostly more of the same, but this issue has one historical milestone going for it: the debut of Vin Sullivan, with a new recurring feature called Spike Spalding. Sullivan will become (or already is) National's first editor, best known for purchasing and running the first Superman story. Other changes: Dick Loederer brings his Bubby And Beezil strip to an end and debuts Brad Hardy, a new recurring adventure strip. Tom Cooper, already doing Buckskin Jim, debuts Captain Grim, a recurring adventure strip about a naval captain. Adolphe Barreaux ends his Fun Films and Jolly Roger strips, but will stick around with Magic Crystal Of History. Also according to the GCD, Charles Flanders drew this issue's Ivanhoe strip instead of regular artist Raymond Perry, although that credit sounds suspect to me. All told, I'm glad I don't have to read this. I get the gist and don't think I'd get much out of this. But what I do find interesting is reading about the contents, the comings and goings of artists and features, watching the pieces fall into place. We're seeing the creation of a tentative, unstable status quo that will get tweaked and baby-stepped until it turns into something recognizable as a golden age comic book.
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COMIC #2: New Fun #2 DATE: March 1935 (cover) PUBLISHER: National Allied Publications, Inc. CONTENTS: "New Fun Hello Everybody:" (text article); "Sandra of the Secret Service" by Charles Flanders; "Western Willie", pencilled by Joe, inked by Schus; "Jigger And Ginger", pencilled by Joe, inked by Schus; "Pete's Place" by Archie; "Barry O'Neill" by Lawrence Lariar; "Bright Spots Of History"; "Magic Crystal Of History" by Adolphe Barreaux; "Famous Soldiers Of Fortune" by Lander; "Wing Brady" by Henry Kiefer; "Ivanhoe" by Raymond Perry; "In Days Of Yore" by Charles; "Judge Perkins" by Bert Salg; "Don Drake On The Planet Saro", written by Ken Fitch, drawn by Clem Gretter; "Loco Luke" by Jack A. Warren; "Hot Gold" (text story) by Ken Fitch; "Spook Ranch" (text story) by Roger Furlong; "Scrub Hardy" by Joe Archibald; "Jack Andrews" by Lyman Anderson; "Oswald, The Rabbit" by John Lindermayer; "Fun Movies"; "It's A Fact" by Joe Archibald; "Sports" by Joe Archibald (text article); "Radio" (text article) by Joe Archibald; "Movies" (text article) by Joe Archibald; "Fun Mail" (text article); "Model Aircraft" (text article); "Aviation" (text article); "Cap'n Erik" by Robert Weinstein; "Fun In Magic" (text article); "Captain Spinacker" by Tom Cooper; "Buckskin Jim" by Tom Cooper; "Popular Science" (text article); "Stamps And Coins" (text article); "Young Homemakers" (text article); "Sonny" by Whitney Ellsworth; "Little Linda" by Whitney Ellsworth; "After School" by Tom McNamara; "Caveman Capers" by Dick Loederer; "Tad Among The Pirates" (Fun Films story) by Adolphe Barreaux; "Introducing Jack Dewey" (Jolly Roger story) by Adolphe Barreaux; "Jumpy And Bunny" by Dick Loederer; "Bubby And Beevil" by Dick Loederer; "Pelion And Ossa" by John Lindermayer; "2023 Super-Police", written by Ken Fitch, drawn by Clem Gretter. Cover by W.C. Brigham. Editor: Lloyd Jacquet. Art editor: Dick Loederer. Cartoon editor: Sheldon H. Stark. CANONICAL STATUS: Non-canon. What a disjointed mess. Let's see if I can think of anything to say: Pulp illustrator W.C. Brigham is a regular now with his Jack Woods cowboy feature-- which was also in the previous issue, and I think I screwed up the credits. Jack Woods is on the cover of this issue, fighting a cow and getting called a gringo by Don Nogales. Sandra of the Secret Service: old-timey spy stuff. Not sure what's going on. Western Willie: cowboy hijinks, apparently from "Joe" and "Schus", the same creative team behind Jigger and Ginger (and supposedly not Joe Shuster). Jigger and Ginger: Ginger gets a ride with someone who turns out to be an escaped convict. Jigger freaks out. The cliffhanger: "What will Jigger do? Will he save Ginger?" But Jigger and Ginger will not appear again (nor will the mysterious Schus), so we're left to imagine whether Ginger is heroically rescued or brutally murdered. Unless someone wants to go write and draw part three. Pete's Place: cowboy hijinks, again. Lots of cowboys in 1935. Don't know who Archie is. Barry O'Neill: Barry