Okay I'll give my opinion on Arirang now that I listened twice.
It's a rapline focused album, point blank period. I don't know who thought it was a good idea making the long awaited album so rapline heavy knowing that the line distribution is already messy as it is. There are some song that are more vocal oriented and those are also very good songs. My thing is I don't really see how some songs can be performed if vocal line have some seconds each and rapline have the most of the song, what's the idea here? Guess I'll know tomorrow.
This being said, I'm not saying the album sucks, not at all, the production is insane the layering is perfect and Taehyung sang in tones never heard before.
I loved Body to body incorporations of the folk song, it was a gag. Some songs are forgettable to me so I probably will give a listen again so I can see if it's me or they were really fillers. And they chose the worst title track out of the whole album.
Taehyung's vocals in normal, like animals, they don't know 'bout us were OUT OF THIS WORLD, I really understand why bts were glazing him so much he went crazy on every song, he made his the lines he had. My forever vocalist.
That's my opinion, if something change I'll make sure to add to it.
Scenario: Kathleen heard all her other music friends talk about blogging on Tumblr and she wanted to try it out for herselfđ
Please be 15 or Older to Look at this account, Riot GRRL is a very Mature and adult movement but for the kiddy winks who are interested go watch Moxie on Netflix.
If you don't like the account then block it, simple as that but don't go harassing me or any other rock roleplay accounts because of your hatred.
This Account is all Parody, I do not know Kathleen Hanna own the rights to any bikini kill/Le Tigre/Julie Ruin songs and am only a harmless fan.
Bands
BIKINI KILL
LE TIGRE
Bikini Kill is an American punk rock band formed in Olympia, Washington, in October 1990. The group originally consisted of singer and songwriter Kathleen Hanna, guitarist Billy Karren, bassist Kathi Wilcox, and drummer Tobi Vail. The band pioneered the riot grrrl movement, with feminist lyrics and fiery performances. Their music is characteristically abrasive and hardcore-influenced. After two full-length albums, several EPs and two compilations, they disbanded in 1997. The band reunited for tours in 2019 and 2022, with Erica Dawn Lyle on guitar in place of Karren.
Le Tigre (/lÉ ËtiËÉĄrÉ/, French pronunciation: [lÉ tiÉĄÊ]; French for "The Tiger") is an American electronic rock and riot grrrl band formed by Kathleen Hanna (of Bikini Kill), Johanna Fateman and Sadie Benning in 1998 in New York City. Benning left in 2000 and was replaced by JD Samson. They mixed punk's directness and politics with playful samples, eclectic pop, and lo-fi electronics. Like with many bands in and from the riot grrrl movement, many of the lyrics addressed feminist themes and ideas. The group also added multimedia and performance art elements to their live shows, which often featured support from like-minded acts such as the Need.
Bio on Kathleen
Kathleen Hanna (born November 12, 1968) is an American singer, musician and pioneer of the feminist punk riot grrrl movement, and punk zine writer. In the early-to-mid-1990s, she was the lead singer of feminist punk band Bikini Kill,and then fronted the electronic rock band Le Tigre in the late 1990s and early 2000s. Since 2010, she has recorded as The Julie Ruin.
In 2009, Hanna made her zines, art pieces, photography, video, music, journals, and other material which focus on the early formation of the Riot Grrrl movement available at the Fales Library at New York University. A documentary film about Hanna was released in 2013 by director Sini Anderson, titled The Punk Singer, detailing Hanna's life and career, as well as revealing her years-long battle with Lyme disease. Hanna is married to Adam Horovitz of the Beastie Boys.
1968â1988: Early life and feminism
Hanna was born November 12, 1968, in Portland, Oregon.
At age three, her family moved to Calverton, Maryland; as Hanna's father changed occupations, the family moved several more times.Hanna first became interested in feminism around the age of nine, after her mother took her to a rally in Washington, D.C. where feminist icon Gloria Steinem spoke.
In a 2000 interview with BUST magazine, Hanna recalled: "My mom was a housewife and wasn't somebody that people would think of as a feminist, and when Ms. magazine came out we were incredibly inspired by it.
I used to cut pictures out of it and make posters that said 'Girls can do anything', and stuff like that, and my mom was inspired to work at a basement of a church doing anti-domestic violence work. Then she took me to the Solidarity Day thing, and it was the first time I had ever been in a big crowd of women yelling, and it really made me want to do it forever."
Hanna's interest grew when her mother checked out a copy of Betty Friedan's The Feminine Mystique from the library.
Their involvement in the women's rights movement was done quietly during Hanna's childhood, due to her father's disapproval.
