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@uselesstalents
this is an independent and mutuals only blog for cherry darling, originally found in planet terror and re-written by cori c. to fit into the from dusk till dawn universe. heavily canon divergent and headcanon based. personals do not interact. LINKS: rules ( temp ) bio ask memes open starters wanted plots credits
→ BE MY VALENTINE!
prompts to celebrate valentine’s day, with options for romantic or platonic. even the enemies can have some valentine’s fun. ‘my muse’ meaning receiver’s muse! can also reverse if you’d like.
🌷 to kiss my muse
💖 to confess attraction to my muse
🍫 to give my muse a box of chocolates
🌹 to give my muse flowers
🧸 to give my muse a giant teddy bear
🍷 to invite my muse to dinner
✨ to go stargazing with my muse
☕ for our muses to have coffee together
🌈 for our muses to dance together
🌼 for my muse to compliment your muse
🥀 for my muse to confess a secret
🍒 for your muse to tie a cherry stem with their tongue
🦢 for my muse to talk about someone they love
🔪 for my muse to threaten your muse
🖤 for my muse to reject your muse
— ♥ —
“Be my valentine?”
“Would you be so kind as to fall in love with me?”
“Darling, you’re the one I want.”
“This is no time for confessing.“
“You know, darling, you bring out the worst in me.”
“If you’re free tonight, maybe we could spend some time together.”
“I know I’ve kissed you before, but I didn’t do it right. Can I try again?”
“I hate Valentine’s Day.”
“I love you— ain’t that the worst thing you ever heard?”
“You have my whole heart.”
“I hope I never lose you.”
“All the good in me is because of you.“
“If I could give you the moon, I would.”
“Eat your heart out.”
“We both have our rabid hearts.”
“I thought maybe we would kiss tonight.”
“You’re not the person I wanted to see today.”
“I love everybody because I love you.”
“Do you want company?”
“Nobody fucks me like me.”
“Can we always be this close?”
“Please don’t say you love me.”
“I once believed love would be burning red, but it’s golden.”
𝐒𝐇𝐈𝐍𝐈𝐍𝐆 𝐀𝐑𝐌𝐎𝐑 𝐏𝐑𝐎𝐌𝐏𝐓𝐒.
i rewatched the etern.als. and then i got thinkin. and now you guys are on the receiving end of more protective prompts, but these little beauties are aimed more for the act of actually saving a life! bon appetit!
DIALOGUE PROMPTS.
“ what the hell were you thinking?! you could’ve been killed! “
“ hey! get away from them! “
“ if you wanna hurt them, you’re going to have to get through me, first. “
“ you underestimate how much you mean to me. i wasn’t about to let them hurt you. and i certainly wasn’t about to let them even consider killing you. “
“ i told you before. i’m not gonna let anything in this world nor the next harm you. “
“ you need to get out of here! go! i’ll buy you some more time! “
“ what are you doing?! i told you, get out of here! now! “
“ get it through your head, i’m not gonna just leave you here! “
“ now’s not the time to play the martyr, got it? you’ve got a good long life ahead of you, and i intend to keep it that way. “
“ you need to go now, okay? don’t worry. i’ve got this. they’ll want to be trying a lot harder if they want to keep me from protecting you. “
“ don’t worry about me; are YOU okay? “
“ damnit, [NAME]! i TOLD you not to play the hero! “
“ i can look after myself, you know. but… i do appreciate you stepping in back there. you saved my life. “
“ why are you so invested in keeping me alive? “
“ that was for saving my life. “
“ it’s alright, they’re gone now… are you alright? hey, look at me; are you hurt at all? “
“ are you insane?! run! “
“ were you preoccupied, or did you just really want a dramatic heroic entrance before you saved my ass? “
“ are you okay? “
“ yeah, yeah, i’m okay… are you okay? “
“ hey! why don’t you try picking on someone your own size! “
“ hurry! take my hand! “
“ get in the car! now! “
“ i’m sorry i was late… are you alright? they didn’t hurt you too badly, did they? “
ACTION PROMPTS.
add a “+ REVERSE” to switch the roles around!
[ SHIELD ]: sender uses their own body to shield the receiver from an attack.
[ EMBRACE ]: sender quickly wraps the receiver in a protective hug and turns so the sender’s back might take on the brunt of an on-coming attack.
