.Metamorphosis.
Lint Roller? I Barely Know Her
One Nice Bug Per Day
Today's Document
AnasAbdin
noise dept.
Xuebing Du
RMH
wallacepolsom
tumblr dot com
let's talk about Bridgerton tea, my ask is open
Mike Driver
cherry valley forever
Cosimo Galluzzi
todays bird

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Origami Around
trying on a metaphor
styofa doing anything
sheepfilms
I'd rather be in outer space đ¸

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@vigilanteflower
.Metamorphosis.
⌠and still no sign of Mollymauk Tealeaf.
Itâs time to paint Molly again :)
aint this the fucken truth
Witch theme dump đŽ
When you gotta update your Brand⢠so you enlist your friendâs help
[ID: Sir Fitzroy is a half elven man with tan skin, and short auburn hair, and a slight beard. He wears a bright red, double breasted jacket with gold and burgundy accents. He is talking to Rainier, a human woman with tan skin and long blonde hair. She is wearing a purple and black dress with puffy, striped sleeves, and a large black sunhat with a lavender ribbon. She is seated in a burgundy, levitating chair. He rubs the back of his neck as he says to her, âSoâŚIâm a villain now. Very much not the IDEAL situation, but I am resolved to make the best of it.â Rainer puts up and hand and says âStop. Say no more.â She then smiles and puts up two fingers guns, while saying, âI know just what you need.â
In the next image, Rainer is showing announcing âTa Da!â while holding her hands towards Sir Fitzroy, who stands confidently in attire that is from head to toe, quite villainous. It is completely black and grey, and rather ornamental. The sleeves are puffy and slit, there is a cape with fur trimming, and the trousers are tied at the knee with bows. In the third image, we see the firblog, a firbolg, Argo Keene, a water genasi man, and Snippers, a pink magical crab, all seated in folding chairs and clapping their hands excitedly. In snipperâs case, he is snapping his claws.
TAZ Graduation Episode 6: Villain Track FitzroyÂ
Me: Oh my God heâs gonna be a ProZD villainÂ
castlevania s3 dark humor au where taka and sumi keep talking about killing alucard but they keep procrastinating it while both of them try to refrain from admitting how much they genuinely like him they keep dismissing ideas as âtoo difficultâ or âtoo riskyâ and keep making excuses like âwell if he dies whoâs gonna show us how all this stuff worksâ three months go by and they were totally GONNA kill him in his sleep but oh my god he made the BEST sweet rollsâŚ. just for themâŚ. thatâs so sweetâŚ. he can die, like, next week, probably⌠like six months have passed and theyâre braiding his hair and making flower crowns and its just âweâre totally still gonna kill him eventually⌠we just need to butter him up a LITTLE moreâŚâ another six months and theyâre gently kissing him good morning and coming up behind him while he cooks breakfast to snuggle against him⌠they meant to poison his breakfast but they âforgetâ to actually add the poisonâŚ. for the fourth time⌠someone else shows up to kill him or rob him or something and theyâre just like âwe called dibs already you piece of shitâ and then they have to come up with lame justifications for why they helped him when they had every opportunity to betray him in the chaos they finally try shifting to non-lethal strategies involving just getting all the best shit he has and ditching him, but they keep fucking that up too They almost get away with it once but then go back because they âforgot somethingâ and âitâll only take a few minutesâ and then end up there another four months back and forth accusations of âif i didnât know better iâd say youâre actually in love with himâ which is usually just refuted with âno uâ and then theyâre both too defensive and in denial for it to ever go anywhere productive, so this whole ridiculous thing goes on further and further while alucard is blissfully unaware and probably off making them his special new cupcake recipe.
touch (verb \ËtÉch\): to bring a bodily part into contact with especially so as to perceive through the tactile sense : Â handle or feel gently usually with the intent to understand or appreciate <loved to touch the soft silk>Â
commission info || patreon
New animation. Go listen to the new season of The Adventure Zone, Graduation. Itâs really fun.
Thank you to @lydiabutz for helping me redesign these boys.
This animation took so long to do, and all because my computer wanted to crash ninety times while I was animating.
Credit for the designs goes to Carey Pietsch, content and voices belong to the McElroys. Animation is all me.
Fun fact: my guinea pig is named Jenkins
The crab is his magic, he will love it dearly.
Can you
believe
there werenât
ANY
outstanding
films
directed by women
this
year
according to the Golden Globes?
the inherent eroticism of the university library after dark
Your university librarians are begging you to resist that eroticism at all costs.
fun fact for you all: bram stoker started writing dracula just weeks after oscar wildeâs convictionâŚâŚ.we really are in it now
Dracula! And Oscar Wilde! YES! *drops papers everywhere*
Iâll just casually drop this hereâitâs a long (and good) read, but essentially, the author argues that:
Stoker wrote Dracula as a direct reaction to the Wilde trials
Many of Draculaâs characteristics actually echo Wilde as described to the trials, and Draculaâs lifestyle resembles an exaggerated version of precautions to hide homosexuality
Stoker is basically the pro-closeted 1890s alternative to Wildeâs flamboyancy, and that comes out in how he portrays Dracula and Jonathan Harker
Like if you look deeper into Stokerâs letters to Whitman, heâs practically obsessed with feeling ânaturally secretiveâ and âreticentâ
(Also he and Wilde had some weird personal rivalry going on, since Stoker married Wildeâs definitely-not-straight ex-fiancee, though later they were friendlyâŚthereâs a lot to unpack here)
So, arguably, Dracula was Stokerâs way of apologizing for his silence during Wildeâs trials.
Some highlights:
Wildeâs trial had such a profound effect on Stoker precisely because it fed Stokerâs pre-existing obsession with secrecy, making Stoker retrospectively exaggerate the secrecy in his own writings on male love.
It is difficult, Stoker admits, to speak openly about âso private a matterâ as desire. In carefully calibrated language, Stoker asks forgiveness from those who might see that his silence is a sin-to those few nameless souls who know his secret affinity with Wilde.
Since Dracula is a dreamlike projection of Wildeâs traumatic trial, Stoker elaborated and distorted the evidence that the prosecutor used to convict Wilde. In particular, the conditions of secrecy necessary for nineteenth-century homosexual lifeânocturnal visits, shrouded windows, no servantsâbecome ominous emblems of Count Draculaâs evil.
DraculaâŚrepresents not so much Oscar Wilde as the complex of fears, desires, secrecies, repressions, and punishments that Wildeâs name evoked in 1895. Dracula is Wilde-as-threat, a complex cultural construction not to be confused with the historical individual Oscar Wilde.
tl;dr:
Stoker is actually too repressed to function
Oscar Wilde (especially his trials) absolutely influenced Stoker
Dracula gay
St. Michael at your service đĄ