
Andulka
PUT YOUR BEARD IN MY MOUTH
occasionally subtle
DEAR READER

#extradirty

pixel skylines

tannertan36
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Product Placement

shark vs the universe
Jules of Nature
h
Three Goblin Art
Misplaced Lens Cap
will byers stan first human second

Kiana Khansmith

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⁂
Lint Roller? I Barely Know Her
Keni

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@unresposivepotato
”Greymon…” ”Don’t… quit!”
every morning
New workout
It’s for chest day and I’ve been seeing results. Just push all your feelings away.
will olaf and minions ever end. will i be forced to live the rest of my life occasionally seeing olaf and minions
Said the Baudelaire children.
#the forces that had to be aligned to make this joke though #I am impressed but angry (@eggtrolls)
me: *wants to read*
me: *doesn't read*
2015 year in review
I tried
Quick, reblog Duke Silver for good luck in 2016
I wrote some fake ‘Best Memories of 2015′ and left them on a community bulletin board.
See Barack’s best memory on Facebook
“To make this journey, we’ll need imagination, but imagination alone is not enough, because the reality of nature is far more wondrous than anything we can imagine.”
These are just a few of the beautiful visual effects from Cosmos: A Spacetime Odyssey
Daniel Luther’s Magical Watercolor Birds
Piercing eyes, faded pastel-hued bodies, vivid and bright patterned wings poised to fly off the paper - Daniel Luther’s watercolor birds create a delight for the eyes of to wander on. The Swedish art director, graphic designer and artist brings his love for watercolor to this series of artwork. It is immediately apparent that Luther’s brushstrokes are dominated by for his passion for the swirl of subtle and acute colors and not by precision.
Most of the birds in his featured artwork focus on owls, eagles, and other birds of prey. The sharp edges of the birds’ contour filled in with the watercolor displays Luther’s unique smudged coloring technique while cleverly drawing attention to the face of each bird. Whether the artist chooses a smooth and free flowing or defined style of drawing, the intensity of the eyesis replicated with perfection which only the living specimen is capable of imitating in every painting.
Daniel Luther’s liberty with his color selection is spectacular. Vying away from the usual natural tones for feathers, his pleasant combination of radiant colors mixed in with sober shades leave you with a sense of magic, while his flock drifts away from the edge of the canvas.
there’s only one way i want to end this year and that’s drunk
Me rn
This wolf in British Columbia took a break from eating herring roe to investigate a half-submerged object: the photographer’s camera
Photograph by Ian McAllister