the people yearn for kate bishop’s mcu return
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he wasn't even looking at me and he found me
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@undercoverhawkeye
the people yearn for kate bishop’s mcu return
I love photo mode so much. I spend too much time just taking pictures 😂
BRING BACK BISHOVA OR I WILL PERISH
creds: @orbiitaya
As a masc I’m really struggling to find a bridesmaid dress for my brother’s wedding 😭 I’ve tried 3 on and I feel ugly in all of them. They don’t look flattering on me. It’s hard to look at them on a website and try to figure what will look good. I feel like I’m just not made for dresses 😫😭
Such a shame cuz I do think I look pretty good in a suit 🙃
bishova // warm
posting in honour of seeing spiderman bnd today hehe
didn't think i would be even more in love with yelena but i really should've known lol
my other edits & socials <3
music featured:
one of the best feelings tbh
I just watched Spider-Man: Brand New Day, and the movie is great, but as a Yelena fan there is something that I know will cause controversy, so here’s my take on it.
Spoilers below the cut:
Was rewatching Black Widow and got to thinking about these quotes. Do you think she found out they weren’t a real family after being freed from mind control? Or do you think she knew before? Whispers of doubt the red room fed to her under subjugation. That it was all fake. No one loves her. But never she never believed it. Always held on that they were a family who loved her and that her sister would come back for her. If she already knew it was fake, it just hurts her to hear them admitting it and how they view that time together when it was so special to her. But what if she’s realizing it in real time? If the red room was indeed right this whole time about that, then what else were they right about? No one will love her? She is a monster? Never be more than a mindless killer?
Thoughts? 🤔
Was going to reply but started running long, so…
I feel like the Red Room would have attempted to beat the notion of ‘family’ out of Yelena (notwithstanding that somehow she managed to still have half the photostrip to send to Nat with the Red Dust 🤯)—and any connections or attachments of any sort.
But there’s a part of Yelena who is still that sweet and innocent 6-yr-old who held on to that idea through indoctrination and psychological conditioning and chemical subjugation, holding on to the idea that her family was real (and, certainly, if she got a baseline training in how the world functioned even though she was assassin-track, she would have learned about families, which counterintuitively for the Red Room would have reinforced her notions about Ohio).
I think the fact she still has/finds/whatever the photostrip and sends it to Natasha reinforces the fact that she wants to believe their family was real. Whatever Yelena thought was Nat’s reason for not coming back for her after she got out, Yelena still reached out as her as her sister. She thought her sister would help.
Also the whole drinking scene after they escaped Budapest, when Yelena was talking about her thoughts/daydreams about her family: parents still in Ohio, sister who went West, was a teacher, got married and had a kid (details a bit hazy, but as I recall it’s roughly that). Despite what she had been told, she wanted to believe their family was real and fantasized about a white-pickett-fence version of it (see also Sonya’s line about Yelena’s Sex and the City fantasy of life with Nat in NYC once it all was over—girl’s clearly a dreamer 😭).
To me, if Yelena had any doubts, she had repressed them right along with the Red Room’s claims that the family was not real. To me, the family dinner in St Petersburg played like she was realizing in real time that none of the others belived they were (ever) a real family, that it was just her. That’s why she seemed so crushed, so broken.
Very well said 👏 Her realizing in that moment at dinner that it was all fake is truly devastating ☹️
Was rewatching Black Widow and got to thinking about these quotes. Do you think she found out they weren’t a real family after being freed from mind control? Or do you think she knew before? Whispers of doubt the red room fed to her under subjugation. That it was all fake. No one loves her. But never she never believed it. Always held on that they were a family who loved her and that her sister would come back for her. If she already knew it was fake, it just hurts her to hear them admitting it and how they view that time together when it was so special to her. But what if she’s realizing it in real time? If the red room was indeed right this whole time about that, then what else were they right about? No one will love her? She is a monster? Never be more than a mindless killer?
