oh you know, coping via my latest hyperfixatation @uv-duv - Tumblr Blog

some early aughts eurohouse devil’s minion in honor of luke and assad’s millennial safe space

(watch on youtube)

At a time when Netflix is getting roundly criticized for forcing its shows to treat the audience like we have all of two brain cells to rub together, The Vampire Lestat is out here volleying everything from 70s gay references to 1700s Dutch Republic references at the speed of light while saying, "You don't get it? Well, that's a fucking you problem."

And I love that for us.

backonmyvampirebullshit

March 2026 be like

messvoid

The Devil has minioned too close to the sun

bratboymolloy

introducing: the cunty glasses club 😎

cicada-buzz

halles-comet

my favorite thing about louis is he's a business major in a world of theater kids. everyone's playing psychological games with each other through theater and rock music and the fractured art of storytelling and he's like "but what are the margins on my vampire hotel"

veryintricaterituals

If Jonathan Ceniceroz, writer of Don't be afraid just start the tape and the devil's road episodes, has a million fans, then i am one of them. if he has ten fans, then i am one of them. if he has only one fan then that is me. if he has no fans, then that means I am no longer on earth. if the world is against him, then I am against the world.

loststolenorstrayed

Armand genuinely doing The Steps is such a perfect thing for his character. He is otherworldly and in control and ancient but fundamentally he NEEDS community more than anything and he will take it *however* he finds it. if he has no companion anymore and no one will take him. might as well go to AA.

op-la

halles-comet

my favorite thing about louis is he's a business major in a world of theater kids. everyone's playing psychological games with each other through theater and rock music and the fractured art of storytelling and he's like "but what are the margins on my vampire hotel"

lou-stat

andres_cubillan_soto: Int. Lestat's Bedroom - Chateau D'Aurillac.

This little set was one of my favorites. Lestat being the runt of the family, the disappointment, I wanted to give him a small awkwardly shaped room that felt like it was caving in on him, weighing him down. The small room was dominated but a giant fireplace and a heavy wood raftered ceiling (which sadly we never see, but it was painted in dull pinks and yellows and very oversized). While still "of the chateau" with carved wood paneling, we balanced it out with tile floors like you'd see in servant's quarters or kitchens.

As for the muraled walls, I wanted to play with the concept of the hetero-normative "little boy's room" but make it period. Instead of images of boats, trains, and trucks, the walls are covered with images of wartime masacres and conquests. The dichotomy of hard and soft really made it one of my favorites. And for those of you that do what we do, THIS IS WHY FLOORS MATTER!. Don't let anyone tell you otherwise. I fought for those (expensive) tiles and they complete the set. Once our director and DP saw the floor, they restaged the scene. #vindication The set was drawn by the talented Gord Peterson, with mural graphics by @/mongtho