beats a guy up and chases a guy on a boat. Bright Spots Of History: Illustrated trivia about George Washington, just to fill space. Magic Crystal Of History: Two kids named Bobby and Binks are nearly killed by ancient Egyptians-- until the pharoah shows up. Cliffhanger! Famous Soldiers Of Fortune: Filler about Captain Jack. Don't know who Lander is. Wing Brady: Wing fights some Bedouins. Certain regions of the world are not doing well in New Fun. Ivanhoe: Why is there an ongoing Ivanhoe adaptation? Doesn't fit with the rest. In Days Of Yore: Illustrated trivia filler about knights. Don't know who Charles is. Judge Perkins: The judge gets taken care of by a nurse and then escapes? I'm confused. Judge Perkins ends here, and Bert Salg will never work in comics again. Don Drake: Something about fighting midget-men and then maybe drowning. Loco Luke: A bunch of racist Indian stereotypes try to kill Loco Luke while saying things like "heap". Scrub Hardy: Scrub Hardy gets a bad haircut and is mocked and throws a brick at his barber's face. Scrub Hardy ends here; Joe Archibald will continue to contribute text filler, and return to comics when New Comics launches later this year. Jack Andrews: Jack takes out a mysterious stranger while skiing. Cliffhanger: "who is this man?". Oswald The Rabbit: The Mickey Mouse prototype escapes rabbits. He really does look a lot like early Mickey Mouse: It's A Fact: fun facts. Cap'n Erik: Cap'n Erik finds an orphan stowaway. Cap'n Erik ends, and Robert Weinstein will do a single comic story a few years later, for Dell. Captain Spinacker: Some guy escapes ice? Buckskin Jim: More fighting of more Indians. Sonny and Little Linda are two new recurring features by comic strip artist Whitney Ellsworth, who will become a major player at DC for the next 35 years. He'll be an assistant editor by the end of the year, and he'll eventually become editorial director, running DC creatively and serving as its contact with Hollywood. But for now, he's starting small. Little Linda, which will stick around for a few years, stars a young girl who rescues a kid named Buddy who's been abandoned by his uncle. Sonny, meanwhile, is the most racist strip in this comic: a guy falls down a manhole, comes out covered in dirt, and is dismayed to find that a black girl thinks he's black. After School: y'know, roguish kids. Caveman Capers: couple of caveboys run away from a dinosaur. Nice art. Fun Films is weird... kind of a flipbook comic. Anyway, Tad gets clutched by pirates. Jolly Roger: In this new recurring feature, a kid named Jack Dewey is on a ship and pirates show up. It's all setup, and yet somehow contains virtually no information. Jumpy And Bunny: A kangaroo and a bunny chill. Bubby And Beevil: Two little elf creatures look for a pot of gold at the end of a rainbow. Instead, they find-- a cliffhanger. Pelion And Ossa: Animal hijinks. A walrus whose name is Mister Walrus. 2023 Super-Police: The cliffhanger is "How will Rex combat the pirate-wizard??" This is full of so much weirdness that I can almost appreciate it, but it's too annoying to keep up with. Won't waste time on most of the text filler, but Joe Archibald's sports column is all about how baseball is coming to Japan. I find this type of comic very hard to write about. It's all terrible, but also all sort of great, and I feel like I can either be dismissive or pick apart every single panel. But mostly it's terrible. And there's a lot of it. So this will do for now. I'll leave you with the following out-of-context panel:
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COMIC #1: New Fun #1 DATE: January 11, 1935 (on sale); February 1935 (cover) PUBLISHER: National Allied Publications, Inc. CONTENTS: Introductory essay, maybe by Malcolm Wheeler-Nicholson, illustrated by Dick Loederer; "Sandra of the Secret Service" by Charles Flanders; "Jigger And Ginger", drawn by Shus; "Barry O'Neill" by Lawrence Lariar; "Magic Crystal Of History" by Adolphe Barreaux; "Wing Brady" by Henry Kiefer; "Ivanhoe" by Raymond Perry; "Judge Perkins" by Bert Salg; "Don Drake", written by Ken Fitch, drawn by Clem Gretter; "Loco Luke" by Jack A. Warren; "Jack Woods" (text story) by Roger Furlong; "Scrub Hardy" by Joe Archibald; "Jack Andrews" by Lyman Anderson; "Bathysphere, A