Uterus Vibes

feminism. anti-fascism. graphic.

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via vsco.co

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The spectacular skies of Steve Dodd. Some of my favourite paintings by Steve Dodd, most done during the 1980s.

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’90s Teenagers in Their Bedrooms, Adrienne Salinger 

In 1995, artist Adrienne Salinger wanted to depict the authentic lives of young people in ‘90s America — a contrast to the perfect Beverly Hills 90210 types portrayed in the media. She photographed teens in the most intimate space of all: their bedrooms.

Instagram.com/WeTheUrban

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Early 70’s behind the scenes of Sesame Street with the Muppets.

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“You know why this is my favorite tree?…‘Cause it’s tipped over, and it’s still growing.”  

The Florida Project (2017). Dir. Sean Baker. DP. Alexis Zabe  

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I am a woman, by Veronica Ruthf Frias  Photo Jon Gasca

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backstage at ashish fw18

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Cat Island © jenni becker

[micdotcom]

These bad ass derby photos are shattering stereotypes about female athletes 

A healthy body is a strong body. That’s the message behind Cory Layman’s “Body by Derby” project, an inspiring collection of images of roller derby players. The project is proving that women of all shapes and sizes can be strong and powerful — no matter their body fat percentage.

There are 6 more of these — equally as awesome

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One has a tattoo that says ‘THESE GAMS KILL FASCISTS’ just

just fuck me up.

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@mori-sketchbook !!!!

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Jessica Spence

Sore Arms, 2017

http://www.jessicaspenceart.com/

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Laura Aguilar is a Los Angeles-based photographer whose work mines the intersection between feminism, body image, queer politics, and latinx identity. Her earliest works depicted latina lesbians in intimate portraits, calling to mind the frankness of Catherine Opie, while her best known series features self-portraits of Aguilar posed nude in the California desert landscape. These photographs are instantly striking, finding in the artist’s body formal elements that echo the landscape itself, as in its doubling here with the giant rock that eludes the frame. Aguilar also forces our gaze onto a body that does not conform to stereotypical images of latinx or feminine identity—a body type that is not so much othered as invisible, despite its ubiquity. The artist originally began to produce these photos as a means of grappling with her own issues with weight and self-acceptance, but quickly came to see them as something more. They offer a profound, ambivalent vision of woman and nature. We see Aguilar dissolve into the landscape in search of anonymity, at the same time that she reclaims the pride and beauty in her body far removed from the society that rejects it.

Laura Aguilar, Grounded #111, 1992

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more rad 80s stickers