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Notebook 4 @viviq20
Summary
In Vivian’s Zine, she analyzes the way in which Josephine Baker, a 1920’s singer, dancer, and entertainer is treated according to the American National Bindings and social ideologies. She was born in St. Louis Missouri and later immigrated to France. In France she became an Icon of the Jazz Age. When she returned to America to perform, she was treated according to the anti-black, oppressive ideologies of the Jim Crow era. The institutional and social racism in the United States encouraged Baker to fight along the Civil Rights Movement. She fought along the Civil Rights movement by performing for all non-segregated audiences. By analyzing the life of Josephine Baker, we can see the way in which race, and nationality intersect during the 1900s. By using Baker’s life in France and America, we can see the way in which the National Bindings of the United States differs from other countries such as France.
Compelling Quotes
“I ran away from home. I ran away from St. Louis, and then I ran away from the United States of America, because of that terror of discrimination, that horrible beast which paralyzes one’s very soul and body.”
- Josephine Baker
You can use these facts to contrast the life of Josephine Baker in France and the Uniuted States.
Compelling Facts
“Not content simply being a world-famous dancer, Josephine also became an actress, a singer, an author, a cabaret club owner, and even a Red Cross nurse and a spy for the French Resistance during World War II, receiving the French military honor, the Croix de guerre.”
You can use these facts to illustrate the way in which Josephine influenced both the social norms of France and the United States.
Compelling Images
This image can be used to analyze the intersection of race, class, and gender and the way in which Baker was treated in France and her respect gained in France. Make sure to clearly include source of image.
Relational Analysis
By analyzing both race, gender, and class of Josephine Baker, we can see the way in which she is treated according to the National Bindings of both the United States and France. By analyzing Baker’s validity as an entertainer, we can see the way in which she overcomes oppression and creates a counter-hegemonic movement against the social norms in the United States.
Zine cover
Notebook 4
Partner: @jimmytahhan
a. Syrian Nationalism is a DIY zine that is about how the media wrongly portrays Syrians’ beliefs about the Syrian President Bashar-Al-Assad as a brutal dictator. It proves through different pictures and facts that show how the Syrians love and believe that President Assad is a great President that will always religiously liberate Syria and protect their religious freedom.
b. Maybe include a couple of quotes from the Syrian President and/or from people in Syria that supports your claim that the media wrongly portrays how Syrians view him. Quotes that come from Syrians that are under his rule would also be very powerful and relevant to put in your zine. You could put the quote on one side of the page with different images that represent the quote.
c. “This picture is a clear example of many national bindings, the first one being colonialism. The fight between terrorists and the Syrian government to take over Aleppo is clearly shown in the histories of the Syrian War. The invasion of terrorists entering Aleppo and attacking churches and monasteries clearly indicates colonialism. In addition, there is a binding of nationalism and unity in the images shown above. It is clear that the Syrian Christians show support for their president and his intentions to give religious freedoms to all Syria citizens. The image above shows a binding of safety for Syrian Christians under the Assad Regime as they continue to have mass in a war torn cathedral.”
This connection to the National Bind of Colonialism would also be a good piece to bring up in your zine. You could use this piece to give background information on what is happening in Syria at the time of the context you chose. You could also tie this in with how this national binding is effecting the media portrayal of the Syrian President Assad.
d. The picture of the Syrian President visiting Syrian Christian monasteries can be good to put in the zine with an anecdote or even to explain how the visits to these Monasteries are examples of why Syrians believe he is a good President. This would be very good visual representation of why he is a good President who will support not just his own religion, but others as well.
e. i) The image of the Syrian Refugees can be intersectionally analyzed through the intersections of religion and citizenship and will show how Syrians view religion and how it intersects with citizenship in Syria. In the image, Syrian Christians show support for the Syrian Regime by continuing to hold mass on Christmas day. We can see that religion in Syria plays a big role in the way they are treated as a citizen. In the Image, we can see that Syrian Christians and Non-christian Syrian Regime work in harmony with one another. Syrian citizens and the religion they follow praise the Syrian Regime for his policies on religious freedom and creates this Nationalistic pride and respect for their country.
ii) Tying religion and citizenship to the Syrian refugees because it provides a look on how Syrian Christians interact with the Syrian regime and how they view the government.
iii) To improve the analysis maybe add more specific ways in what it is like to be a Christian citizen in Syria and how the Syrian Regime treat them. This would make the intersectional analysis stronger in explaining how religion and citizenship intersect each other.
When I was a child and they burned me out of my home, I was frightened and I ran away. Eventually I ran far away. It was to a place called France. Many of you have been there, and many have not. But I must tell you, ladies and gentlemen, in that country I never feared. It was like a fairyland place.
Josephine Baker
I ran away from home. I ran away from St. Louis, and then I ran away from the United States of America, because of that terror of discrimination, that horrible beast which paralyzes one's very soul and body.
Josephine Baker
Notebook 3
I have decided to change my object completely to an African-American Woman in the U.S. in the 1900s who was a singer, dancer and entertainer, specifically the singer and dancer, Josephine Baker, who was born in Saint Louis, Missouri, who later relinquished her citizenship and migrated to Paris, France, where she pursed her career and became a big sensation in France. She was an icon known as a Queen of the Jazz age, during the roaring 20’s and often performed exotic dances on stage in France. I had picked her specially because Baker during the peak of her popularity, Baker decided to return to her homeland, the United States, and became a performer in the Ziegfield Follies, which was a big Broadway show in New York. In returning to the United States, she was met with oppression for her race, gender, and sexuality and was even called a “Negro Wench” in the New York Times. During this time, America was very segregated and had established Jim Crow Laws. This was also the time when the Ku Klux Klan performed lynching against African Americans.
