empty room
Color Me Curious

No title available

shark vs the universe

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todays bird

Discoholic 🪩
taylor price
No title available
The Stonewall Inn

blake kathryn
cherry valley forever
d e v o n
"I'm Dorothy Gale from Kansas"

bliss lane
let's talk about Bridgerton tea, my ask is open
Lint Roller? I Barely Know Her
Sade Olutola
Game of Thrones Daily
ojovivo
🪼
seen from Australia
seen from United States
seen from United States

seen from Ukraine
seen from United Kingdom
seen from Bangladesh

seen from United Kingdom

seen from Canada
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seen from United States
seen from United States

seen from Bangladesh

seen from Malaysia
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@usb1
empty room
Nicholas Devlin: Fantasy Vanity (2023)
napkin scans
Stadia II, Julie Mehretu, 2004
Weather camera self portraits (2012— )
Tatu Gustafsson
14 Wind Turbines Aligned In A Row In Nevada
Johfra Bosschart
Sigalit Landau - Barbed Hula, 2000
This is definitely one of the most impressive performances of art and, personally, it is my favorite.
(…) Danger is generated from history into life and into the body. (…)
Watch the video here.
The Lovers
Kildeskovshallen (1970-72) in Gentofte, Denmark, by Ebbe & Karen Clemmensen
South Side Settlement, Columbus, Ohio, 1982. Built 1978-1980 and designed by Hodgetts & Mangurian
Scan
SEAN MUNDY / “CYCLES” / 2020
Untitled - Anders Kjær , 2023.
Norwegian , b. 1940 -
Lithography
'Gone Cuckoo' - January 5, 2021. & four explosion studies from March 11, 2022.
Olaf Eriksson - Trädgårdsblommor, 1912-39
+++
Phyllis Shafer, born 1958, Buffalo, N.Y.
“My method is to paint directly from the natural environment…..I believe that a kind of transcendental essence lies at the heart of all natural forms and objects. There is a concept in Zen Buddhist painting known as kiin-seido, meaning “living moment” or the immediate, intuitive expression of a subject’s essential nature. While I am not a practitioner of Zen Buddhism, I am interested in this concept as it relates to our experience of landscape. My artistic goal is, through the process of painting, to distill and crystallise that essence and the vital rhythms that animate it.”
https://www.phyllisshafer.com/