
Game Changer & Make Some Noise
Claire Keane
macklin celebrini has autism
occasionally subtle
sheepfilms
Fai_Ryy

tannertan36
★
almost home
Xuebing Du
Sweet Seals For You, Always
tumblr dot com
"I'm Dorothy Gale from Kansas"
NASA
hello vonnie

if i look back, i am lost

Love Begins
EXPECTATIONS

shark vs the universe

Andulka
seen from Netherlands
seen from Switzerland

seen from Brazil
seen from United States
seen from Brazil

seen from Türkiye

seen from United States

seen from Türkiye

seen from United Kingdom
seen from Bulgaria
seen from United Kingdom
seen from Bangladesh

seen from Bangladesh
seen from Brazil

seen from Brazil
seen from Senegal

seen from Seychelles

seen from United Kingdom
seen from Peru
seen from Romania
@visceral-surreality
After Armageddon golem forms, set 2 of 6
After Armageddon Gaiden (Pandora Box - Sega CD - 1994)
Herbert Zangs
Dead Kennedys – Nazi Punks Fuck Off! 7″
Night at the Museum
Suzan Pitt working on the miniature theater set, with an audience of clay figures, from her animated film Asparagus, 1979
the fight is harder each year.
gotta keep going because nothing ever stops.
you deserve to be new and whole.
Can someone explain what’s happening besides someone being reborn?
In the first comic, which is from the Warrior’s point of view, the Warrior has defeated the Monster, who jeers that there will always be another Monster to fight. The Monster dissolves into mist, leaving another tiny, baby Monster in its place. The Warrior picks up this helpless new baby Monster and carries it away. They will try again and do better this time.
In the second comic, which is from the Monster’s point of view, the Monster says that this has to happen; it can’t come with the Warrior, and there will always be another. It tells the Warrior to use what they have learned to fight. It wants to die knowing that the Warrior has hope for the future. It dissolves into mist, and the exhausted Warrior collapses. The new baby Monster comes and brings the Warrior some water in a leaf. Because we are reading this in the Monster’s voice, we realize that it is a new Monster, but also somehow, magically, the same. We also see that the Monster is not inherently evil. It is only very strong, and inevitable.
The third comic is a dialogue between the Monster and the Warrior. The Warrior is exhausted and horrifically wounded. The Monster is also horribly maimed. They are both dying. The Warrior doesn’t want to fight anymore. The Monster tells them to rest and heal. The Warrior hands over their amulet, and we see the Monster’s paw become a hand just before they both dissolve into mist. It clears, revealing that the Monster has turned into a beautiful humanoid, who says they will take care of the new baby monster the Warrior has turned into. The two have changed roles. The Warrior takes up the former Warrior’s gear and strides into the new year with the new baby Monster riding on their shoulders.
It is a beautiful, ruthless, hopeful metaphor about keeping up the good fight, year after year, even when we are worn down, and how we can still face the new year with hope and light, no matter how painful the last one was, and how it is okay to rest if we can’t fight.
It’s not the new year, but things are so difficult for so many of us right now, and we are so worn down from so many fights on so many fronts, I feel like we could all use this again. Love, rest, fight, love.
From the University of Akron’s 1988 yearbook.
It all connects: vintage skeleton imagery.
Shiver in wonderment: Weblog ◆ Books ◆ Videos ◆ Music ◆ Etsy
“Plastic man”, 1947.
“Plastic man”, 1947.
Working on a modular, animation Matryoshka doll, which I only found out that name recently, always known them as “Russian nesting dolls”
British illustrator, Victor Ambrus.
Lux & Ivy ~ The Cramps
Umberto Boccioni
Materia, 1912
oil on canvas 150 x 225 cm.