uzimemo

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Hay Recycled Color Crates from Polymath Motion on Vimeo.

We are inspired by thoughtful design. We see magic when things are made with excellence. Even the humble crate. Considered details and smart use of materials inspired us to create this small piece that tells the story of recycling and giving new life to old things.

� Sound Design & Music by the wonderful folks at @echoic_audio.

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Morning walk from Pontus on Vimeo.

Small scene made in Unreal Engine 5 with Reality Scanned assets

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2089：边境 from SOMEI 晟 on Vimeo.

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LAMY SAFARI SE 2022 from Büro Achter April on Vimeo.

Special edition LAMY safari in cream or strawberry.

Concept / Production : Büro Achter April Design / Animation : Christian Schläffer / Michael Fragstein

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Lost in Space s3 Alpha Centauri Env from Important Looking Pirates on Vimeo.

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Janek Murd - AVA from Tolm on Vimeo.

AVA is an experimental 3D animated music video for Janek Murd - an Estonian musician and composer.

Ava explores the constant cycle of life - be it a breath of air, passing of a day, a full turn of the year, or a journey from one's birth to death. 

AVA (meaning 'opening' or 'to open' in Estonian) opens with flashes in the darkness and then follows different ideas of what one does with the suddenly gifted freedom and curiosity of finding out, where it will all end up when the cycle comes to a close.

AVA is the first single from Janek Murd's new album 'VIIV'. You can listen and support the artist on Bandcamp: janekmurd.bandcamp.com/album/viiv

For stills and additional content, visit our Behance page: behance.net/gallery/130194673/Janek-Murd-AVA

Music by Janek Murd Designed, Directed & Animated by Joosep Volk & Maido Hollo

TOLM 2021

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AUDI Ultra from Prologue Films on Vimeo.

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Gore RnD from Anselm von Seherr-Thoss on Vimeo.

Some gore RnD I did a while back last summer...

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WIP Advanced Procedural Vehice Rig Houdini+UE5 from Carlos Acevedo on Vimeo.

Procedural vehicle rig pipeline Using Houdini and Unreal Engine 5 This system creates a full rig and procedural animation including suspension, for vehicles including, cars, trucks or even tanks, the system export the vehicle as rigged characted + animation to optimize performance. the animation can be controlled with a gamepad or with a target location node, I'm planing to include spline guided animation

rendered on realtime on Unreal Engine 5, realtime global illumination using lumen and high quality mesh using nanite

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Crystalline from Erxandale on Vimeo.

Behance Project: behance.net/gallery/132836589/Crystalline

Expirimental Animation with Xparticles and XpCellAuto. It took 25 hours and it was not rendered on my personal laptop but on a PC at work which has a 3080 ti, even with the high sample count it still had a lot of noise with all the refractive crystals and ended up with this.

Twitter: @erxandale Instagram: @erxandale Artstation: artstation.com/erxandale Behance: behance.net/erxandale

linktr.ee/erxandale

Song: Revolt Production - Fabric of Space-Time

Created with: Cinema 4D (Octane), Xparticles, Blender (Crystal Modelling), After Effects, Premiere Pro

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Inside the Reactor : Geometra Artist Statement from GMUNK on Vimeo.

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Planktonium - SHORT VERSION from Jan van IJken on Vimeo.

FULL 15 MIN VERSION: vimeo.com/ondemand/planktonium

Planktonium is a short film by Jan van IJken about the unseen world of living microscopic plankton. It is a voyage into a secret universe, inhabited by alien-like creatures. These stunningly beautiful, very diverse and numerous organisms are unknown to most of us because they are invisible to the naked eye. However, they are wandering beneath the surface of all waters around us and they are of vital importance for all life on earth.

Jan van IJken filmed the plankton through his microscopes, revealing the beauty and delicate structures of the minute organisms in the finest detail. The film is without any voice-over or explanation.

Renowned Norwegian artist Jana Winderen made a sound composition for the film. She is recording audio environments and creatures which are hard for humans to access, both physically and aurally – deep under water, inside ice or in frequency ranges inaudible to the human ear.

Phytoplankton (small plant-like cells) are producing half of all oxygen on earth by photosynthesis, like plants and trees do on land. Zooplankton are forming the base of the food chain of aquatic life. Plankton are also playing an important part in the global carbon cycle. The plankton are threatened by climate change, global warming and acidification of the oceans.

Filmed, directed and produced by Jan van IJken Sound composition by Jana Winderen Edited by Jan van IJken and Metje Postma

Produced with generous financial support of Gemeente Leiden and Stichting Oog op de Natuur. Partner of Leiden European City of Science 2022.

janvanijken.com

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Chipotle: A Future Begins from Johnny Kelly on Vimeo.

