The Psychonaut Field Manual: Chapter four
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The Psychonaut Field Manual: Chapter four
Click HERE to download all four chapters in one PDF.
CHAPTER 3 OF THE PSYCHONAUT FIELD MANUAL
This chapter is all about spirit evocation and lot’s of of it.
I put an enormous amount of work into it and I hope it shows. Love you guys! :3 As always, feel free to copy/share this book if you’d like.
Download the PDF of Chapters 1-3 for FREE by clicking here!
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The Psychonaut Field Manual PART 2 by Bluefluke.
CLICK HERE TO DOWNLOAD THE PDF VERSION OF BOTH CHAPTERS FOR FREE! :3
As always, feel free to copy/share this book if you’d like. Donate by clicking here to support this project.
THE PSYCHONAUT FIELD MANUAL
Get the PDF version by clicking here. As always feel free to copy/share if you’d like. Donate by clicking here to support this project.
DnD Race: The Siren
(Art by John William Waterhouse)
Cursed Song- From the beginning of their existence, Sirens are cursed. Such a creature is never born but made. Most often they were once fair maidens perhaps hexed by beings jealous of their beauty. Sometimes they come from the death of those lost at sea. There are few however who are blessed by this very curse. Some who were hurt by those they called lovers and leaped into the ocean’s cold waters for freedom. From cliffs they sing haunting songs to the unfortunate sailors who come near.
A Siren’s song is renowned and none have managed to decipher it’s secrets. For what truly lures lost souls to their demise is to have the utmost beauty. Some speculations say it is simple magical seduction, other’s say the song holds the universe’s deepest secrets. Not even a Siren truly knows.
Naturally Feminine- Although it is not just maidens who are capable of becoming Sirens, they are in their very nature feminine. Even the most brutish of mortals would become soft and slender in this new form. Although their naturally feminine ways a Siren may engage in behaviours expected from men as well.
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Using Myths to Create a Campaign Setting...
So while researching for this Mega-Post (which will probably become one part of many), I’ve found that myths, legends and folklore as a whole is really just a cool thing to read about.
There’s so much creativity and wonder in every myth, and it’s been super fun to find story elements that have persisted all the way to the modern day.
With that said, and wait for it: Making a D&D Setting can be really really tiring.
So, after rediscovering my love of mythology, I thought I’d take a new approach to all this: Using “Comparative Mythology”.
“Wait! What’s Comparative Mythology?” I hear you ask. Well Comparative Mythology is when you compare myths from different cultures and identify all the things they share.
So let’s start this Mega-Post by ending this long-winded intro and getting to the whole point of this: The Common Myths!
The Creation of Mankind from Clay
The creation of man from clay is a thing that recurs throughout a bunch of world religions and mythologies. In this Myth, Mankind is created from dust, clay or earth by a single deity.
In Greek Mythology, Prometheus molded men out of water and earth.
In Egyptian Mythology, one of the several ‘Creator Gods’, called Ptah, is a Potter who fashions the bodies of humans (and some Gods) from clay.
The Theft of Fire
The theft of fire for humanity is another that recurs in many world mythologies. Where a deity, sometimes the deity of earth, the forge, or the deity that actually created Mankind, steals a portion of the Sun or a Magical Heavenly Flame and gives it to humanity so they don’t freeze to death or starve because they can’t cook their food.
Probably the most famous version of this Myth comes from Greek Mythology, where the Titan Prometheus stole the heavenly fire of the gods and gave it to humanity, the thing he created from clay, so they could build their first civilisation.
The Great Flood
Cultures around the world tell stories about a great flood that leaves only one survivor or a group of survivors. Sometimes the Flood is meant to restart the world, defeat a great evil, or as a punishment to Mankind for some known or unknown thing.
In the Hebrew Bible, probably the most famous example of this, God sends down a global flood that wipes out humanity, with only one man surviving and saving the world’s species by taking them aboard a giant boat.
In Greek Mythology, a Myth says that Zeus, Head of the Gods, sent down a great storm to flood the world after people started trying to sacrifice humans to him, which was completely against the Greek Laws of Hospitality and a big ol’ no-no in the eyes of Zeus.