Thoughts? 🤔
An Archive of Our Own, a project of the Organization for Transformative Works
ch28 of aqua regia is now up
genuinely how can anyone be normal about them
my very beautiful wives have me tumblr posting like this.,,...
Jane: Maura and I are partners.
Angela: *already way too excited and holding up a pride flag*
Jane: *panicked* Work. Work partners. Nothing more. Just work. Just work partners.
Angela: *disappointed* *slowly putting the pride flag behind her back again*
Maura: Sleeping in the same bed should account for being more than just work partners.
Angela: *getting the pride flag out again*
"Why do you ship-" That is exactly why.
Hear me out, right, Mystique appearing to Yelena as Kate because that’s the only thing she knows will shake her.
Yelena is overcome with relief, her archer is okay. They’re safe and that’s all that matters, but when they embrace, Yelena notices it instantly. This is not her Kate.
The figure pulls away, a mean smirk in her eyes, teeth too sharp and shoulders too stiff. There is no kindness there, and as fingers grip Yelena’s arms less like a vice and more like a cruelty, she struggles to stand.
This wax version of Kate began to harden at the edges. “It was foolish of you to think that someone like her would make it to the end of this fight. But then, there are always casualties in war.”
[I guarantee this is a gross mischaracterization of Mystique, I’m not well-versed in the x-men, just going off the trailer for doomsday]
DID SOMEBODY SAY DOMESTIC SUPERCORP???
An Archive of Our Own, a project of the Organization for Transformative Works
New chapter!
And in this part, we finally reach the plot of Thunderbolts* (the first part of it anyway)
Back in the Moonlight
A moonlit night leads to reflections.
Teen and up; No Archive Warnings Apply.
Yelena Belova/Kate Bishop, Yelena Belova, Kate Bishop.
Yelena Belova Loves Kate Bishop; Kate Bishop Loves Yelena Belova; the tiniest smidge of angst because apparently I’m still me.
(Also on AO3.)
─────
Back in the Moonlight
The moonlight streamed through the window like a delicate veil, bathing the bed in a fantastical glow, as though this were another world, one of elves and faeries, not archers and assassins.
Yelena Belova couldn’t sleep. The glowing moonbeams caught her switching positions repeatedly—on her back, on her side, on her front, on her other side, kicking the sheet off, pulling it back up to her neck, pushing it back down to her waist, all on repeat. There was a restlessness that came with nights like this, nights not shrouded in darkness but bathed in the silver glow of the full moon, revealing all.
With a brief huff, she turned on her side once more, facing Kate Bishop, and propped her head up with her hand. The moonlight covered like the ocean the unbroken expanse of porcelain skin that was the archer’s bare back, lapping gently at the pristine sandy beach untouched by man. The Black Widow placed her free hand on the soft skin—not hot or clammy, but just barely cool to the touch. She traced the curves and valleys of the skin with the pads of her fingers, featherlight against the sleeping woman.
Forget the Pietà or David; Michaelangelo should have sculpted Kate Bishop’s prone back. Or maybe he had, just in flesh and bone, not Carrara marble. She had to entertain that possibility.
As her fingers played across the surface, the Widow found herself in awe. She felt the muscles, the strength of Kate’s back, nurtured in all those years of gymnastics, a cornerstone of her legacy as a championship athlete. Yet even while exuding power, the region was still soft, human. And smooth, an uninterrupted expanse of the Platonic ideal form. The ancient Greeks would have loved Kate, equal parts Aphrodite and Artemis—tonight being showcased by Selene.
One thing stood out to the one-time assassin: how that smooth expanse of milky-white skin was unblemished. Despite the archer’s propensity for ridiculous injuries as Hawkeye, this one surface remained unmarked—unmarred by scrape and scar alike. From the nape of her neck down to the curves trailing below her waist, Kate Bishop was immaculate. Pristine. Perfect.
Beautiful—unlike the Widow’s own back, scarred from decades of pain and punishment, within the Red Room and outside.
