
shark vs the universe
we're not kids anymore.
d e v o n
Cosimo Galluzzi
dirt enthusiast
Lint Roller? I Barely Know Her
Sade Olutola

Origami Around
2025 on Tumblr: Trends That Defined the Year

ellievsbear
trying on a metaphor
One Nice Bug Per Day
Xuebing Du
PUT YOUR BEARD IN MY MOUTH
he wasn't even looking at me and he found me

Product Placement
"I'm Dorothy Gale from Kansas"

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No title available

Kaledo Art
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@waiting4thunder
Gender Equality Wikipedia Edit-a-thons - NYC, DC, and Online!
Join the National Archives during the month of October at one of three Gender Equality Wikipedia Edit-a-thons. Register for the events in NYC or DC, or join us in our online edit-a-thon!
These events are part of the Amending America initiative at the National Archives in celebration of the 225th anniversary of the Bill of Rights. Please bring a laptop or tablet to participate. You do not need to have any prior experience editing Wikipedia!
National Archives at New York City
Thursday, October 13, 2016 from 10 AM - 2 PM
Co-sponsored with Wikimedia NYC.
Join us for a behind-the-scenes viewing of original documents and Susan B. Anthony Trial
More information on the Wikipedia Event page
Innovation Hub, National Archives Building, Washington, DC
Saturday, October 22, 2016 from 10 AM - 5 PM
Co-sponsored with Wikimedia DC
Join us for a a discussion of World War I nurses and Red Cross records in the National Archives
More information on the Wikipedia Event Page
Online Edit-a-thon
Friday, October 14 - Saturday, October 22, 2016.
We will be work on improving Wikipedia articles all week!
More information on the Wikipedia Event Page
Please contact [email protected] if you have questions about the events.
Queen Maxima (Supergirl 1x19)
@waiting4thunder Oh my. Tol gurl on the show. I’ll make sure to have the fan ready to cool you down.
Oh. My.
It’s springtime here in New York—birds are singing, bees are buzzing, and love is in the air. It can only mean one thing: It’s time for the latest edition of our Transparency Report, covering July through December, 2015. As with previous editions, this report contains information about all of the requests for user information we’ve received from governments foreign and domestic, as well as all of the copyright and trademark claims we’ve received over the past six months.
So…wanna hear some of the numbers? We received 215 requests for user data or content from 12 foreign countries, 38 U.S. states or the U.S. federal government. These requests affected 0.0013% of all blogs on Tumblr. That means that you’re seven times more likely to win an Academy Award than to be directly affected by these requests.
Intrigued? All the details you’re seeking are right here.
An Idea for a David Bowie Memorial
I think this would cost about $50,000, so it’s not really something I could pursue, but just maybe the Internet Gods will carry this thought to someone who can and will execute it. Kickstarter?
Basically, it’s a slightly too-grandiose monument. Marble, Classical architecture, maybe some gold inlay. It’s one of these domed gazebo type things. Classy, but not ostentatious. Maybe 20-30 feet across. The spaces between each of the pillars are open, so one can approach and enter from any direction. (A little symbolism there.)
Inside, standing before each of the pillars is a life-sized statue of one of the personas of Bowie. Ziggy, Aladdin, the Thin White Duke, etc. I’m not sure exactly how many you’d want to include, as some were comparatively minor, but around eight or a dozen might be good. Maybe an odd number, so the architecture would feel a little weird. Could do them all in matching marble or perhaps in various media and by various artists. The former might help with the educational angle; the latter would be more symbolic.
In the middle, there’s a circular bench. A sound system plays his music 24/7, likely on shuffle. There are lights on each of the statues, and they shift to highlight the relevant statue when a corresponding song comes on.
The educational component should include a placard or two, but it would mostly be online. An AR thing, originally available through a phone app and updated for the latest relevant technology. Each statue is surrounded by images of album covers, news photos, music videos, and concert footage. Each one links to a short article, and those link to more detailed info. Reading all of it would take several hours, but it’s concise enough that even a really dedicated visitor won’t take all day.
I’m not sure where to locate it. Near his birthplace? In New York, near his home later in life? Next to the Experience Music Project in Seattle? Put up dozens of them on various cities? Put one on Mars? Make a virtual tour available online, definitely.
So that’s the idea. It just unfolded in my head a minute ago, and it made me cry. Again. Hope you like it.
The Art of Asking - by Amanda Palmer. Book Trailer
I think this is so beautiful and uplifting.
And yes, I’m biased.
All right, ladies (and non-binary folks!): real talk time.
We currently have zero female developers or designers on the Pathfinder RPG staff. (I know, right?)