Upon her parents' divorce, Hanna returned to Portland and attended Lincoln High School and Grant High School.
After high school, she relocated from Portland to Olympia, Washington, to attend The Evergreen State College in the late 1980s.
During this time she worked as a stripper to pay her tuition.
"My parents didn't go to college. I felt lucky [to attend]." While at Evergreen, with fellow student and photographer Aaron Baush-Greene, she set up a photo exhibit featuring the pair's photography, which dealt with sexism, violence against women, and AIDS â issues that were heightened for Hanna when she volunteered for SafePlace, a domestic violence organization.
However, the school administrators took the photos down before they had the chance to be viewed, an act of censorship that prompted what Hanna refers to as her "first foray into activism": the creation of Reko Muse, an independent feminist art gallery, with friends Heidi Arbogast and Tammy Rae Carland.
Hanna began doing spoken word performances that addressed sexism and violence against women. Eventually, she abandoned spoken word in favor of music after a conversation with one of her favorite writers, countercultural icon Kathy Acker. Hanna recalled,
Acker asked me why writing was important to me, and I said, 'Because I felt like I'd never been listened to and I had a lot to say,' and she said, 'Then why are you doing spoken wordâno one goes to spoken word shows! You should get in a band.'
Hanna then formed a band with Arbogast and Carland, called Amy Carter, which put on shows before the art exhibitions.
1989â1999: Bikini Kill
Later, Hanna started another band called Viva Knievel that toured the United States for two months before disbanding.
Upon returning to Olympia in 1990, Hanna began collaborating with Evergreen student, drummer and punk zinester Tobi Vail after seeing a performance of the Go Team (a band made up of Vail, Billy Karren, and Calvin Johnson) and recognizing Vail as the mastermind behind the fanzine Jigsaw that Hanna greatly admired and loved.
In October 1990, Hanna and Vail joined with Karren and bassist Kathi Wilcox to form Bikini Kill, which soon became part of the seminal early-1990s Olympia, Washington music scene. One goal of the band was to inspire more women to join the male-dominated punk scene.
While Bikini Kill were in Washington, D.C. during summer 1991, Kathleen recorded with two side projects, featured on the compilation cassette A Wonderful Treat: Suture (with Sharon Cheslow and Dug E. Bird), and Wondertwins (with Tim Green of Nation of Ulysses). Bikini Kill, Suture, and Wondertwins all performed at the International Pop Underground Convention in August 1991.
Bikini Kill's first release for the Kill Rock Stars label was a self-titled EP produced by Ian MacKaye of Fugazi.
Bikini Kill then toured the UK, recording a split LP with UK band Huggy Bear. This tour was filmed and the band was interviewed by Lucy Thane for her documentary, It Changed My Life: Bikini Kill in the UK. Upon returning to the U.S.
the band began working with Joan Jett, who produced their single "New Radio/Rebel Girl". After the single's release, Hanna began co-writing songs with Jett for her new album.
At the same time, Hanna recorded her spoken-word "Rockstar", released on a 7-inch single in the Kill Rock Stars "Wordcore" series; and "I Wish I Was Him", which appears on the KRS compilation Rock Stars Kill. The song, written by Ben Lee about alternative rock heartthrob Evan Dando,was originally recorded by Lee's band Noise Addict.
The first two Bikini Kill EPs were released on CD as The C.D. Version of the First Two Records in 1993.
The band released two more full-length albums, Pussy Whipped in 1994 and Reject All American in 1996, and in 1998, Kill Rock Stars released Bikini Kill: The Singles, a collection of the group's seven-inch and compilation tracks. Bikini Kill amicably disbanded in mid-1998.
2000âpresent: Le Tigre and the Julie Ruin
After Bikini Kill's breakup, Hanna began working on a solo project called Julie Ruin. The project was created entirely in Hanna's bedroom using a $40 drum machine. One self-titled album was released under the Julie Ruin pseudonym, and was partially inspired by the work of feminist theorist Julia Kristeva.
Hanna said of the project:
Girls' bedrooms sometimes can be this space of real creativity. The problem is that these bedrooms are all cut off from each other. I wanted the Julie Ruin record to sound like a girl from her bedroom made this record but then didn't just throw it away or it wasn't just in her diary but she took it out and shared it with people.
While in Portland, Oregon, Hanna began working with friend and then-zine editor Johanna Fateman on a live show for Julie Ruin. The collaboration resulted in the two briefly forming a band called the Troublemakers, named after a G. B. Jones film, which ended when Fateman relocated to New York City to attend art school.