The Dying-And-Rising God
Many Myths feature a God or Goddess who dies somehow and returns to life thanks to the help of the other Gods.
In Egyptian Mythology, Osiris, who was slain by his brother Seth, was brought back to life by his sisters Isis and Nephtys. Osiris eventually became the ‘King of the Dead’ while his Son became ‘King of the Living’, which may have something to do with a Father-like Figure giving power to their Son, which is another theme that pops up in a few cultures…
In Greek Mythology, it’s Adonis, a beautiful man born from his Mother that just so happened to be turned into a tree. But after being left in a Forest by Aphrodite and told to avoid any wild Boars (also known as Ares in disguise), Adonis immediately decided to do the opposite and hunt down the wild Boar (also known as Ares, the God of War). The fight didn’t really go in Adonis’ favour, and after Aphrodite found out, she stormed into the Underworld and demanded her Boyfriend back, and eventually Zeus got involved, deciding to split the Year in two, the warmer months (summer and spring) where Adonis would be with Aphrodite, and the colder months (autumn and winter) where Adonis would go back into the Underworld. This is why Adonis is associated so much with spring, renewal and rebirth.
The Creative Sacrifice
Many cultures have stories about divine figures whose death creates a certain part of reality.
These myths seem especially common among cultures that are farmers or have agriculture as a major part of their society.
In Norse Mythology, the First Giant, known as Ymir or ‘The Cosmic Giant’ was killed to create the World of Norse Myth.
In Aztec Myth, after Huitzilopochtli kills his sister Coyolxauhqui and his 400 brothers, Coyolxauhqui’s severed head becomes the moon, and her 400 dead brothers become the stars in the night sky.
In Greek Mythology, when the many-eyed Giant Argus was slain by Hermes, Argus’ eyes were transferred by Hera to the tail of the peacock, hence the beautiful tail feathers of a peacock!
The Seat of the World
The seat of the world is usually noted as a place that sits at the centre of the world and acts as a point of contact between different levels of the universe: Usually Heaven, Earth and the Underworld.
And as a small Sidenote, there’s a LOT of mythologies and world religions that use a giant ‘Cosmic Tree’ to represent the seat of the world, and they usually describe it as “a great tree joining heaven, earth, and the underworld”, with branches that reach the Heavens and whose roots that reach the Underworld.
In Hindu, Jain, and Buddhist Mythology, Mount Meru (also recognised as Sumeru, Sineru or Mahāmeru), is a sacred five-peaked mountain, and is considered to be the centre of all universes, both physical and spiritual.
In Norse Mythology, Yggdrasil is an immense mythical cosmic tree that connects the Nine Worlds of Norse Cosmology.
In Greek Mythology, the “Seat of the World” was the City of Delphi, the literal centre of the Greek Mythological World. Delphi was almost always seen as “the belly-button of the world”, with many tales surrounding the famous Oracle of Delphi. You could also consider Mount Olympus to be a sort-of “Seat of the World” too, since that’s the famous place where only the Gods lived…
The Ideal God
This is usually referring to a King, Queen or some kind of Head of a Pantheon, a God to rule the Gods.
Even actual Official D&D Settings do this by having an ‘Overgod’.
In Norse Mythology, Odin is the Leader of the Gods.
In Greek Mythology, Zeus is Head of the Gods, though Hera (his Wife) also has some influence on the Pantheon.
In Roman Mythology, which is extremely similar to Greek Mythology, they have Jupiter as the Head of the Pantheon and King of the Gods.
In Egyptian Mythology, Ra is Head of the Pantheon, though some interpretations vary on his actual name.
And as a side-note, it seems most ‘Head of the Pantheon’ Gods are male with some sort of connection to the Sky, the Sun, or Storms, and are often extremely wise or extremely powerful, usually depicted as extremely ripped and wielding big ol’ stabby weapons…
And weirdly enough, most have some sort of connection to birds, I can’t really find out where that comes from, but it’s cool nonetheless.
The War with the Titans
This is usually the Myth that creates the “Official Pantheon” for a Place’s Religion. The Titans (or sometimes called Primordials, beings that represent chaotic and destructive elements like Fire and Lightning) fight the Gods, sometimes a few Gods die, but the Gods always win.