[ SHOVE ]: seeing the receiver is in immediate danger, the sender runs to them and shoves them out of the line of fire.
[ YANK ]: seeing the receiver is in immediate danger, the sender hastily grabs them and pulls them against them, out of harm’s way.
[ TACKLE ]: sender physically tackles the receiver out of the line of fire.
[ THROW ]: sender throws themselves between the receiver and an on-coming attack, taking on an injury that might have been fatal to the receiver otherwise.
[ DISTRACT ]: sender causes a distraction to draw the receiver’s attacker/s away from them.
[ FIGHT ]: just as the receiver is about to be attacked, the sender arrives suddenly and begins to physically fight off their assailant.
[ CATCH ]: sender manages to intervene and catch the falling receiver before they fall to their death.
[ SACRIFICE ]: sender sacrifices themselves, either fatally or otherwise, in order to save the receiver’s life.
[ HIDE ]: sender quickly pulls the receiver into a hiding place, hiding them from their pursuers.
[ KILL ]: sender, seeing the receiver in immediate and intentionally fatal danger, intervenes by killing their assailant before they can kill the receiver.
[ INCAPACITATE ]: sender, seeing the receiver in immediate danger, intervenes by knocking out their assailant before they can harm the receiver.
[ AFAR ]: sender, having been watching the receiver’s interactions with a threat from afar, saves them from an impending attack while remaining distant from them.
[ SECRET ]: sender, having been secretly following the receiver, saves their life from an immediate threat while remaining hidden from the receiver.
[ REVEALED ]: sender, having been secretly following the receiver, reveals themselves in the process of saving the receiver’s life from an unexpected threat.
[ REUNION ]: after spending a considerable length of time apart, the sender reunites with the receiver after saving their life from an immediate and potentially lethal threat.
[ KISS ]: after having been saved from immediate danger by the receiver, the sender, in a state of intense emotion and relief, kisses them to express these feelings.
[ HUG ]: sender, having just saved the receiver’s life, pulls them into a tight hug out of relief and a need to steady and support both themselves and the receiver.
🐝 * ― 𝐒𝐎𝐅𝐓 𝐀𝐍𝐆𝐒𝐓 𝐒𝐄𝐍𝐓𝐄𝐍𝐂𝐄 𝐒𝐓𝐀𝐑𝐓𝐄𝐑𝐒. ( some random sentences for your angsty needs. feel free to adjust to better fit your muses. )
❛ hey … it’s okay now. you’re safe here. ❜ ❛ please don’t leave me alone again. ❜ ❛ was it all just a lie ? ❜ ❛ you have to trust me on this. ❜ ❛ i didn’t mean it like that ! ❜ ❛ i can’t do this anymore. ❜ ❛ promise me not to do anything stupid. ❜ ❛ we’ll see each other again soon. ❜ ❛ i can’t lose you , too. ❜ ❛ this is how you wanna end it ? ❜ ❛ whatever this is - it’s over. ❜ ❛ i’m not gonna let you die ! ❜ ❛ we have to stop this before someone gets hurt. ❜ ❛ i’m fine … it’s gonna be okay. ❜ ❛ please don’t do this to me. ❜ ❛ just talk to me , okay ? ❜ ❛ don’t close your eyes. stay with me. ❜ ❛ you’ll have to save yourself. ❜ ❛ stop lying to me ! ❜ ❛ you have to do this for me or i’ll never be able to forgive you. ❜ ❛ i deserve better than this. ❜ ❛ just leave me alone. ❜ ❛ we’re too late … ❜ ❛ save yourself while you still can. ❜ ❛ you’re gonna be fine. just stay awake for a little longer , help’s already on their way. ❜ ❛ please don’t cry. ❜ ❛ stop moving , you’re only making this worse. ❜ ❛ does it hurt ? ❜ ❛ if this is the end , i’m really glad i get to be here with you. ❜ ❛ whatever you do , do not let go of my hand. ❜ ❛ i’ve got you. ❜ ❛ i’m sorry for not telling you sooner. ❜ ❛ this is all your fault ! ❜ ❛ we’re gonna survive this , right ? ❜ ❛ we’re screwed. ❜ ❛ just do this for me and we’ll never have to speak to each other again once this is all over. ❜ ❛ i thought you were better than that. ❜ ❛ one of us is gonna end up with a broken heart. ❜ ❛ i’m scared. ❜ ❛ so that’s it ? ❜
sacred romantic moments
“ don't go. stay. “
“ but you're here. so stay. “
“ i don't want to be alone tonight. “
“ just come over. “
“ let's be alone together. “
“ i didn't know where else to go. “
“ i don't want us to be apart anymore. ever. “
“ i wouldn't have called if it wasn't important. “
“ you can talk to me about anything. you know that, right? “
