A RedRevolution96 LGBT+ HISTORY LESSON:
Gideon Mendel and the AIDS CrisisâŠ
Gideon Mendel is a photographer. He is known for his long-time commitment to capturing social issues around the world and economic and political injustices. He was known as a âstruggle photographerâ during the waning years of South African apartheid and his work propelled him into the limelight.
Then, in the 1990s, he decided to go against the stigma and demonisation of the ongoing AIDS Crisis. He visited the Charles Bell wards in the Middlesex Hospital, London.
These are the faces of people on death row, and most of them were young gay men. No antiretrovirals were available at the time, and all of the patients youâll see on this post died not long after being photographed.
What astounds me is the bravery these people had, not just in facing death, but facing the camera. AIDS was, in the eyes of the world, very closely linked with homosexuality. Homosexuals were still preyed upon by the media and the public. So to face these foaming-at-the-mouth bigots on your death bed was incredibly brave, and it helped other gay men around the world to protect themselves, to become aware of the epidemic and the risks of unprotected sex.
To put the bravery of these people into perspective, 6 years before these photos were taken, in 1987 Princess Diana visited the same hospital (pictured below). She wanted to break the stigma and to help educate people about the disease. Only one man, Ivan Cohen, was willing to have his photo taken, shaking Dianaâs hand. However, he did this on the condition that his face not be seen by the camera.
6 years later and the same affected demographic have steeled their courage and turned around to face the camera.
The AIDS Crisis sent shockwaves throughout the gay community, as partners, lovers and friends were cruelly ripped away from our arms by a disease that does not discriminate young from old, businessman from bricklayer, gay from straight.
Mendel therefore wanted to go against the stigma and go into the hospitals and go onto the wards themselves. Most media, at the time, only ever photographed patients outside the hospital, leaving the ward so as to pass away at home. This refusal by the media to come anywhere near an AIDS patient served to create an âus and themâ situation⊠something the media has a lot of practice with.
Mendel sought to break that segregation.
Mendel also commented on the hospital staff, stating they were so moved by the utter horror of the disease that they became âfar more attached than was usual at hospitals during this timeâ. The example, below, is of a nurse kissing a patient before he goes home to pass away there.
These peoplesâ lives were fleeting, every hour bringing them closer to death, the very little anyone could do was be kind, be loving, and be comforting.
The photoset was entitled âThe Wardâ, and funds raised from the photographs being auctioned have raised money for HIV/AIDS charities.
Remember these faces. Remember these people. And remember that people like Mendel are true allies.