Again, the most famous version of this Myths is In Greek Mythology, where the Titanomachy was a ten-year series of battles consisting mostly of the Titans fighting the Olympian Gods and their allies. This event is also known as the War of the Titans, Battle of the Titans, Battle of the Gods, or just The Titan War, which is just a cool name in general…
Gargantuan Giants
By “Gargantuan Giants”, I mean Gargantuan compared to Humans, who in most cultures were less than 6 Feet Tall, so sometimes Giants were as short of 8 Feet, and others they are quite literally the size of the Universe…
In Greek Mythology, there’s the myth of Ourion (or more commonly known as ‘Orion’) the Giant, a Huntsman famous for being placed among the stars as the constellation of Orion. There’s also the Hecatonchires, also known as the Hundred-Handed Giants, as well as the Myth of the Cyclopes and a bunch of other Gods and Demigods who are described as “Giant” in size.
In Norse Mythology, there’s dozens of famous giants, also known as Jotuun in some texts. From Surtur, the fire giant that leads his kin into battle during Ragnarok, to the trickster giant Utgard-Loki, famous for annoying the Hel out of Thor and thoroughly embarrassing him in front of all the other giants.
Mythical Dragons and Serpents
Sometimes just large snakes and other times gigantic snakes, legendary snakes and serpent-like creatures appear in the folklore of a bunch of different cultures around the world. And speaking of Dragons, while they vary from region to region, they’re almost always depicted as gargantuan serpentine creatures with four-legs.
Mythical Serpents in Mythology
In Egyptian Mythology, Atum shaped the world thanks to four mythical serpents. Also in Egyptian Mythology is Apophis, a gargantuan mythical serpent that symbolises chaos, who tries to eat the sun every day as part of the Journey of Ra and his Sun-Barge/Sun-Boat.
In Greek Mythology, there’s the Lernaean Hydra, more often known simply as the Hydra, a multi-headed snake monster killed by Heracles as part of his Twelve Labours. There’s also Python, a big ol’ sea snake with the gift of prophecy, that was then promptly killed by a Baby Apollo…
In Aztec Mythology, there’s Quetzalcoatl, a giant feathered serpent (and sometimes a dragon!) characterised as the God of Wind, the Dawn, the Planet Venus, Arts and Crafts, Wisdom and Knowledge.
And another thing, it seems some Myths depict these giant snakes as pets or living weapons used by Kings, Queens or even the Gods to keep their subjects in check.
Dragons in Mythology
In Eastern Cultures and Mythologies, Dragons are usually depicted as wingless, four-legged, serpentine creatures with above-average intelligence and the ability to control rivers, the ocean, the wind and the weather.
In Western Cultures and Mythologies, Dragons are often depicted as savage, winged, horned, four-legged, and capable of breathing fire.
The Myth that founds a Custom
This myth is way more varied than the rest. Many cultures have myths describing the origin of their customs, with most societies often justifying their customs by claiming that the Gods or the Mythical Heroes of their Culture established those customs.
The Curse of Cannibalism
Human cannibalism features in the myths, folklore, and legends of many cultures and is most often attributed to evil characters, with the idea that consuming human flesh is an evil act that usually transforms the person into a monster of some kind.
In Greek Mythology, there exists the Lamia, a woman who became a child-eating monster after her children were destroyed by Hera after Hera learnt of her husband Zeus’ little “escapades”.
In Native American Myth, there’s the famous Wendigo, a creature (or sometimes depicted as an evil spirit) from folklore, with some sources saying Wendigos are created when a human resorts to cannibalism to survive.
The Hero’s Adventure to save their Lover
This is usually a story of three parts: Hero gains a Lover, Lover dies through unforeseen circumstances, and finally the Hero goes on an Adventure (most commonly going to the Underworld) to meet/save/resurrect their Lover.
This Myth can also be known as the “Hero goes to the Underworld to save their Lover” Myth, which is also super common when you look at all the different world cultures.