“ just be honest with me. do you want this? “
“ i could never hate you. not really. “
“ you're my friend, but sometimes i wish you were more than that. “
“ we're not just friends. you know that. “
“ i think i'm falling in love with you. “
“ can i hold your hand? “
“ just hold me. “
“ yeah, you're in love with me. “
“ things would be so much easier if we were honest with each other. “
“ why can't you be honest with me? with yourself? “
“ maybe you could stay? just for tonight? “
“ it’s dark outside, and it’s raining. my arms are much safer. “
“ you can't keep doing this. you can't keep lying to yourself. “
“ i can't keep lying to myself, or to you. it's not fair on either of us. “
“ i think you should kiss me. “
“ kiss me like you mean it. “
“ just kiss me. “
“ you shouldn't kiss me right now. “
“ look me in the eyes and tell me you love me. “
“ you can't lie to me, you know. “
“ you know me better than anyone. you always have. “
“ you're pretty amazing. you know that, right? “
“ you're just... you're extraordinary. “
“ you're good to me, you know. really good. “
“ you've made me the happiest i've ever been. “
“ i don't know what i would have done if you weren't here. “
“ our love can conquer anything. “
“ and for many generations to come, our love story will live on. “
“ i want you to marry me. “
“ if you asked me to marry you tomorrow, i'd say yes. “ “ what about today? “
“ marry me, name. marry me and make me the luckiest [x] in the world. “
“ your kiss could mend a broken heart. “
“ are you going to kiss me again? please say yes. “
“ i could cry over how much i love you. “
“ you're worthy of my love. “
“ truth is that i'm so damn in love with you i don't know what to do with myself. “
“ i don't know what the future holds, all i know is that i hope you're in it. “
“ could you promise me one thing? “
“ promise me that we'll be together, no matter what. “
“ it's you and me, forever. no matter what. “
“ i didn't want to tell you until i was sure, but... i'm pregnant. “
“ we're going to be family! “
“ this baby is the best thing that could ever have happened to us. “
“ i can't believe this, we're going to be parents! “
“ dance with me? “
“ may i have this dance? “
“ you're my whole world, you know. “
“ don't speak. just... kiss me. “
“ you have no idea how long i've been wanting to that. “
“ i've been wanting to tell you for so long... “
“ so... is this like, a thing now? “
“ i always miss you, even when you're next to me. “
” i miss you. i miss you so much it hurts. ”
” i don’t want you to miss me. it’s tearing me apart. ”
“ you make me happier. “
“ i love waking up next to you. “
“ my favorite thing is falling asleep next to you. “
“ come cuddle with me. “
“ this is torture, isn't it? “ “ not in the slightest. “
“ do you love me? “
“ could this be something more? “
“ move in with me. “
“ like, moving in together? you spend all your time here anyway. “
“ are you serious? i've had a crush on you for as long as i can remember. “
“ i know you're in love with me. “
“ you're really cute, you know. “
“ you're so damn attractive. you know that right? “
“ if anybody were to kiss me, i would want that person to be you. “
“ and right now, i think you should kiss me. “
ROLEPLAY MEMES: SOFT TOUCHES
these can be platonic or romantic. add + REVERSE to reverse the action
[ hug] sender wraps receiver in a hug from behind
[ hand ] sender places their hand on receiver
[ bed ] sender crawls into bed next to receiver
[ hair ] sender brushes their hand through receiver’s hair
[ neck ] sender places their hand on receiver to calm them
[ forehead ] sender kisses receiver on the forehead
[ link ] sender links arms with receiver
[ swing ] sender swings their joined hands with receiver
[ piggy back ] sender jumps on receiver’s back asking for a piggyback
[ ruffle ] sender ruffles receiver’s hair
[ nose ] sender boops receiver on the nose
[ sling ] sender slings their arm over receiver’s shoulder
[ sing ] sender tries to get receiver to sing with them
[ food ] sender shares their food with receiver
[ drink ] sender tries to offer receiver a drink to comfort them
[ run ] sender runs into receiver’s arms
adam lambert // for your entertainment rp meme
edit/alter/change pronouns etc as you see fit!
