Imagens, ao invés de palavras.

Weltschmerz... Somos mais que apenas linhas e imagens, mas somos feitos de escolhas. Nem sempre esta será correta ou justa. Evito acumular amarguras pelas rejeições sofridas pela vida. Busco no silêncio a resposta em vez da verdade escarrada por um coração sombrio.

[maschiiiio]

Giovanni Leonardo Bassan, Confinment, 2020

@maschiiiio

[maschiiiio]

Louis Fratino, The Sleepers, 2020

@maschiiiio

[maschiiiio]

Pelle Swedlund (1865-1947), Male Nude

@maschiiiio

[nobrashfestivity]

Isoda Koryusai Edo period (1615-1868), circa 1770s Uma (Horse) from the series Furyu junishi (Fashionable 12 Signs of the Zodiac), unsigned, 24.6cm x 18.4cm (9 11/16in x 7¼in)

[nobrashfestivity]

Clive Barker The Itch (pre- 2012) Oil on Canvas, 48 x 60"

[darklingvd]

Gabriel Morcillo Raya’s God of Fruit (1936), rendered in oil on canvas.

From 1914 to 1936, Gabriel Morcillo (1887–1973) shaped a private mythology of male nudes—shepherds, Bacchic youths and imagined Moors—brought to life in a late‑symbolist idiom he abandoned with the Spanish Civil War. God of Fruit stands among his last works, emblematic of his focus on young, slender bodies that made him singular in Spanish art.

His figures inhabit an impossible Nasrid Granada, drawn from Arab‑Andalusian literature and Romantic legend, arranged like actors on a stage where artifice is never concealed. Electric light sharpens their contours, fabrics, metals, glass and fruit gleam with sensual precision. Morcillo’s art remains proudly academic, devoted less to innovation than to the tactile pleasure of surfaces and skin—his “god” appearing more like a captive from a homoerotic dream of The Thousand and One Nights.

[worldsandemanations]

Salman Toor

[thunderstruck9]

Alexander Moffat (British, 1943), The Constructors: Forth Road Bridge (Homage to Léger), 1964. Oil on two connected boards, 72 x 72 in.

[history-of-fashion]

1882 Group portrait of four young men (photo by Karol Divald the Younger)

(Slovak National Gallery)

[octarinespill]

Roberto Pare - The Arnolfini spouses, ca. 2021

[sakurabreeze]

Catherine Hyde

[mybeingthere]

Lucy Willis, 1954, Cats, 1988, etching on paper.

[thunderstruck9]

Morteza Khakshoor (Iranian, 1984), Anthophile, 2025. Acrylic on canvas, 48 × 36 in.

[looselambinajungle]

Bahram Hajo

[mrdirtybear]

François Victor Eloi Biennourry (1823 - 1893) is a French painter of The Second French Empire who as a history painter was popular enough to be supported by state patronage.

[huariqueje]

Cat   -    Ludwig ten Hompel, 1912

German, 1887-1932

Oil on canvas, 59 x  72 cm.

[cosibonitas]

The Wrath of Achilles (1847), by François-Léon Benouville (1821-1859). Musée Fabre.