In an old Babylonian Myth, the Babylonian Goddess Ishtar (Goddess of Love, War and Fertility) gets trapped in the Underworld with the Queen of the Dead after trying to save her husband from the Underworld. But then Asushunamir, a gender-ambiguous individual constructed by Enki (a Babylonian Ocean God), is sent to the Underworld to save Ishtar, so I guess that’s two stories in one?
In Japanese Mythology, Japan has two Creator Deities: Izanagi and Izanami. But after the Birth of Kagi-Tsuchi (the Fire God), Izanami dies. So Izanagi decides to just go on down to the Underworld to get her back. But after lighting a torch in the Underworld when he’s specifically told not to, Izanami is understandably peeved and sends a bunch of monsters after Izanagi to chase him down until Izanagi decides to block the entrance to the Underworld with a giant rock so no monsters get out. Yay?
In Greek Mythology, Orpheus (one of Apollo’s kids) walks on down to the Greek Underworld to chat with Hades and maybe get his dead lover Eurydice back. Hades says “Yeah, sure bro! Just don’t look at her before you two get back to the World of the Living again, okay?” But Orpheus, like an idiot, decides to immediately do the opposite after thinking Hades is tricking him, and Eurydice is dragged back down in the Underworld to stay there forever…
The Sun gets eaten by a Giant Beast
This is usually what Cultures and World Religions use to explain celestial events such as an Eclipse.
In Aztec Mythology, they had a God called Huitzilopochtli (Yay! I spelt it right!) who was their Sun God and God of War and Human Sacrifice. Huitzilopochtli also had 400 Brothers and one Sister: Coyolxauhqui. After murdering his sister, Coyolxauhqui’s severed head becomes the moon and several of Huitzilopochtli’s brothers become the stars. And now the sun is constantly at risk of being devoured by the night sky and to put this all short: Huitzilopochtli is constantly fighting off the severed head of his sister (The Moon) to stop her eating/murdering the sun and the earth. FUN!
In Norse Mythology, at some point during Ragnarok (the Norse “End of the World” Myth), the sun and moon are eaten, possibly by Fenrir, but definitely by Mythical Wolf of some variety, sources differ.
In Egyptian Mythology, the Egyptians would pray against Apophis (the giant snake in the Underworld) to squash his nightly attempts to eat the sun as it passed through the Underworld.
And as a side-note, this one doesn’t have to be a Beast, sometimes the sun is stolen by a thief, or something happens and it’s sealed away or just straight up nopes out and disappears for a few days…
Gods named after Planets
It’s right in the name, a lot of Gods are named after Planets, Stars, Constellations and other Celestial Objects.
In Egyptian Mythology, the Gods are actually named after the various Stars and Constellations that can be seen in Egypt’s night sky.
In Roman Mythology, examples include Jupiter, Head of the Pantheon, as well as Mars the God of War, Mercury the God of Merchants, and Venus the Goddess of Love and Beauty, as well as Neptune, Saturn and More!
The Beast to be Released and Kill the World
This is usually a Wolf, Snake, or other Giant Beast that, when the Apocalypse comes, is released from whatever bindings they have and wreak havoc on the Mortal World. Sometimes the Beast is chained away or trapped in the Underworld, but other times they’re just sleeping until the Apocalypse comes knocking…
In Egyptian Mythology, this Beast is known as Apophis, a Giant Snake trapped in the Underworld that tries every day to eat the Sun (and sometimes eat Ra too!) before Apophis is defeated by the powers of Gods and the apocalypse is stopped for another day.
In Norse Mythology, this Beast is Fenrir, a Giant Wolf and Son of the Trickster God Loki. Fenrir is bound by a series of heavy chains, and when Ragnarok (the Norse version of the Apocalypse) comes, Fenrir will break his chains and go on a big ol’ god-killin’ spree!
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Cave of the Ancients 2 Watercolor and gouache on paper, 4.5x7.5″
Universe As Organism by Leigh J. McCloskey
Areas of Research for the Intermediate Witch
When you’ve covered all the basics, the next step is to pick some topics and study them in-depth. Take notes, whether they are online or by hand, and find creative ways to incorporate what you’ve learned into your practice. With depth of knowledge comes depth of understanding, and that will make you a stronger witch. Here are some ideas/topics to get started:
Mesopotamian magic (especially the role of astrology in Mesopotamia)
Go through each of the Sabbats and write down a summary of how they came about. What is their history, purpose and associated mythology?
