Krol Miesopust's The King of the Carnival, 1971
Strindberg's Taniec Śmierci, 1974
Alban Berg's Lulu, 1980
Giełda Plakatów P.T.T.K. Warszawa, 1982
Edward Albee's Who's Afraid of Virginia Woolf?, 2015
Posters by Franciszek Starowieyski

oozey mess
YOU ARE THE REASON

blake kathryn

tannertan36
we're not kids anymore.

@theartofmadeline
Today's Document
Jules of Nature
he wasn't even looking at me and he found me
RMH

pixel skylines
Sweet Seals For You, Always

Origami Around
Mike Driver
One Nice Bug Per Day

Kaledo Art

titsay
KIROKAZE

No title available
let's talk about Bridgerton tea, my ask is open

seen from Malaysia
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seen from United States

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@uszy
Krol Miesopust's The King of the Carnival, 1971
Strindberg's Taniec Śmierci, 1974
Alban Berg's Lulu, 1980
Giełda Plakatów P.T.T.K. Warszawa, 1982
Edward Albee's Who's Afraid of Virginia Woolf?, 2015
Posters by Franciszek Starowieyski
Kathy Coleman in Land Of The Lost, 1974 (via)
Sunset Tree, Lake Maggiore, Italy
photo via carolyn
My love is a dog from Hell, Julia Soboleva
Hyter Very
Edouard Boubat, France, 1977
J.J.P. Oud, Basic Terraced Housing, Weissenhofsiedlung, Stuttgart, Germany, 1927
people who slander dandelions are so boring. oh you don’t like weeds?? you don’t want to see my yard absolutely covered in fairy pom moms motherfucker??? get bent
BERNARD TSCHUMI ADVERTISEMENTS FOR ARCHITECTURE: ROPES AND RULES, 1978
This structure was first built as a bunker disguised as a church in WW2, then after the war converted into an actual church. Philipp Wilhelm Stang: Bunker Church St. Sakrament, Düsseldorf, Germany, 1940–1952 Photo: Jörg Wiegels 2011 (CC BY-SA 3.0)
original westworld
cuurently
Jasper Johns (American, b. 1930), Fragment - According to What, 1971. Colour lithograph on Arches paper, sheet: 73 x 61 cm. Numbered 46/66.
Agnès Varda, Salt, 1951
陳進展 台湾の女性日本画家 生誕100年記念