EDIT: I made a big stupid mistake. We DO have a female designer, the awesome Tanis O’Connor, on the Pathfinder Adventure Card Game. We don’t have any female designers on the RPG. Sorry, Tanis. *blush*
But we have an opportunity to change that. We’re hiring a new developer.
A developer is basically the movie director for their products. They work with the managers and other developers on the production team to come up with ideas for what each book is going to be about and fit it into our overall product array (so, if you’re a campaign setting developer, some of the areas of our world you cover will tie into current adventure paths or modules or hardcovers, while on others, it’s basically carte blanche to do something interesting). Then they outline the book, assign it to freelance writers, work with the art team to figure out what art is going to be in it, and develop the freelancer text to ensure it’s exciting, well-written, and sounds like Pathfinder.
Even junior developers do that — they just may get help from our more senior developers, but it’s still a position where they get to have a direct hand in building our world, writing stuff that’s published in our books, and so on. It’s a creative position with the sort of influence and direct control, at least from my experience in video games, for which you usually have to work at a company for years to get even a small piece of.
It’s a chance to be at the center of making the best-selling tabletop roleplaying game in the world, on a team of A+ human beings who are wildly creative, funny, and devoted to making great games that welcome everyone into our world.
I really want to see this position go to someone who’s new and fresh. If you are a strong writer who plays and loves Pathfinder, I want you to apply. Yes, you. I don’t care if you’re just out of college. YOU.
Now let me talk to you not as a Paizo employee, but as a woman who’s been around the block in games several times.
We’re doing blind applications-writing/design tests, which means no one is going to know who you are when they review your test. Any unconscious biases anyone might have about your name or your school or your experience or whatever? Not going to be a factor in reviewing your test. (And if you’ve read much about women in predominantly male fields, you’ll probably know that blind applications are one of the single best things for women’s chances of getting hired.)
There’s no embarrassment here if you don’t make it to the round of people who actually get interviews. We’re not going to judge you for applying. You’re not being presumptuous or arrogant by applying. You’re being a badass, like Mythic Kyra up there.
So put aside your impostor syndrome. Stop telling yourself that you don’t have the experience or the talent or the qualifications — I guarantee you there are a ton of guys who are less qualified than you who aren’t telling themselves that — and stop worrying that we’re going to think you’re presumptuous or silly for applying. We’re not.
And believe me when I tell you this is one of the good ones. You’re not going to make as much as you might in video games — tabletop’s a different industry — but you will have more creative input than you’re likely to get in your first job in video games. You’ll also have Wes Schneider, the single best manager I’ve ever worked with, as a manager. You’ll have a great team around you, full of people who genuinely want to make great games and want to work with you instead of competing with you. You’ll get to work with awesome freelance writers like Amber Scott and Crystal Frasier. You’ll have the chance to hone your craft in a supportive environment. I’ll be there and I’ll have your back.
You’ll be working for a company with a female CEO. She’s a badass and one of the founders of the entire RPG industry.
You won’t have to put up with daily sexist microaggressions. You won’t have to be one of the boys to be one of the team. I mean that.
(Also, you’ll get free copies of everything we make, and yearly bottles of Goblin Fire red wine.)
So. Do you live (or want to live) in the Seattle area? Are you a strong writer? Do you GM Pathfinder and create your own content? Do you have an English degree, or equivalent writing experience?
Apply. Do it now. Yes, there’s a big, scary-looking list of requirements. There is for every job. Do it anyway. Did you answer yes to all the questions above? Then apply. Look up at Mythic Kyra. She believes in you.
We want you to apply, we want you to be good, and we all had to take leaps of faith at some point and say, “I believe I am good enough to do this.” That’s how we got here.
Come tell stories and build worlds with us.
Art: Mythic Kyra by Eric Belisle
In the 1950s, “feminist” was not in my vocabulary. The real beginning of my feelings about that was when the librarian in Eagle Grove, Iowa, asked me to read a book and see if I thought it ought to be on the shelves. And it was Betty Friedan’s Feminine Mystique. Isn’t that amazing? … It exploded in my consciousness, as it did with millions of American women. All of a sudden you realized that this yearning, this not being quite satisfied, happy but not fulfilled, that there was more beyond the kitchen and getting three meals a day, as much as I love my husband and my children. I needed to reach out beyond that. — Mary Louise Smith interview with Louise Noun, 1989. Iowa Women’s Archives