Hermeticism and its influence on Western magic
The first recorded spells and incantations (hint: they were in ancient Sumer)
Who was Zoroaster?
John Dee and Enochian magic
Freemasonry
The Golden Dawn
The Salem Witch Trials, and how they affected legislation on, and public perception of, witchcraft
Carl Gustav Jung and his work on the connections between psychology and alchemy
Crystal elixirs
Shadow work
Mythology from a variety of cultures - you’re probably familiar with Zeus and Ra, but how much do you know about Ranginui and Papatuanuku? Knowing a variety of mythologies, whether you follow them or not, can help you better understand the deities you work with.
Other religions! It’s the same as mythologies - the more you know, the better.
Buddhist philosophy
Reiki
The fae
Botany - if you can, try to research the plants in your region, and devise correspondences for plants you can find in your local area based on their physical or medicinal properties. Just make sure to be mindful of local/native cultures if there are any.
Make a dream journal, and write down whatever you can remember about your dreams (don’t worry if it’s hard at first, the more you write them down the better you’ll get at remembering). Research possible dream meanings of any dreams that stand out to you!
Astrology, if you’re not already familiar with it. Astrology originated in ancient Mesopotamia as one of the first forms of divination, and as a result is the basis of a lot of magic today.
The natural world. The metaphysical is important but perhaps more so is the world to which it is attached. I’d recommend watching nature documentaries for this one.
Cover all your bases. If there’s a witchcraft 101 area that you never fully learned, now’s the time. Things like grounding, centering, circle casting, meditation, warding, visualisation… these are all important foundations that you need before you can try to build on your knowledge.
Agrippa
Flower of Life Tarot Spread
Current energies
External forces/influences
Challenges/things to let go of
Strengths/things to cultivate
Messages from spirit/unseen guidance
Outcome/future
This is one of my first original tarot spreads and has become one of my favorites. It’s a great spread to use when you don’t have a specific question formulated, but works just as effectively with open ended questions. Enjoy!
The Seven Hermetic Principles of the Kybalion
Hermetic principles are laws that govern the entire universe much like the magickal laws, but these are present in all things, and are less exclusive to simply just magick itself. These hermetic principles were given to us in the hermetic text of the Kybalion in which were said to be written down by the Three Initiates. The hermetic principles are a good idea for a practitioner to learn in order to understand how the universe, and magick works as a whole, so that they can use it better in order to further their practice. These are principles that cannot be broken, because they are not morals, but are much rather understandings of how the universe will work in certain ways without flaw. this will just be a very quick rundown of the seven hermetic principles of the Kybalion. These laws should always be looked into more thoroughly, because there is always more that these laws can teach you about the universe, and our existence.
The Principle of Mentalism
“THE ALL IS MIND; The Universe is Mental.” - The Kybalion. This first principle tells us that the all of the universe is consciousness. We are all connected, and we are all of one mind. The only thing that really exists is the all of the mind. Everything is a mental creation of the all, and in this mind is where we exist. There’s no separation of mind, and matter, and the mind controls everything that we experience be it physical, spiritual, or mental. Everything is perceived, controled, and understood through the mind, and is the whole of the universe.
The Principle of Correspondence
“As above, so below; as below, so above.” - The Kybalion. This hermetic principle communicates to us that by looking at one lower, smaller, or internal system you can understand, and see the same patterns in the other higher, bigger, or external system, and vice versa. The principle of correspondence shows that paradigms are connected, and function usually in similar ways. Correspondences can always be drawn between different phenomenon in different planes, and situations, and will usually share aspects of each other. By understanding one you can understand the other, because of the way they connect, and stimulate each other. The function of this principle will allow you to understand the unknown, by taking a look at the known, so that you can divine parts of the universe you never thought you could reach.
