"Kill them with kindness" wrong. LONG LIVE THE NEW FLESH 📺🥩🩸⛓️🎥🩸⛓️🥩⛓️📺🎥📺⛓️🥩🩸🥩🩸📺⛓️🥩🩸📺⛓️🎥🥩🩸🥩🩸📺🎥🥩🎥🩸🥩📺🎥📺🥩🩸📺🎥🥩🩸📺⛓️📺🥩🩸📺🥩📺🩸📺🥩🎥🥩⛓️🥩⛓️🩸📺🩸📺🥩🩸🥩🎥📺🩸🥩⛓️🎥📺
2025 on Tumblr: Trends That Defined the Year

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YOU ARE THE REASON
AnasAbdin
Peter Solarz

Product Placement
trying on a metaphor
Show & Tell
hello vonnie

★

if i look back, i am lost

JBB: An Artblog!
Misplaced Lens Cap
Sade Olutola
art blog(derogatory)

#extradirty

shark vs the universe
One Nice Bug Per Day
tumblr dot com
Cosimo Galluzzi

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seen from T1
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@voxtekpr
"Kill them with kindness" wrong. LONG LIVE THE NEW FLESH 📺🥩🩸⛓️🎥🩸⛓️🥩⛓️📺🎥📺⛓️🥩🩸🥩🩸📺⛓️🥩🩸📺⛓️🎥🥩🩸🥩🩸📺🎥🥩🎥🩸🥩📺🎥📺🥩🩸📺🎥🥩🩸📺⛓️📺🥩🩸📺🥩📺🩸📺🥩🎥🥩⛓️🥩⛓️🩸📺🩸📺🥩🩸🥩🎥📺🩸🥩⛓️🎥📺
The Boys 'Assassination Run' (4.08)
The Twilight Zone (The Nick of Time, Season 2, 1960)
‘full movie watch free online’ was in the early 21st century a kind of prayer
And you are? — Nobody.
John Wick: Chapter 4 (2023) dir. Chad Stahelski
“Do I terrify you? I should. I am a mirror in which you see all your dark desires, your gnawing regrets, your deepest fears.”
— but the horror on my tongue tastes like honey to you
Black Mirror: Bandersnatch (2018) dir. David Slade
Fahrenheit 451 (1966)
“The way we relate to the things of the world is [not] as a pure intellect trying to master an object or space that stands before it. Rather, this relationship is an ambiguous one, between beings who are both embodied and limited and an enigmatic world of which we catch a glimpse (indeed which we haunt incessantly) but only ever from points of view that hide as much as they reveal, a world in which every object displays the human face it acquires in a human gaze.”
— Maurice Merleau-Ponty, The World of Perception (trans. Oliver Davis)
Rebecca (1940) dir. Alfred Hitchcock
Jimmy Stewart and Robert Taylor, 1937
It is often said that the West's great undertaking is the commercialization of the whole world, the hitching of the fate of everything to the fate of the commodity. That great undertaking will turn out rather to have been the aestheticization of the whole world—its cosmopolitan spectacularization, its transformation into images, its semiological organization. What we are witnessing, beyond the materialist rule of the commodity, is a semio-urgy of everything by means of advertising, the media, or images. No matter how marginal, or banal, or even obscene it may be everything is subject to aestheticization, culturalization, museumification. Everything is said, everything is exposed, everything acquires the force, or the manner, of a sign. The system runs less on the surplus-value of the commodity than on the aesthetic surplus-value of the sign.
Jean Baudrillard, The Transparency of Evil
So, what happened after he climbed up the tower and rescued her? She rescues him right back.
PRETTY WOMAN ━ 1990 (dir. Garry Marshall)
The Boys —5.01, Fifteen Inches of Sheer Dynamite