music again.
i don’t want anyone instead of you.
i’m going crazy.
you’re someone else’s baby.
i’m so sick of living for other people.
i don’t wanna lose ya.
you make me wanna listen to music again.
i’m inspired again.
i know in some ways, we’re kinda evil.
my heart’s no stranger to upheaval.
for your entertainment.
i need to be entertained.
baby, don’t be afraid.
imma hurt you real good.
do what i say.
imma hold you down until you’re amazed.
give it to you till you’re screaming my name.
no escaping when i start.
once i’m in, i own your heart.
i own your heart.
hold on until it’s over.
do you know what you got into?
can you handle what i’m about to do?
it’s about to get rough for you.
i’m here for your entertainment.
i bet you thought that i was soft and sweet.
i’m in control.
take the pain, take the pleasure.
take the pain, take the pleasure, i’m the master of both.
let me into your soul.
whataya want from me.
there might have been a time when i would give myself away.
once upon a time, i didn’t give a damn.
just don’t give up.
i’m working it out.
please don’t give in.
i won’t let you down.
it messed me up.
it messed me up, need a second to breathe.
need a second to breathe.
baby, you’re beautiful.
there’s nothing wrong with you.
it’s me, i’m a freak.
thanks for loving me.
thanks for loving me, coz you’re doing it perfectly.
there might’ve been a time when i would let you slip away.
i think you could save my life.
strut.
i wanna start a revolution.
we all have got our own pollution.
your hands are tied.
open your mouth, open it wide.
let the freedom begin.
feel the fire within.
i wanna see you strut.
c’mon, walk for me.
everybody’s looking for some love.
get yourself some validation.
soaked.
your soul will be okay.
you’ve had enough searching for love.
you miss the touch of someone new.
it’s never how it seems.
take shelter and hide forever.
sure fire winners.
our big guns gonna shatter your scene.
it’s pandemonium.
we are the sure fire winners.
i’m full of desire.
we’re all drawn to the heat of the flame.
i was born with glitter on my face.
where did all their pretty boys go?
take a walk on the wild with me.
a loaded smile.
if i say i’m sorry, it’s just me telling a lie.
when you’re in my arms, i feel emptier inside.
i feel emptier inside.
i never felt so satisfied.
i think i need a little more time.
honestly, i don’t know if we’ll survive.
you are all i ever want.
we are barely hanging on.
i do still want to, baby.
it’s a certain kind of complicated.
if i had you.
all we need in this world is some love.
there’s a thin line between the dark side and the light side.
if i had you, that would be the only thing i’d ever need.
money, fame and fortune never could compete.
i got you stuck on my mind.
it don’t mean a thing tonight.
pick u up.
we can’t be wrong.
are you gonna play with me?
all my life i’ve been waiting.
can’t you see what i mean?
you’re the one i want to know.
i need someone to be my lover.
fever.
could you be mine?
i’m sick of laying down alone.
i wanna get you alone.
i wanna get you alone, give you fever.
you’re still my soul.
nobody knows me.
sleepwalker.
i couldn’t walk away.
it took me back to the end of everything.
scream at the sky, but no sound is leaving my lips.
it’s like i can’t even feel.
i can’t even feel after the way you touched me.
i’m not asleep but i’m not awake after the way you loved me.
let me out of this dream.
everywhere that i go i see another memory.
i feel so lost and lonely.
you’re everything that i want, but you don’t want me.
aftermath.
have you lost your way?
have you lost your way, living in the shadows of the messes that you made?
everything inside your circle starts to overflow.
take a step before you leap.
you’ll get back what you give away.
don’t look back on yesterday.
wanna scream out, no more hiding.
don’t be afraid of what’s inside.
you’ll be alright.
you’ll be alright, in the aftermath.
anytime anybody pulls you down, anytime anybody says you’re not allowed, just remember you are not alone.
before you break you have to shed your armour.
tell a stranger that they’re beautiful so all you feel is love.
broken open.
broken pieces break into me.
so imperfectly what you should be.
i don’t want you to go.
don’t wanna see you back out in the cold.
don’t run away.