The Principle of Vibration
“Nothing rests; everything moves; everything vibrates.” - The Kybalion. The hermetic principle of vibration is the principle that tells us everything is vibrating constantly, and is in motion. Nothing stands still, and everything is motion. These vibrations are what make up the difference between all aspects of matter, mind, and even spirit. By simply changing the vibration of certain things you can turn them in to completely different things. It is these different vibrations that give essence to this universe. Matter has a very low vibration, and spirit has a high vibration, and everything else exists in between these two extreme polarities allowing the whole of existence to exist within this spectrum of vibrations.
The Principle of Polarity
“Everything is Dual; everything has poles; everything has its pair of opposites; like and unlike are the same; opposites are identical in nature, but different in degree; extremes meet; all truths are but half truths; all paradoxes may be reconciled.” - The Kybalion.
The principle of polarity tells us there’s always at least two aspects, sides, and equations to a construct. There will always be two sides to everything that make up a greater whole that will have aspects of both sides. These aspects are even two sides of the same coin, but are not limited by binary values, but an overarching spectrum. These two extremes sides are actually the same thing just on different points on the overarching spectrum, making all opposites parts of each other. This shows that all concepts that are opposites are all one in the same just with different varying degrees. Such things as hot, and cold are exactly the same thing with hot, and cold being the extremes of the polarity. Truly one cannot separate when cold stops in hot begins. They are forever bound to each other, connected along a spectrum of polarity.
The Principle of Rhythm
“Everything flows, out and in; everything has its tides; all things rise and fall; the pendulum-swing manifests in everything; the measure of the swing to the right is the measure of the swing to the left; rhythm compensates.” - The Kybalion. Does principle tells us everything has a rhythm to it, and there is a cycle to everything in existence. There’s always a constant motion that flows to, and fro throughout the entire essence of the universe, making the universe like a swinging pendulum that will continuously swing left to right in all aspects of its being. This pendulum’s swing will swing along the spectrum of many different extremes of polarity creating a very balanced flow throughout all these aspects of the universe. This rhythm can be seen and worked with in order for you to get the most out of certain situations, and practices. By understanding that there is a rhythm you can allow yourself to flow with it, giving yourself an advantage. The rhythm is beautiful, and ever present in all things, all you have to do is find it in order to work with it, so that you can better your existence. This rhythm is seen in everything, and is a very important part of life.
The Principle of Cause and Effect
“Every Cause has its Effect; every Effect has its Cause; everything happens according to Law; Chance is but a name for Law not recognized; there are many planes of causation, but nothing escapes the Law.” - The Kybalion. This principle tells us that for every cause there will be in effect. This principle is pretty self-explanatory, and you can see it in all things, and you probably have some experience working with it. Every effect has to be caused by something in order for it to happen. This law also tells us there is no such thing as coincidence just the act of a cause, and effect going on notice resulting in an effects that most weren’t expecting. This law also tells us that the higher planes will always have dominion over the lower planes, and by causing things to happen in the higher, one will always be able to affect the lower.
The Principle of Gender
“Gender is in everything; everything has its Masculine, and Feminine Principles; Gender manifests on all planes.”- The Kybalion.
The principle of gender communicates that genders are ever-present on all planes of existence, and everything has masculine, and feminine qualities. No one thing is only masculine, or feminine energy, but an amalgamation of both. These energies will make up the whole of the being, and will be embodied, and manifested on every plane from the physical, to the mental, and on to even the spiritual. The connection of these energies that gives the life of all things generation, regeneration, and creation.
Toccata and Fugue in D Minor Fantasia (1940)
💀 Samhain Tarot Spread 💀
1. PAST - Guidance from your ancestors
What can you learn from your dead relatives or family members? How are your ancestors currently supporting you, giving you guidance and advice? What messages should you take into consideration?
2. PRESENT - Banishing negative energies
What behavior, bad habit or negative energy are you ready to banish from your life? How can you facilitate the work of releasing this energy into the darkness of Samhain? What do you need to let it go?
3. FUTURE - Outlook for the new year
What will be your guiding light in the dark season ahead? What major event or theme will unfold in the coming year until the next Samhain? What should you focus on to improve your craft and witch practice in the new year?
–
💀 Find more information on Samhain meaning, correspondences and rituals in my Samhain masterpost here 💀
Photographed by Pyotr Vedenisov, 1910s
From The Element Encyclopedia of Ghosts & Hauntings by Theresa Cheung