As she gazed on that soft, smooth skin, as she traced its every inch, Yelena wished that it might remain forever unblemished, just as it was in the moonlight here and now. More than that, she prayed—she knew that was something ‘normal people’ often did—to Artemis and Aphrodite, to keep Kate safe. So that this woman spread beside her, sweet and kind, would never know the horrors and the pain this world could dish out…so that her gorgeous back would always be like this, smooth, unmarred, perfect. Kate was too good; she deserved that much.
After hours of admiring the archer’s alabaster back under the shimmering silver of Selene’s light, sleep finally overtook Yelena, dropping the Widow to her pillow.
──§──
Kate Bishop awoke to the bed bathed in moonlight, an ethereal glow enveloping the loft. Her mind drifted down a fanciful path, thinking back to the stories of Peter Pan and Tinker Bell her father used to read to her. It was magical.
Part of the magical experience was the blonde next to her, face smashed into a pillow and hair splayed around her head like a halo. Yelena Belova, Black Widow assassin and the most alluring woman—person—Kate had ever met. Asleep in her—their—bed, resting peacefully for once. The trauma of the woman’s past denied her that luxury all too often, but around the archer it seemed easier.
The sheet was bunched just below Yelena’s waist, leaving the erstwhile assassin’s back bare, catching the moonlight like a night-blooming flower. Just like every other part of the shorter woman, her back transfixed Kate. There was something enchanting about that large expanse of skin, uninterrupted by any other feature. Just skin…and underneath, muscles that powered the woman’s deadly flips and spins. Sometimes when they were out fighting, the archer would become distracted by just how well Yelena used her body as a weapon (earning her a chiding for loss of focus when they had taken out all of their opponents).
Kate placed her fingers delicately upon the skin of the enormous pale canvas, tracing it gently with the pads of her fingers. The Widow’s back was not smooth; it carried the signs of use—of life—like an artist’s work in progress. The archer traced each scar one by one—the stabs, the bullet holes, the road burns, the gouges and whip lacerations, the burns, the puncture wounds and partial impalements, every last healed mark on Yelena’s back. Kate was in awe.
Yelena’s scars, some rough and jagged from ‘field surgery’ on herself, some faint and well-healed due to actual medical attention, seemed to the younger Hawkeye like a map…or perhaps a book written in a language or script the archer didn’t understand, like Syriac—but one she wanted to learn. All she was missing was the rest of the Widow’s Rosetta Stone—locked away behind fear, trauma, and some self-hatred. But Kate was if nothing else persistent.
The raven-haired woman scooted closer to the sleeping assassin, leaning over and pressing the faintest of kisses to a few of the larger scars. No matter how many times she was privileged to witness this sight, Kate was always in awe of the Widow’s back. Each scar told a story of survival, a chapter in Yelena’s life and her struggle—her journey—to where she was today, asleep in the bed beside the archer. They were not flaws; no, they were markers of the blonde’s strength and resilience, a paean of her freedom.
Kate hoped Yelena knew how much she admired the tapestry now bathed in moonlight, how much the Widow’s back inspired her, how beautiful it—she—was. Artemis and Aphrodite themselves could not have crafted a stronger, more beautiful woman, and tonight Selene accentuated those facts with her glorious beams, as though she were ensuring the incontrovertibility of that statement.
After one final, long gaze at the blonde’s strong, resilient back bathed in soft light, Kate pressed her body against Yelena’s and lowered her head to the pillow. She drifted back to sleep, forever grateful for the woman she was lucky enough to call hers.
─────
Last year, some of the Bishova fandom’s heavy hitters did a National Mac and Cheese Day gift exchange among themselves—and we all got to reap the benefits! [AO3, tumblr]
As this month began, I realized National Mac and Cheese Day was coming up again, and I thought if I worked hard and got a little lucky, I might be able to have this little ficlet written by then. So, Happy National Mac and Cheese Day to all the Kate and Yelena fans out there!
(Also on AO3.)