find me.
i know the battles of chasing the shadows of who you wanna be.
go on and shatter, i’m all you need.
lay here, it’s safe here.
i’ll let you be broken open.
hide here, confide here so we can be broken open.
time for miracles.
it’s late at night and i can’t sleep.
missing you just runs too deep.
i can’t breathe, thinking of your smile.
every kiss i can’t forget.
this aching heart ain’t broken yet.
i wish i could make you see.
i know this flame isn’t dying.
nothing can stop me from trying.
baby you know that maybe it’s time for miracles.
maybe it’s time for miracles.
i ain’t giving up on love.
i ain’t giving up on us.
i just wanna be with you.
living is so hard to do when all i know is trapped inside your eyes.
all i know is trapped inside your eyes.
carl/os mad/rigal is someone that cherry both hates and loves. he's the one that she's referencing when she jokingly tells people "in the know" that she had a fling with a culebra once and "it was fun until it wasn't." they met when she was still a go go dancer in the bar that's now known as darling's, trying to run from her trauma and past. she was unintentionally pulled into helping him hunt down and eradicate a group of culebras who had been plotting against the new queen's reign. she slept with him after everything was said and done and thought it was the last that she'd see of him. however, he came calling a couple of weeks later and offered her a job working for him to help hunt down rogue / dangerous culebras. fed up with dancing at the bar for her sleazy boss and missing the adrenaline rush of hunting, she agreed. the two of them worked quite well together, occasionally winding up in each other's beds. unfortunately for cherry, she realized that she'd fallen in love with carlos. seeing how he acted around kisa the one time that she'd met the woman, she was fairly certain that he would never love her back. instead of sticking around and letting herself get heartbroken over and over again, she took matters into her own hands and vanished after a particularly rough hunt. she went up north for a while and burned all of her old identities, essentially reinventing herself before returning back to texas. she's unsure if he's heard that she's back, especially now that she's going by cherry instead of palomita. a part of her fears the day that he finds out and comes for a "visit" because she's certain that he's not exactly happy with her at the moment..
elijah walker is a man of many talents and holds several important jobs at darling’s. elijah is essentially cherry’s right hand man and the one who takes care of the place during any trips that she has to take out of town. he also plays accountant, bartender, bouncer, and whatever other job that needs to be filled. he’s the only other person besides a certain culebra that knows cherry’s full past, just like she’s the only one who knows his past. like cherry, elijah is a “retired” hunter. the two of them originally met a year before she met her el wray because eli was a friend of her father’s. they barely interacted, mainly due to being part of a “hunting party” that her father had put together that didn’t include her. they crossed paths again during her time up north and they became fast friends when they were attacked by a pack of lycans. he ended up following her down to texas and offered his service to help whip the newly renamed darling’s into shape. he only meant to come down for a couple of months, but elijah’s made himself a home now and has no interest in leaving. elijah cares deeply for cherry and is more than willing to help steady her and be a listening ear for when she needs it.
high pain tolerance starters
“[Name], you’re bleeding.”
“How long has it been like that?”
“Did you dislocate a finger?”
“You’re slurring.”
“They say you almost died. You left it that late.”
“You’re snapping. Headache again?”
“You’re in a bad mood. Are you in pain?”
“Why didn’t you say anything?”
“Hey, why are you walking like that?”
“That’s a lot of swelling.”
“Where did you get that bruise?”
“Whose blood is that?”
“When you say your pain’s ‘4 out of 10′, that’s a normal person’s ‘8 out of 10′. We’re going to the hospital.”
“How did you not notice?!”
“If it hurts, it hurts.”
“I know you can manage it, you just don’t *have* to.”
“Holy shit, how long have you had this?!”
“[Name]? [Name]! Hey!”
“We’re a team. You need to tell me about this sort of thing.”
“That’s … a lot of blood, is that - oh, fuck.”
“Hey! Hey! Stay awake, okay? Stay awake.”
“It would have been a lot easier to treat if you’d mentioned it sooner.”
“You can’t keep hiding this stuff.”
“I need to be able to trust you to tell me when you’re hurt.”
