i hope the anonymous person who sent the "i used to live in your house. i'm drunk in boston and it's the only address i know. happy holidays" postcard is aware that they wrote my favourite poem
d e v o n
Keni
PUT YOUR BEARD IN MY MOUTH
we're not kids anymore.

#extradirty

shark vs the universe

bliss lane
Xuebing Du

oozey mess
KIROKAZE
Stranger Things
The Stonewall Inn

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Claire Keane
noise dept.
NASA
2025 on Tumblr: Trends That Defined the Year
No title available
EXPECTATIONS
Lint Roller? I Barely Know Her
seen from United States
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@vgnclvsr
i hope the anonymous person who sent the "i used to live in your house. i'm drunk in boston and it's the only address i know. happy holidays" postcard is aware that they wrote my favourite poem
Last Exit by Mark Ulriksen (The New Yorker 2007 cover)
“When my nineteen-year-old son turns on the kitchen tap and leans down over the sink and tilts his head sideways to drink directly from the stream of cool water, I think of my older brother, now almost ten years gone, who used to do the same thing at that age; And when he lifts his head back up and, satisfied, wipes the water dripping from his cheek with his shirtsleeve, it’s the same casual gesture my brother used to make; and I don’t tell him to use a glass, the way our father told my brother, because I like remembering my brother when he was young, decades before anything went wrong, and I like the way my son becomes a little more my brother for a moment through this small habit born of a simple need, which, natural and unprompted, ties them together across the bounds of death, and across time … as if the clear stream flowed between two worlds and entered this one through the kitchen faucet, my son and brother drinking the same water.”
— A Drink of Water BY JEFFREY HARRISON
society if men felt even half the guilt i do
John Cassavetes as Nick Godalin in MIKEY AND NICKY (1976) dir. Elaine May
turns out the way you choose to live out each day dictates what your life will look like overall. no i know it's terrible
José Rodríguez Acevedo - Dos mujeres, 1951
Colombian, 1907-1981
Oil on canvas
“Who yells?” Is unquestionably the best broad city line i think about it every time someone raises their voice even slightly
Salman Toor (Pakistani, 1983), Immigrant Gathering, 2016. Oil on canvas, 122 x 81.5 cm.
MIA GOTH © Julian Buchan // Wonderland (2022)
Salman Toor (Pakistani, b. 1983)
Man with Face Creams and Phone Plug, 2019
Acryl on canvas
they should invent a past that doesn't beat inside me like a second heart
your life will be wonderful because you will make it wonderful, and it will be full of love because you are full of love.
Deconstructing Classic Female Silhouettes
Downfall.
Writer Ayesha Habib
Creative Direction Kelly McCormack
Photographer Samuel Engelking
Costume Designer Mara Zigler
Models: Mara Zigler & Kelly McCormack.
they should invent love for me