weak & weird @van1lla-v1lla1n - Tumblr Blog

You can do whatever you like to me, Edward thought, as long as you stay. Eat me alive if it means you’ll stay.

Absolutely had to make an edit for one of my fav fics in the entire world, the ring-necked pheasant by @van1lla-v1lla1n

oh my god ??? this is so amazing?? i'm fully verklempt, thank you so much

#little/tozer #edit for my fic #😭 can't believe i just got to type that #casually weeping at my desk at 9am #thank you so much op #the terror amc #will be watching this on repeat

judgejudyofficial

slutty gargoyle be upon ye

modelsof-color

Eman Deng by Sara El Beshbichi for L'officiel Baltics Magazine October 2025

i-twink-therefore-i-am

new type of guy just dropped

shawnfreki

The Nightmare, 1906

Pasquale Liotta Cristaldi (Italian,1850-1909)

metaphoricalsheep

NgLj-3 / McClintock's Boat Place - Linocut, 5x7"

rhaenicentzine

COME WITH ME: A Rhaenicent Zine is out NOW through October 31! In exchange for a $20 donation to an organization doing work in Gaza, get a digital zine with 13 Rhaenicent stories totaling 120k+ words with matching art! all info here: rhaenicentzine.carrd.co (cover by @luxilonn!)

Rhaenicent Zine

expressions-of-nature

by Olympus-Tukai

the-quiet-youve-been-longing-for

Bisexual lightning everybody give it up for bisexual lightning

s4ltedcod

gif-ing endurance dogs to deal with all my current problems

aimz-d-photography

Remnants of a Lost Line. camera: Sony a7 iii lens: Tamron 24mm f/2.8 Di III OSD flickr // instagram

reaper-of-light-12

If the world were truly a bad place the sea would not crash against the shore in such a mesmerizing display of untamable power and indescribable beauty

samuelroukin

ADAM NAGAITIS as Cornelius Hickey in THE TERROR (2018—2019) Episode 1.02

mosertone

Crucifix-dagger, Spain, c. 1650

girloftomorrow-blog

salt sculpture by Motoi Yamamoto

Following the death of his sister to brain cancer twelve years ago, Motoi Yamamoto adopted salt as his primary medium. In Japanese culture salt is not only a necessary element to sustain human life, but it is also a symbol of purification. He uses salt in loose form to create intricate labryinth pattern on the gallery floor or baked in brick form to construct large interior structures.

As with the labyrinths and innavigable passageways, Motoi views his installations as exercises which are at once futile yet necessary to his healing.

- Marie Helene Sirois