𝟏𝟎𝟎 𝑵𝑶𝑵𝑽𝑬𝑹𝑩𝑨𝑳 𝑷𝑹𝑶𝑴𝑷𝑻𝑺 . ( a collection of 100 nonverbal action prompts . mature and potentially triggering themes are present . add “ + reverse ” to swap assigned roles . )
∗ o1﹕ sender tucks hair out of receiver’s face . ∗ o2﹕ sender offers receiver a bite from their fork . ∗ o3﹕ sender places their feet / legs in receiver's lap . ∗ o4﹕ sender offers receiver an earbud to share their music . ∗ o5﹕ sender comforts receiver in the aftermath of a nightmare . ∗ o6﹕ sender gives receiver company in the hospital . ∗ o7﹕ sender wraps their arms around a hysterical receiver to calm them . ∗ o8﹕ sender shows up at receiver’s home late at night . ∗ o9﹕ sender falls asleep leaning against receiver . ∗ 1o﹕ sender wields a [ gun / knife ] at receiver . ∗ 11﹕ sender runs their fingers through receiver’s hair . ∗ 12﹕ sender invites receiver to dance . ∗ 13﹕ sender takes a [ picture / video ] of receiver . ∗ 14﹕ sender places their head in receiver’s lap . ∗ 15﹕ sender and receiver make eye contact across a busy room . ∗ 16﹕ sender pushes receiver against a wall to kiss them . ∗ 17﹕ sender and receiver cook together . ∗ 18﹕ sender comes to receiver after being injured . ∗ 19﹕ sender sits in receiver’s lap . ∗ 2o﹕ sender lifts receiver's chin , invoking eye contact . ∗ 21﹕ sender overtakes receiver in combat . ∗ 22﹕ sender finds receiver [ injured / bloodied ] . ∗ 23﹕ sender straightens an article of receiver’s clothes . ∗ 24﹕ sender crawls into bed with receiver . ∗ 25﹕ sender rolls their eyes at receiver . ∗ 26﹕ sender lights receiver’s [ cigarette / joint ] . ∗ 27﹕ sender is caught wearing receiver's clothes . ∗ 28﹕ sender strikes receiver with a pillow . ∗ 29﹕ sender writes a note on receiver’s skin : [ note ] . ∗ 3o﹕ sender wraps a blanket around receiver’s shoulders . ∗ 31﹕ sender runs and jumps into receiver’s arms . ∗ 32﹕ sender shoves receiver out of anger . ∗ 33﹕ sender hovers over receiver’s shoulder as they complete a task . ∗ 34﹕ sender is found by receiver somewhere they shouldn’t be . ∗ 35﹕ sender curls up against receiver in their sleep . ∗ 36﹕ sender is found drunk by receiver . ∗ 37﹕ sender throws an item of sentiment bitterly at receiver . ∗ 38﹕ sender joins receiver in the shower . ∗ 39﹕ sender is caught following receiver . ∗ 4o﹕ sender traces one of receiver’s [ scars / bruises ] . ∗ 41﹕ sender twines their fingers with receiver’s . ∗ 42﹕ sender barges into receiver’s home unannounced . ∗ 43﹕ sender kicks receiver’s shin beneath a table . ∗ 44﹕ sender aggressively shoves past receiver . ∗ 45﹕ sender kisses receiver’s [ forehead / cheek ] . ∗ 46﹕ sender pulls receiver out of harm’s way . ∗ 47﹕ sender is found sobbing by receiver . ∗ 48﹕ sender locks receiver out of their room . ∗ 49﹕ sender brings receiver [ coffee / tea ] in the morning . ∗ 5o﹕ sender rests their forehead against receiver’s . ∗ 51﹕ sender plays a song for receiver that reminds them of them : [ song ] . ∗ 52﹕ sender takes a [ punch / stab / bullet ] meant for receiver . ∗ 53﹕ sender buys receiver a drink at a bar . ∗ 54﹕ sender needs receiver’s help getting in the bath . ∗ 55﹕ sender and receiver cross paths in the kitchen late at night . ∗ 56﹕ sender twists receiver’s arm behind their back . ∗ 57﹕ sender winks at receiver . ∗ 58﹕ sender is found collapsed by receiver . ∗ 59﹕ sender prevents an injured receiver from getting up . ∗ 6o﹕ sender claps a hand over receiver’s mouth to silence them . ∗ 61﹕ sender cages receiver against a [ wall / the floor ] with their arms . ∗ 62﹕ sender storms away from receiver during an argument . ∗ 63﹕ sender is found by receiver sleeping in receiver’s bed . ∗ 64﹕ sender [ applies / touches up ] receiver’s makeup . ∗ 65﹕ sender throws receiver into a wall during combat . ∗ 66﹕ sender dances sensually with receiver . ∗ 67﹕ sender strikes receiver across the face . ∗ 68﹕ sender places their hand on receiver’s leg while driving . ∗ 69﹕ sender pulls