-/USE BLEACH/- @usebleach - Tumblr Blog

Disorder

#joy division #ian curtis #use bleach #cool #music #80s music #english #new wave #borderline personality disorder

So sick

#skateboarding #graphic design #graphics #old school #vans #skating #skate #skate decks #powell #madrid #world industries #cool shit #awesome #use bleach #theindiemb

“YOU’RE WELCOME“

#OFF WHITE #streetwear #hype #hypebeast #fashion #use bleach #theindiemb #wallpaper #cool #iphone #iphone wallpaper #culture

slateconceptions-blog

-/CONCEPT 1/-

slateconceptions-blog

22 Likes, 2 Comments - SLATE BY NICHOLAS ALONSO (@slateconceptions) on Instagram: “Inspiration in the 818”

The Beginning of it all…

amanamongthetrees

usebleach

Very true

#writer #writing #original writing #original work #love #heartbreak #breakup #hope #loss #a man among trees

somepiecesofmyheartandsoul-deac

Even though I may look like I do not care, and speak of love like it is a hopeless thing, deep down inside of my heart, I love you. Deep in my heart, I love you all the time.

Lukas W. // In my heart, I love you (via somepiecesofmyheartandsoul)

raveezus

jungleindierock

The Kooks - All The Time / No Pressure

Here we have two new tracks from The Kooks, both are from the forthcoming album Let’s Go Sunshine, which will be released on the 31st August 31st. All The Time is the lead single from the album and No Pressure is the B side of the single. Above is the video for All The Time and below is the vdieo for No Pressure.

The Kooks are an English indie pop / rock band formed in 2004 in Brighton. The band currently consists of Luke Pritchard, Hugh Harris, Alexis Nunez, and Peter Denton.

ledger-heath

Childish Gambino - This Is America (2018)

newyorker

The photographer Douglas Levere was looking for a manageable side project, one that wouldn’t conflict with his day job or require too much travel away from where he lives, in a suburb of Buffalo, New York. He settled on something that is easily accessible, and seemingly inexhaustible, in that part of the Northeast: snow.

Levere caught his subjects as they fell or swept them up with a fine paintbrush, sometimes from off the hood of his car. He put them on glass slides and brought them to his garage, the only place in his house where it was cold enough to work, and then, using a homemade device—more or less a microscope lens attached to a digital camera—he photographed them in close-up, often as many as fifty times per snowflake. Finally, he combined the many images into one sharp portrait.