Baker went backed to France to escape the prejudiced, racist, anti-black United states. France during this time was more open to different races and was embracing African culture and was going through a Jazz age. During the time, Josephine was in France, she worked for the French Resistance who fought against Nazi Germany and often hid messages in her sheet music. Later she returned to the US in fear of the reaction she would get and performed at the Carnegie hall in the 1950s. Although she got a standing ovation to her performance of “Times gone a changing” she still encountered severe racism and objections such as only able to get a hotel room unless she goes through the servant’s entrance, or getting spit on by white ladies who believed that a black woman should not promote sexuality or power. She later returned to the U.S. and fought alongside Martin Luther king and supported the Civil Rights Movement. She would refuse any segregated performances and demanded that she would only perform non-segregated audiences.
Relational Analysis
In the 1900s, racism was a big part of American outlook on who is inferior in society and who is lesser in society. There was racial segregation every between “Blacks” and “whites.” This was going against the civil and constitutional rights of all who are in America. Blacks were also dehumanized and were thought of as disposable and immoral which constituted them as “non-beings.” There was also the reemergence of the Ku Klux Klan through the film, The Birth of a Nation, which depicted them to be knights who are saving America from the painted view of Blacks during that time. They followed an anti-immigration and anti-blackness view and believed that blacks and immigrants were a threat to America. They believed that “Whites” were superior and often used violent reactions towards non-“Americans” and non-Whites. They were against letting African-Americans to participate in congress and even voting and were violently opposed to the civil rights movement. I have decided to do a relational analysis between Anti-blackness in the U.S. particularly in the 1900s with the increasing Anti-Japanese American during World War 2 specifically after the bombing of Pearl Harbor.
After Pearl Harbor, Anti-Japanese Paranoia started to increases and people were starting to be afraid that there could be Japanese, specifically in the West Coast that were working against the U.S. This caused the relocation of any one of Japanese ancestry to be forced to sell their properties and relocate into Concentration camps. Many were hostile towards Japanese-Americans during this time and fought to relocate them. President Roosevelt had also had given an Executive order saying that there would be “exclusion zones” that allowed the Military commanders to take out or relocate anyone who was suspected as a threat. Many White farmers also were very hostile towards Japanese-American farmers and were happy to relocate them to take their land and use it as their own. This created view of Anti-Japanese-American and Anti-immigration is related to the view on Anti-Blackness during this time. Both situations where people of different race and ethnicity were shunned was against the American Civil Rights and the rights given in the constitution.
http://www.biography.com/people/josephine-baker-9195959#curtain-call
http://www.cmgww.com/stars/baker/about/biography.html
https://en.wikipedia.org/wiki/Josephine_Baker
https://en.wikipedia.org/wiki/Milton_S._Eisenhower
http://www.history.com/topics/world-war-ii/japanese-american-relocation
http://www.ushistory.org/us/51e.asp
Josephine Baker (June 3, 1906 – April 12, 1975) was an American-born dancer, singer, and actress who came to be known in various circles as the “Black Pearl,” “Bronze Venus” and even the “Creole Goddess”. Here’s Josephine Baker in her World War II Uniform, c. 1945. During World War II, Josephine served with the French Red Cross and was an active member of the French resistance movement. The French Resistance were a group of individuals who helped to win the war against the German Nazis enemy with undercover work. Using her career as a cover, Baker became an intelligence agent, carrying secret messages written in invisible ink on her sheet music. After the war, for her underground activity, Baker received the Croix de guerre and the Rosette de la Résistance, and was made a Chevalier of the Légion d'honneur by General Charles de Gaulle. A real life hero…Courtesy of Pin-ups For Vets
Not content simply being a world-famous dancer, Josephine also became an actress, a singer, an author, a cabaret club owner, and even a Red Cross nurse and a spy for the French Resistance during World War II, receiving the French military honor, the Croix de guerre.
She accomplished many impressive firsts: she was the first female African-American star in a major motion picture, performed in the first all-black Broadway musical, and was the first American-born woman to receive the French Legion of Honor. Even in death she achieved a first, being the first American-born woman to receive full French military honors at her funeral.
She was in total control onstage and off, and fiercely ambitious about her career in an era when women were expected to aspire mainly to marriage and motherhood. She was openly bisexual and not afraid to cross-dress.
In the 1920s and ’30s Josephine exemplified flapper style. She became a style icon of the day, and even marketed her own hair pomade, Bakerfix, so women could emulate her glossy spit-curled hairdo; and, while most women were trying to lighten their skin, she offered Bakerskin, a skin-darkening lotion for Parisian fans who coveted her complexion.
Josephine inspired a long list of artists, including Langston Hughes, Pablo Picasso, F. Scott Fitzgerald, Christian Dior, and Paul Poiret. Ernest Hemingway called her “the most sensational woman anyone ever saw.”
Charlie Chaplin and the legendary Josephine Baker - meet in Paris, at the Moulin Rouge Ball. - May 20th 1953
They had somethings in common - both revered in France, both treated poorly by the United States, during the Red Scare, both had extensive files kept on them by the FBI.
Snippet in the May 15, 1943 issue of The Afro American newspaper.