it’s psychological horror to YOU. to me it’s a romcom
it's a romcom to YOU. to me it's psychological horror

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YOU ARE THE REASON
RMH
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"I'm Dorothy Gale from Kansas"
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@vedranapond
it’s psychological horror to YOU. to me it’s a romcom
it's a romcom to YOU. to me it's psychological horror
recently saw ppl discuss whether they put their medicines in a kitchen cabinet or a bathroom cabinet and i was shocked by the fact that many ppl said kitchen cabinet. so now i need you to reblog this and say where you keep yours
Haven’t seen the vampire lestat yet and I don’t need to because I know it’ll just be this
Christo (right) and filmmaker Charles Wilp (left) - Wrapped Woman, 1963
it is impossible to watch a movie. every night i think i want to watch a movie. no movie gets watched. because it's not possible
Medieval book transport
You are looking at two ‘wraps’ (top), the outside and inside of a box (middle), and a leather satchel (bottom). What they share is not just their old age (they are all medieval), but also the purpose for which they were made: to transport a book from A to B. The actual reason for transporting books in these objects varied considerably. The wraps are late-medieval girdle books, which were hanged from the owner’s belt by the knot. The text inside - which was often of legal or religious nature - could be consulted quickly and easily: just unwrap it and read. The box (and the ninth-century book inside) had a more exotic use: the package functioned as a charm for good luck on the battlefield, where it was carried in front of the troops by a monk. The satchel, which also dates from the ninth century, was just a bag to transport a book while on the go - it was popular among monks. Read more about these fascinating devices in my blog post “Medieval Books on the Go” (here).
Pics - Wrap at top: Stockholm, Royal Library (16th century, source); Wrap below it: Yale, Beinecke Library, MS 84 (15th century, source); Box: Dublin, Royal, Irish Academy, D ii 3 (8th/9th century, source); Satchel: Dublin, Trinity, College, MS 52 (Book of Armagh, 9th century, source).
burst into tears looking at a bog body and my friend pulled out a pack of kleenex she brought specifically because she meant to show me the bog bodies. truly to be loved and known
Einstürzende Neubauten in New York, Dancetaria, 1984/02/23
Photo by Fred H.Berger
Ana Mendieta - Silueta in sand with heart
Romanian cemetery
Chelsea Wolfe behind the scenes of “The Culling,” photographed by Bill Crisafi
Agnès Varda