Hanna soon moved to New York City, and with the addition of filmmaker Sadie Benning, they started another band called Le Tigre based upon a more electronic style of music, similar to the sampler-driven sound Hanna had begun to explore with Julie Ruin. (She later revealed to Bust magazine that she was "totally broke" at this time and ate oatmeal daily.)
Hanna refers to it as part of a "Punk Feminist Electronic genre".
The band recorded for the Mr. Lady Records label, its first recording being an eponymous album which included the singles "Hot Topic" and "Deceptacon." Benning then left the band and was replaced by JD Samson for their second album, Feminist Sweepstakes.
Mr. Lady Records folded, and the group switched to Universal Records for the 2004 release of This Island. Hanna left the band in 2005 due to illness; she was later diagnosed with late-stage Lyme disease.
According to the Le Tigre website, during her time off from the band, Hanna volunteered as a band coach for the Willie Mae Rock and Roll Camp for Girls. She also taught an art class at NYU's grad school in the Fall 2007 semester and attended interior design classes.
In 2010, Hanna DJed at the Museum of Modern Art, later joining the Raincoats on stage to cover the Slits' Vindictive.
Also in 2010, Hanna announced she was rebuilding her 1997 act Julie Ruin, turning it into a full band called the Julie Ruin with Kenny Mellman and Kathi Wilcox, and that they would be creating a new record.
The band played their first show at Knitting Factory in New York City which included songs from Bikini Kill and Le Tigre, and one new composition.
 From 2010 to 2013, director Sini Anderson worked on a documentary on Kathleen Hanna titled The Punk Singer, documenting her works from Bikini Kill to the Julie Ruin.
It premiered at SXSW in 2013.
 In June 2013, Julie Ruin released its first single, "Oh Come On". An album, Run Fast was released in September 2013 with the band going on tour.
The band cancelled the tour planned for May to September 2014 due to Hanna's Lyme disease condition deteriorating.
DISCOGRAPHY
 She has since recovered and begun performing again. The Julie Ruin's second album, Hit Reset, was published in July 2016 by Hardly Art.
Yeah Yeah Yeah Yeah split LP with Huggy Bear, Catcall Records (UK), Kill Rock Stars (US) (1993)
Pussy Whipped, Kill Rock Stars (1993)
The C.D. Version of the First Two Records (compilation of the Bikini Kill EP and their half of the Yeah Yeah Yeah Yeah split LP), Kill Rock Stars (1994)
Scenario: Kathleen heard all her other music friends talk about blogging on Tumblr and she wanted to try it out for herselfđ
Please be 15 or Older to Look at this account, Riot GRRL is a very Mature and adult movement but for the kiddy winks who are interested go watch Moxie on Netflix.
If you don't like the account then block it, simple as that but don't go harassing me or any other rock roleplay accounts because of your hatred.
This Account is all Parody, I do not know Kathleen Hanna own the rights to any bikini kill/Le Tigre/Julie Ruin songs and am only a harmless fan.
Bands
BIKINI KILL
LE TIGRE
Bikini Kill is an American punk rock band formed in Olympia, Washington, in October 1990. The group originally consisted of singer and songwriter Kathleen Hanna, guitarist Billy Karren, bassist Kathi Wilcox, and drummer Tobi Vail. The band pioneered the riot grrrl movement, with feminist lyrics and fiery performances. Their music is characteristically abrasive and hardcore-influenced. After two full-length albums, several EPs and two compilations, they disbanded in 1997. The band reunited for tours in 2019 and 2022, with Erica Dawn Lyle on guitar in place of Karren.
Le Tigre (/lÉ ËtiËÉĄrÉ/, French pronunciation: [lÉ tiÉĄÊ]; French for "The Tiger") is an American electronic rock and riot grrrl band formed by Kathleen Hanna (of Bikini Kill), Johanna Fateman and Sadie Benning in 1998 in New York City. Benning left in 2000 and was replaced by JD Samson. They mixed punk's directness and politics with playful samples, eclectic pop, and lo-fi electronics. Like with many bands in and from the riot grrrl movement, many of the lyrics addressed feminist themes and ideas. The group also added multimedia and performance art elements to their live shows, which often featured support from like-minded acts such as the Need.
Bio on Kathleen
Kathleen Hanna (born November 12, 1968) is an American singer, musician and pioneer of the feminist punk riot grrrl movement, and punk zine writer. In the early-to-mid-1990s, she was the lead singer of feminist punk band Bikini Kill,and then fronted the electronic rock band Le Tigre in the late 1990s and early 2000s. Since 2010, she has recorded as The Julie Ruin.