Martian Dream" (text story); "Sports" (article) by Joe Archibald, illustrated by Joe Archibald; "In The Movies" (article); "On The Radio" (article); "Model Aircraft" (activity); "Aviation" article; "How To Build A Model Of Hendrik Hudson's Half Moon" (article); "Cap'n Erik" by Robert Weinstein; "Buckskin Jim" by Tom Cooper; "Popular Science" (article); "Stamps And Coins" (article); "Young Homemaker" (article); "After School" by Tom McNamara; "Caveman Capers" by Dick Loederer; "1st Episode: Tad Among The Pirates" (Fun Films activity) by Alphonse Barreaux; "Bubby And Beezil" by Dick Loederer; "Pelion And Ossa" by John Lindermayer; "2023: Super Police", written by Ken Fitch, drawn by Clem Gretter; "Oswald The Rabbit" by John Lindermayer. Cover by Lyman Anderson. Editor: Lloyd Jacquet. Art editor: Dick Loederer. Cartoon editor: Sheldon H. Stark. CANONICAL STATUS: Non-canon. Before Superman, before continuity, before anything that's even in print, the company that became DC gave us this: a hodgepodge of newspaper strip knockoffs, unrecognizable as a DC comic. New Fun #1 was 10 inches by 15 inches-- a non-standard format because standards didn't exist yet. Despite its historical importance, it has never been reprinted, and no scans are available, so I can't read it. What I can do is share information I found on the internet, and figure out what's in this and who the crew was that Malcolm Wheeler-Nicholson assembled. Who do you hire to work on your comic when comics barely even exist? The information on the contents is incomplete. The stories in New Fun were single pages, but were usually surrounded by filler material, not all of which has been cataloged. This list is what I could find. There's one familiar name in there: Lloyd Jacquet, the editor. After editing the first few issues, Jacquet will become the art director for Centaur Publications and then found Funnies Inc., the studio that would create the first Timely/Marvel comics. So there's a trivia fact for you: the first Marvel comic and the first DC comic were put together by the same guy. Working with Wheeler-Nicholson and Jacquet was Dick Loederer, the art director. A veteran of the advertising industry, Loederer would work here for about a year. He drew "Caveman Capers" and "Bubby And Beezil", a couple of humor strips that would be recurring features. One more person on the editorial staff: Sheldon H. Stark, cartoon editor. As far as I can tell, he's best known for his later career, writing for radio and TV. Lyman Anderson drew the cover and an adventure strip about Jack Andrews, who will be a recurring character. Anderson, a pulp illustrator, will end up as a magazine illustrator. Comic strip artist Charles Flanders contributed Sandra of the Secret Service, a detective feature which will also recur. Flanders had bounced around on several comic strips, but will achieve his greatest success later on when he draws the Lone Ranger strip for over 30 years. Jigger and Ginger is a detective strip by someone identified only as Shus (supposedly not Joe Shuster). I know nothing. Barry O'Neill is a recurring adventure feature by Lawrence Lariar, a cartoonist who actually has comic book experience in Famous Funnies. Lariar will later be known for his Best Cartoons Of The Year books. Adolphe Barreaux drew the adventure strip Magic Crystal Of History and illustrated the Fun Films activity, both of which will recur. He'll become best-known for creating Sally the Sleuth for Spicy Detective Stories. Illustrator Henry Kiefer drew Wing Brady, a recurring adventure strip (in this issue, Wing fights Bedouins). Kiefer will go on to have a long career in comics, notably drawing Classics Illustrated. Raymond Perry drew part of an adaptation of the novel Ivanhoe. This will also be a recurring feature, and Perry will stick around at DC for a while, eventually getting to draw the superheroes. Bert Salg, primarily a book illustrator, drew Judge Perkins, a gag strip that will recur for one more issue. These two strips will be his only known comic book work. The writer/artist team of Ken Fitch and Clem Gretter gave us a pair of sci-fi strips, Don Drake and 2023: Super Police, both of which will recur. In the 2023 story, according to the Grand Comics Database, "Rex and friends leave for