A stop-motion animated film about farming commissioned by Chipotle Mexican Grill, a follow up to ‘Back to the Start’

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Watch the Behind the Scenes: vimeo.com/646867873

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Film credits:

Client: Chipotle Mexican Grill  CMO: Chris Brandt VP, Brand Marketing: Stephanie Perdue Sr. Director, Brand Marketing: Michael Kotick  Creative Director: Shelley Sheppard   Sr. Manager, Art Director: Bianca Pettinicchi

Agency: Observatory 

Production Company: Nexus Studios Director: Johnny Kelly Senior Producer: Isobel Conroy Production Manager: Nicole Lopez Production Assistant: Delfina Maria

Art Director: Melanie Climent Storyboards: Johnny Kelly 3D Previs: Mark Davies, Steve White 3D Previs Modeller: Fabien Glasse Studio Technical Lead: Mark Davies Lead Compositor: Germán Diez Compositors: Osman Baloglu, Dalvir Matharu, Gareth Tredrea Grade: Duncan Russell

DOP: Toby Howell 1st AD: Robert Thorpe Moco Operator: James Gillett Camera Assistant : Max Halstead Gaffer: Aldo Camilleri Best Boy: Genki McClure Lead Animators: Gary Cureton, Matthew Cooper Additional Animator: Tobias Fouracre Animation Rigger: Robin Jackson Puppet Makers: Joshua Flynn, Nathan Flynn @ Sculpt Double  Puppet Model Makers: Laura Tofarides, Rachel Brown @ Sculpt Double

Art Director: Gordon Allen Assistant Art Director: Jasmine Nixon  Sculptor and Scenic painter: Araba Ocran  Modelmakers: Areeya Bass, Connor Chung Laser cut prep: Collette Pidgeon  Laser cutting: Ewen Dickie  Standby Art dept/ Set Dressing: Rosie Tonkin, Brin Frost Stage Construction: Ben Côté  Scenic and props painter: Richard Davidson

Studio Manager: Daisy Garside BTS Cameraman: Thomas Heleta BTS Editor: Dave Slade Covid Officer / Medic: Paul Mortimer Team Sustenance / Cleaner: Valerie  Catering: Konrad’s Kitchen

Music: Kacey Musgraves  Music Production: Ian Fitchuk Daniel Tashian Kacey Musgraves Additional Production: The Elements Music Recording and mix: Craig Alvin Additional Mix: Source Sound Inc & The Elements Music   Sound Design: Fonic Sound Supervisor: Barnaby Templer Sound Designer and Dubbing Mixer: Christopher Swaine Foley Recordist: Rory Hunter Foley Artist: Sue Harding Sound Assistant: Ryan Kelly Audio Post Production Coordinator: Eugénie Dunster

Published by Universal Music – MGB Songs on behalf of Universal Music Publishing MGB Limited (ASCAP) Written by Chris Martin Written by Guy Berryman Written by Will Champion Written by Jonathan Buckland Published By: Universal Music – MGB Songs Produced by Kacey Musgraves Produced by Ian Fitchuk Produced by Daniel Tashian Mixed by Craig Alvin Vocals: Kacey Musgraves Drums: Ian Fitchuk Keyboards: Ian Fitchuk Acoustic Guitar: Todd Lombardo Programming: Daniel Tashian Production Coordinator: Kristen Clark Engineered by Craig Alvin Additional Engineer: Josh Moore Engineered by Zack Pancoast Mastering Engineer: Greg Calbi Mastering Engineer: Steve Fallone Background Vocals: Daniel Tashian Guitar: Daniel Tashian Keyboards: Daniel Tashian Programming: Ian Fitchuk Cello: Nathaniel Smith, Vincent Pedulla Drums, Guitar, Mandolin, Pedal Steel, Piano, Ukulele, Violin: Vincent Pedulla

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Army Of Thieves - UPP VFX Breakdown from Universal Production Partners on Vimeo.

Director: Matthias Schweighöfer

Studio: Netflix

Producers: Zack Snyder, p.g.a., Deborah Snyder, p.g.a., Wesley Coller, p.g.a., Dan Maag, Matthias Schweighöfer

Executive Producers: Christian Angermayer, Misha Bukowski, Frank Kusche

VFX Supervisor: Viktor Muller

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Xiaomi CIVI in Pink from CCLAB on Vimeo.

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Bose Lando x Onesal (R&D) from Onesal on Vimeo.

You don't always have the opportunity to work on a project that suits you so perfectly. From Onesal’s extensive reel and experience, we learned that the team is very used to working with abstraction and visual metaphors to represent what would be impossible through any other language. That’s why Bose Lando chose them to portray their new star product and so, they seize the opportunity to take tactile textures and CG animation to the next level. At the beginning of the process, Onesal’s team went through an extensive research and development stage. Directed by Onesal’s directors Damian Sendin and Nahuel Salcedo and working closely with Echoic for the sound design, the idea was to generate a wide visual exploration on how feelings and sounds could be translated into a graphic language. They experimented with visual simulations and different graphical devices in CG, and came up with unique images that gave the graphic impression of what a sound could look like offering an intelligent narrative possibility to illustrate the new features of the Bose Lando’s product; noise cancellation, sound quality, and touch control. The visual representations acted as a foundation to enhance the sound’s narrative by generating a connection, sometimes literal, sometimes abstract, between the visual, the product, sound & music. Throughout the whole creative process, we can find features of the product reflected and emphasized on high-end visual metaphors such as a sweet melody on a dense bass translated into a satisfying white soft silicone cord that instantly makes you want to hold the earbuds in your hand to caress them. Built-in completely white materials that resembled the ones of the actual product, the main idea was not to develop visual expressions that could overshadow the concept or script, but rather that could show the product’s idea adding layers of detail over the tactile aspect. That’s why the art direction of the piece was pieced together keeping in mind a subtle and minimalist style, which is a common statement for both Bose Lando and Onesal. The result was a simple but powerful visual piece that highlighted the new Bose Lando’s headphones with seamlessly connected animations; High-end contemplative visual metaphors with a fresh and elegant aesthetic.

Bose by Onesal Agency: Ogilvy Shanghai Sound Design by Echoic Audio

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The Digital Forest from Jakob Saretz on Vimeo.

The Digital Forest.

Point Cloud Animation.