In 2009, Hanna made her zines, art pieces, photography, video, music, journals, and other material which focus on the early formation of the Riot Grrrl movement available at the Fales Library at New York University. A documentary film about Hanna was released in 2013 by director Sini Anderson, titled The Punk Singer, detailing Hanna's life and career, as well as revealing her years-long battle with Lyme disease. Hanna is married to Adam Horovitz of the Beastie Boys.
1968â1988: Early life and feminism
Hanna was born November 12, 1968, in Portland, Oregon.
At age three, her family moved to Calverton, Maryland; as Hanna's father changed occupations, the family moved several more times.Hanna first became interested in feminism around the age of nine, after her mother took her to a rally in Washington, D.C. where feminist icon Gloria Steinem spoke.
In a 2000 interview with BUST magazine, Hanna recalled: "My mom was a housewife and wasn't somebody that people would think of as a feminist, and when Ms. magazine came out we were incredibly inspired by it.
I used to cut pictures out of it and make posters that said 'Girls can do anything', and stuff like that, and my mom was inspired to work at a basement of a church doing anti-domestic violence work. Then she took me to the Solidarity Day thing, and it was the first time I had ever been in a big crowd of women yelling, and it really made me want to do it forever."
Hanna's interest grew when her mother checked out a copy of Betty Friedan's The Feminine Mystique from the library.
Their involvement in the women's rights movement was done quietly during Hanna's childhood, due to her father's disapproval.
Upon her parents' divorce, Hanna returned to Portland and attended Lincoln High School and Grant High School.
After high school, she relocated from Portland to Olympia, Washington, to attend The Evergreen State College in the late 1980s.
During this time she worked as a stripper to pay her tuition.
"My parents didn't go to college. I felt lucky [to attend]." While at Evergreen, with fellow student and photographer Aaron Baush-Greene, she set up a photo exhibit featuring the pair's photography, which dealt with sexism, violence against women, and AIDS â issues that were heightened for Hanna when she volunteered for SafePlace, a domestic violence organization.
However, the school administrators took the photos down before they had the chance to be viewed, an act of censorship that prompted what Hanna refers to as her "first foray into activism": the creation of Reko Muse, an independent feminist art gallery, with friends Heidi Arbogast and Tammy Rae Carland.
Hanna began doing spoken word performances that addressed sexism and violence against women. Eventually, she abandoned spoken word in favor of music after a conversation with one of her favorite writers, countercultural icon Kathy Acker. Hanna recalled,
Acker asked me why writing was important to me, and I said, 'Because I felt like I'd never been listened to and I had a lot to say,' and she said, 'Then why are you doing spoken wordâno one goes to spoken word shows! You should get in a band.'
Hanna then formed a band with Arbogast and Carland, called Amy Carter, which put on shows before the art exhibitions.
1989â1999: Bikini Kill
Later, Hanna started another band called Viva Knievel that toured the United States for two months before disbanding.
Upon returning to Olympia in 1990, Hanna began collaborating with Evergreen student, drummer and punk zinester Tobi Vail after seeing a performance of the Go Team (a band made up of Vail, Billy Karren, and Calvin Johnson) and recognizing Vail as the mastermind behind the fanzine Jigsaw that Hanna greatly admired and loved.
In October 1990, Hanna and Vail joined with Karren and bassist Kathi Wilcox to form Bikini Kill, which soon became part of the seminal early-1990s Olympia, Washington music scene. One goal of the band was to inspire more women to join the male-dominated punk scene.
While Bikini Kill were in Washington, D.C. during summer 1991, Kathleen recorded with two side projects, featured on the compilation cassette A Wonderful Treat: Suture (with Sharon Cheslow and Dug E. Bird), and Wondertwins (with Tim Green of Nation of Ulysses). Bikini Kill, Suture, and Wondertwins all performed at the International Pop Underground Convention in August 1991.
Bikini Kill's first release for the Kill Rock Stars label was a self-titled EP produced by Ian MacKaye of Fugazi.
Bikini Kill then toured the UK, recording a split LP with UK band Huggy Bear. This tour was filmed and the band was interviewed by Lucy Thane for her documentary, It Changed My Life: Bikini Kill in the UK. Upon returning to the U.S.
the band began working with Joan Jett, who produced their single "New Radio/Rebel Girl". After the single's release, Hanna began co-writing songs with Jett for her new album.
At the same time, Hanna recorded her spoken-word "Rockstar", released on a 7-inch single in the Kill Rock Stars "Wordcore" series; and "I Wish I Was Him", which appears on the KRS compilation Rock Stars Kill. The song, written by Ben Lee about alternative rock heartthrob Evan Dando,was originally recorded by Lee's band Noise Addict.