the Galapagos Islands in Professor Shanley's new invention, the Hi-Lo (a stratoplane-submarine), to investigate the disappearance of five U.S. ships." Gretter is an illustrator with comic strip experience and I don't know Fitch's background, but they'll stick around for a while, with Fitch eventually co-creating Hourman. Loco Luke is a recurring Western-themed humor strip from Jack A. Warren, creator of the Pecos Bill newspaper strip. Known for his Western art, Warren will stick around for a bit and then move on to other comics. Roger Furlong will be writing the obligatory text stories. Don't know his deal. Joe Archibald, who's drawn comic strips and illustrated pulps, contributed the humor strip Scrub Hardy and a text article about sports, both of which will recur. Archibald will stick around here for a bit, then move on to Better Publications. Robert Weinstein contributed Cap'n Erik, which will return next issue. He has one other comic credit on something called Cap'n Cloud, and that's all I know about him. Tom Cooper contributed Buckskin Jim, a recurring western strip. Don't know his background. Tom McNamara contributed After School, a recurring strip about characters named Lefty and Slimsy. McNamara had previously created the long-running newspaper strip Us Boys, and is also notable for having directed several Our Gang shorts. John Lindermayer contributed a pair of recurring funny-animal filler strips with Pelion And Ossa and Oswald The Rabbit. Oswald is a Walt Disney creation, sort of a Mickey Mouse prototype, that was actually owned by Universal at this point and has since reverted to Disney. This may be the reason DC hasn't reprinted these early comics. And that covers it. I hope this was interesting? Lots of weird trivia about how comics got started? A glimpse into the forgotten underbelly of 1935 cartoonists? I don't know. This blog will get better once I've actually started reading things and having opinions on them-- which will happen with issue #2 of this monthly series. What happens when a 21st-century adult reads a Bubby and Beezil comic? I'll bet my next post is grouchy.
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"secret origins" seems like too obvious a title
DC Comics grew out of several related companies, and the man who got the ball rolling was Major Malcolm Wheeler-Nicholson, a court-martialed World War I veteran turned pulp writer. In 1934, comic books had only existed for about a year, and were just collections of comic strips from newspapers. Wheeler-Nicholson decided to get in on the act, founding National Allied Publications (based in New York at 49 W. 45th St.). But there was one catch: the rights to all the popular comic strips had been taken. So Wheeler-Nicholson took a big risk. For its first comic, National Allied Publications would publish the first ever comic book consisting entirely of original material. Sounds like a plus, right? New stuff you can't get anywhere else. But people weren't buying comic books because they wanted new material; they wanted greatest-hits collections of their favorite newspaper strips, minus the newspaper. People who saw Wheeler-Nicholson's comic on a newsstand weren't going to see anything that would make them want to buy it. Wheeler-Nicholson would have to convince them that was a plus.
The Unabridged DC
Hi. I'm going to read every DC comic in order and write about all of them. I've been doing the same thing for Marvel, in my blog The Unabridged Marvel. I was going to start this one at the same time, but bailed when I realized how grueling 1930s comics were. But I'm all the way up to 1946 over there, so let's do this. DC's history is different for a lot of reasons, some more obvious than others. It started earlier, and has more direct ties to the very beginnings of the medium. Its continuity is far more confusing, and has been rebooted more than once. But as far as I'm concerned, the biggest difference is that I grew up on Marvel Comics and have a strong emotional connection to its characters, history, and world. I've read some DC comics as an adult and know the gist, but was never a fan growing up. I'll be looking at DC's history with a lot less passion, but a lot more room for discovery. Alright. That's enough introducing. History project go.