SKTCHBK

Thoughts, ideas, inspiration.

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(via The Quest to Find Rectangles in a Square - The New York Times)

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(via Tree Root System Drawings)

[thingsmagazine]

United States Frequency Allocations (via)

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(via What I Learned About My Writing By Seeing Only The Punctuation | by Clive Thompson | Creators Hub | Oct, 2021 | Medium)

[nevver]

Owen Phillips (because)

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Andreion de Castro shared a motion design post where he plays with typography and movement. "POEMS: VOLUME II" is a collection of quotes and lyrics taken from a range of songs and movies inspired by Andreion’s taste in music and cinema. “My intent with the animations is to evoke emotions and feelings; Something we can perhaps resonate with.”

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(via Unendurable line｜ガマンぎりぎりライン on Vimeo)

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(via What’s Inside My Euro Profile Lock | Tinker Friday #21 | Stop motion on Vimeo)

[archidose]

TRYOUTS ON LIVING IN THE CITY: FOUR POSSIBLE HOMES

Liran Messer, Stav Dror

[magictransistor]

Étienne-Jules Marey, Movements in Pole Vaulting (Chronophotographic studies), 1886.

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(via Fantastical Overclocked Urban Scenes by Cássio Vasconcellos)

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Estaciones e intercambiadores

by Albert Guillaumes Marcer

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The Limits of Rationality: Impossibly Thin Table by Junya Ishigami (2006)

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(via Double Helixes Streak Across the Sky in Multi-Shot Images of Birds by Xavi Bou | Colossal)

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(via toki- BALLET #01_ym on Vimeo)

[prostheticknowledge]

Crossvision

Photography project by Henning Marxen employs a slitscanning method to capture and present real world scenes with surreal perspectives (the videos embedded below are far more smoother than the GIFs I put together above):

The video sequences of the Crossvision project are just as true or false as any conventional video would be. However, by rearranging the dimensional planes they no longer simulate the human sensory perception.

By combining the slit-scan capturing technique with a camera slider it was possible to create video art sequences of recognisable yet disorienting sceneries. They are the result of merely rearranging pixel data taken from a tracking shot. No visual information was added or lost in the process.

Now every single frame shows the complete duration of the shoot, from left to right, while the timeline represents a shift in perspective. The horizontal perspective distortion is completely nullified, while everything in motion, e.g. humans, animals and cars, is depicted in a width relative to its speed or duration of stay.

More Here

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(via Bubble Blobs / Paint Mixing by Annette Labedzki on Vimeo)