The first two Bikini Kill EPs were released on CD as The C.D. Version of the First Two Records in 1993.
The band released two more full-length albums, Pussy Whipped in 1994 and Reject All American in 1996, and in 1998, Kill Rock Stars released Bikini Kill: The Singles, a collection of the group's seven-inch and compilation tracks. Bikini Kill amicably disbanded in mid-1998.
2000âpresent: Le Tigre and the Julie Ruin
After Bikini Kill's breakup, Hanna began working on a solo project called Julie Ruin. The project was created entirely in Hanna's bedroom using a $40 drum machine. One self-titled album was released under the Julie Ruin pseudonym, and was partially inspired by the work of feminist theorist Julia Kristeva.
Hanna said of the project:
Girls' bedrooms sometimes can be this space of real creativity. The problem is that these bedrooms are all cut off from each other. I wanted the Julie Ruin record to sound like a girl from her bedroom made this record but then didn't just throw it away or it wasn't just in her diary but she took it out and shared it with people.
While in Portland, Oregon, Hanna began working with friend and then-zine editor Johanna Fateman on a live show for Julie Ruin. The collaboration resulted in the two briefly forming a band called the Troublemakers, named after a G. B. Jones film, which ended when Fateman relocated to New York City to attend art school.
Hanna soon moved to New York City, and with the addition of filmmaker Sadie Benning, they started another band called Le Tigre based upon a more electronic style of music, similar to the sampler-driven sound Hanna had begun to explore with Julie Ruin. (She later revealed to Bust magazine that she was "totally broke" at this time and ate oatmeal daily.)
Hanna refers to it as part of a "Punk Feminist Electronic genre".
The band recorded for the Mr. Lady Records label, its first recording being an eponymous album which included the singles "Hot Topic" and "Deceptacon." Benning then left the band and was replaced by JD Samson for their second album, Feminist Sweepstakes.
Mr. Lady Records folded, and the group switched to Universal Records for the 2004 release of This Island. Hanna left the band in 2005 due to illness; she was later diagnosed with late-stage Lyme disease.
According to the Le Tigre website, during her time off from the band, Hanna volunteered as a band coach for the Willie Mae Rock and Roll Camp for Girls. She also taught an art class at NYU's grad school in the Fall 2007 semester and attended interior design classes.
In 2010, Hanna DJed at the Museum of Modern Art, later joining the Raincoats on stage to cover the Slits' Vindictive.
Also in 2010, Hanna announced she was rebuilding her 1997 act Julie Ruin, turning it into a full band called the Julie Ruin with Kenny Mellman and Kathi Wilcox, and that they would be creating a new record.
The band played their first show at Knitting Factory in New York City which included songs from Bikini Kill and Le Tigre, and one new composition.
 From 2010 to 2013, director Sini Anderson worked on a documentary on Kathleen Hanna titled The Punk Singer, documenting her works from Bikini Kill to the Julie Ruin.
It premiered at SXSW in 2013.
 In June 2013, Julie Ruin released its first single, "Oh Come On". An album, Run Fast was released in September 2013 with the band going on tour.
The band cancelled the tour planned for May to September 2014 due to Hanna's Lyme disease condition deteriorating.
DISCOGRAPHY
 She has since recovered and begun performing again. The Julie Ruin's second album, Hit Reset, was published in July 2016 by Hardly Art.
Yeah Yeah Yeah Yeah split LP with Huggy Bear, Catcall Records (UK), Kill Rock Stars (US) (1993)
Pussy Whipped, Kill Rock Stars (1993)
The C.D. Version of the First Two Records (compilation of the Bikini Kill EP and their half of the Yeah Yeah Yeah Yeah split LP), Kill Rock Stars (1994)
Rainbow Dash: Who the fuck added me to a fucking group chat?
Twilight: >:O language
Pinkie Pie: Yeah watch your fucking language
Rarity: Okay, who taught Pinkie Pie the fuck word?!
Applejack: 'The fuck word'.
Fluttershy: Are you stupid? You guys use the f-word all the time
Pinkie Pie: Oh my Celestia, she censored it
Applejack: Say fuck, Fluttershy.
Pinkie Pie: Do it, Fluttershy. Say fuck.
Ok..so..all that for a JUNGLE SAFARI GIRLđđđđđđđđđ why whyđđđ WHAT WAS THIS CLOWNERYđđđđđđđ no so ur wife jus experienced all this trauma and u run off to a country i cant even google properly and save ppl from rebel grp i- wHATđđđ
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