Giovanni Leonardo Bassan, Confinment, 2020
@maschiiiio
NASA
let's talk about Bridgerton tea, my ask is open

#extradirty
TVSTRANGERTHINGS
noise dept.
Mike Driver
I'd rather be in outer space đž
ojovivo
Cosimo Galluzzi
Monterey Bay Aquarium

Janaina Medeiros
$LAYYYTER
Cosmic Funnies

ç„æ„ / Permanent Vacation

Andulka
PUT YOUR BEARD IN MY MOUTH

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almost home

Product Placement
todays bird

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@varzim
Giovanni Leonardo Bassan, Confinment, 2020
@maschiiiio
Louis Fratino, The Sleepers, 2020
@maschiiiio
Pelle Swedlund (1865-1947), Male Nude
@maschiiiio
Isoda Koryusai Edo period (1615-1868), circa 1770s Uma (Horse) from the series Furyu junishi (Fashionable 12 Signs of the Zodiac), unsigned, 24.6cm x 18.4cm (9 11/16in x 7ÂŒin)
Clive Barker The Itch (pre- 2012) Oil on Canvas, 48 x 60"
Gabriel Morcillo Rayaâs God of Fruit (1936), rendered in oil on canvas.
From 1914 to 1936, Gabriel Morcillo (1887â1973) shaped a private mythology of male nudesâshepherds, Bacchic youths and imagined Moorsâbrought to life in a lateâsymbolist idiom he abandoned with the Spanish Civil War. God of Fruit stands among his last works, emblematic of his focus on young, slender bodies that made him singular in Spanish art.
His figures inhabit an impossible Nasrid Granada, drawn from ArabâAndalusian literature and Romantic legend, arranged like actors on a stage where artifice is never concealed. Electric light sharpens their contours, fabrics, metals, glass and fruit gleam with sensual precision. Morcilloâs art remains proudly academic, devoted less to innovation than to the tactile pleasure of surfaces and skinâhis âgodâ appearing more like a captive from a homoerotic dream of The Thousand and One Nights.
Salman Toor
Alexander Moffat (British, 1943), The Constructors: Forth Road Bridge (Homage to Léger), 1964. Oil on two connected boards, 72 x 72 in.
1882 Group portrait of four young men (photo by Karol Divald the Younger)
(Slovak National Gallery)
Roberto Pare - The Arnolfini spouses, ca. 2021
Catherine Hyde
Lucy Willis, 1954, Cats, 1988, etching on paper.
Morteza Khakshoor (Iranian, 1984), Anthophile, 2025. Acrylic on canvas, 48 Ă 36 in.
Bahram Hajo
François Victor Eloi Biennourry (1823 - 1893) is a French painter of The Second French Empire who as a history painter was popular enough to be supported by state patronage.
Cat  -   Ludwig ten Hompel, 1912
German, 1887-1932
Oil on canvas, 59 x  72 cm.
The Wrath of Achilles (1847), by François-Léon Benouville (1821-1859). Musée Fabre.