a chair out from under receiver . ∗ 7o﹕ sender catches receiver’s wrist when they turn to leave . ∗ 71﹕ sender leaves an intimate mark on receiver . ∗ 72﹕ sender beats receiver in a video game . ∗ 73﹕ sender and receiver stand in stunned silence after a fight . ∗ 74﹕ sender cares for receiver while they’re sick . ∗ 75﹕ sender and receiver go on a hike . ∗ 76﹕ sender is caught snooping in receiver’s things . ∗ 77﹕ sender and receiver cuddle while watching television . ∗ 78﹕ sender throws something aggressively at receiver . ∗ 79﹕ sender creeps up behind receiver to scare them . ∗ 8o﹕ sender and receiver go shopping together . ∗ 81﹕ sender helps receiver [ dye / style ] their hair . ∗ 82﹕ sender draws receiver into a kiss by the back of their neck . ∗ 83﹕ sender is discovered having a panic attack by receiver . ∗ 84﹕ sender accidentally injures receiver during sparring . ∗ 85﹕ sender grabs receiver roughly by the hair . ∗ 86﹕ sender brings receiver to their knees during combat . ∗ 87﹕ sender shows receiver evidence of a lie they told . ∗ 88﹕ sender winks [ seductively / mockingly ] at receiver . ∗ 89﹕ sender yells at receiver to put their hands in the air . ∗ 9o﹕ sender helps receiver patch up a wound . ∗ 91﹕ sender holds receiver as they cry . ∗ 92﹕ sender silently and angrily points receiver towards the door . ∗ 93﹕ sender gestures for receiver to sit down . ∗ 94﹕ sender pulls receiver into their lap . ∗ 95﹕ sender cradles receiver’s face . ∗ 96﹕ sender tackles receiver out of the way of danger . ∗ 97﹕ sender has hidden an injury from receiver , and receiver finds out . ∗ 98﹕ sender confronts receiver about their unhealthy behavior . ∗ 99﹕ sender proposes to receiver . ∗ 1oo﹕ sender has just died , receiver finds out .
give me something like a “hey hot badboy housemate, i just broke up with my boyfriend and i’m drunk, you’re hot, let’s fuck” but he didn’t do it because she was drunk so they end up watching the stars on the roof and listen to her whine about her ex until they eventually fell asleep, cuddling
i’m just 𝐂𝐇𝐄𝐑𝐑𝐘.
a canon divergent, fdtd au version of CHERRY DARLING. [ template credit ]
elijah walker is a man of many talents and holds several important jobs at darling's. elijah is essentially cherry's right hand man and the one who takes care of the place during any trips that she has to take out of town. he also plays accountant, bartender, bouncer, and whatever other job that needs to be filled. he's the only other person besides a certain culebra that knows cherry's full past, just like she's the only one who knows his past. like cherry, elijah is a "retired" hunter. the two of them originally met a year before she met her el wray because eli was a friend of her father's. they barely interacted, mainly due to being part of a "hunting party" that her father had put together that didn't include her. they crossed paths again during her time up north and they became fast friends when they were attacked by a pack of lycans. he ended up following her down to texas and offered his service to help whip the newly renamed darling’s into shape. he only meant to come down for a couple of months, but elijah’s made himself a home now and has no interest in leaving. elijah cares deeply for cherry and is more than willing to help steady her and be a listening ear for when she needs it.
i'm just 𝐂𝐇𝐄𝐑𝐑𝐘.
a canon divergent, fdtd au version of CHERRY DARLING. [ template credit ]
"of all the things that i expected when i got out of bed this morning, this was not one of them."
@soulreturncd asked: “You’re good at that.”
a grin slid across her features as her gaze shifted over to the peroxide blond. "someone's gotta be," cherry responded as she scooped up the dagger that she'd thrown into the now dusted chest of her attacker. “not all of us are exactly built to take on the brunt of a vampire’s strength. some of us have to be a little bit more creative.”
