The Dinner Party
Judy Chicago(1974-79)
Each side of The Dinner Party by Judy Chicago is 48 feet long and made up of 13 table settings per side. The entire piece is made up of over 5,000 square feet of space, and includes tributes to honoring women who were activists, scientists, artists, and goddesses.
All 39 spots are dedicated to prominent women throughout history.
Not satisfied with just the 39 women, Judy and a research team assembled a list of 3,000 more inspirational women in history and narrowed the list to 999 names, in which they inscribed on the white, handmade porcelain tiles which make up the floor of The Dinner Party, called the Heritage Floor. Their final decisions were based on three criteria, the women's contribution to society, their efforts in improving conditions for women, and the ability each of these women had to serve as role models in equality.
The artist hand made each 14 inch china plate that she felt represented the historical guests of honors. Also included in each place setting are embroidered napkins, a gold ceramic chalice and utensils and they are all on a carefully and highly detailed embroidered table runner.
The idea for the all women table that honors women in history and gives them a seat at a table is from a history college course that Judy Chicago was in where the professor only spoke of men in history. Although the professor promised the last section of the class would cover the women of history, when the time came, the professor just said “Women did not have a significant role in history.”
Although this piece is a tribute to all of the great and inspirational women in history, there is one man on the The Heritage Floor. An ancient Greek sculptor by the name of Kresilas. The research team believed Kresilas to be a woman named Cresilla.
There are so many interesting facts about this piece, it is truly an amazing work. When I first saw the picture I was assigned, my first thought was a cult. I immediately thought of the movie Midsomer, and was intrigued. After reading and watching videos of the work, the process, the background, and the women she chose, my view absolutely changed. I have told everyone about it, I have showed pictures and shared details, such as Mary Shelley's name being placed beneath her mother's seat at the table. My thoughts on the work have changed since the first time I saw it. When I look at it now, I think of power instead of fear. It is a room I would want to be in now.