Today we’re celebrating the 100th anniversary of the birth of politician and activist Mary Louise Smith, who co-founded the Iowa Women’s Archives along with Louise Noun in 1992.
Elected in 1974 as the first female Chair of the Republic National Committee, Smith led her party through a particularly difficult time in the wake of the Watergate scandal. She went on to experience a difficult time of her own serving as Vice-Chair of the U.S. Commission on Civil Rights under the Reagan administration. As a moderate Republican who supported the Equal Rights Amendment and abortion rights, Smith fell out of step with her party’s conservative turn during the Reagan era and lost her appointment after the President’s re-election.
Until her death in 1997, Mary Louise Smith remained politically active both locally in Iowa as well as nationally, championing a variety of causes and initiatives including women’s rights, abortion rights, civil rights, women’s education, women’s involvement in politics, and rights of the aged.
Iowa Digital Library: Iowa Women’s Archives Founders [includes images shown above of the 1976 Republican National Convention, chaired by Mary Louise Smith]
Iowa Women’s Archives: Guide to the Mary Louise Smith papers, 1925-1997
HEY! who's that playing the guitar?
Is it Jim?
Sorry for the extremely lengthy post on your dashes but this is so important
SHARE THIS!
Homeless addicts, especially women, suck dick for money.
They wake up needing drugs to keep from shaking, to keep from vomiting, to keep from shitting in their pants, to keep from getting so deep inside their own heads, so fucking dark and angry, that the only way out is to fucking kill...
"Ruth Bader Ginsburg had to have her new moniker, Notorious R.B.G., explained to her by her clerks. But you can’t always count on clerks to really understand rap. So a new amicus brief filed by Clay Calvert on behalf of Nielson and Kubrin, together with the Marion B. Brechner First Amendment Project at the University of Florida in Gainesville, presents the history and essence of rap music."
Dahlia Lithwick, Schooling the Supreme Court on Rap Music, Slate (Sept. 17, 2014).
Luh ya, Kiki.
No, your iPhone 6 won’t fit in your useless woman’s pocket.
#PocketEquality
I'm confused about what Beethoven was doing in the black composers post. He was German.
By golly gee! I keep forgetting that Black people didn’t exist until the Fresh Prince of Bel Air came on television! Or that Black people existed in anywhere else than Africa even with slavery going on :) My apologies.
Anyway, here’s proof that Beethoven was Black:
"… Said directly, Beethoven was a black man. Specifically, his mother was a Moor, that group of Muslim Northern Africans who conquered parts of Europe—making Spain their capital—for some 800 years.
In order to make such a substantial statement, presentation of verifiable evidence is compulsory. Let’s start with what some of Beethoven’s contemporaries and biographers say about his brown complexion:
(Louis Letronne, Beethoven, 1814, pencil drawing.)
"Frederick Hertz, German anthropologist, used these terms to describe him: ‘Negroid traits, dark skin, flat, thick nose.’
Emil Ludwig, in his book ‘Beethoven,’ says: ‘His face reveals no trace of the German. He was so dark that people dubbed him Spagnol [dark-skinned].’
Fanny Giannatasio del Rio, in her book ‘An Unrequited Love: An Episode in the Life of Beethoven,’ wrote ‘His somewhat flat broad nose and rather wide mouth, his small piercing eyes and swarthy [dark] complexion, pockmarked into the bargain, gave him a strong resemblance to a mulatto.’
Beethoven’s death mask: profile and full face
C. Czerny stated, ‘His beard—he had not shaved for several days—made the lower part of his already brown face still darker.’
Following are one word descriptions of Beethoven from various writers: Grillparzer, ‘dark’; Bettina von Armin, ‘brown’; Schindler, ‘red and brown’; Rellstab, ‘brownish’; Gelinek, ‘short, dark.’
In Alexander Thayer’s Life of Beethoven, vol.1, p. 134, the author states, “there is none of that obscurity which exalts one to write history as he would have it and not as it really was. The facts are too patent.” On this same page, he states that the German composer Franz Josef Haydn was referred to as a “Moor” by Prince Esterhazy, and Beethoven had “even more of the Moor in his looks.’ On p. 72, a Beethoven contemporary, Gottfried Fischer, describes him as round-nosed and of dark complexion. Also, he was called ‘der Spagnol’ (the Spaniard).
Other “patent” sources, of which there are many, include, but are not limited to, Beethoven by Maynard Solomon, p.78. He is described as having “thick, bristly coal-black hair” (in today’s parlance, we proudly call it ‘kinky’) and a ‘ruddy-complexioned face.’ In Beethoven: His Life and Times by Artes Orga, p.72, Beethoven’s pupil, Carl Czerny of the ‘School of Velocity’ fame, recalls that Beethoven’s ‘coal-black hair, cut a la Titus, stood up around his head [sounds almost like an Afro]. His black beard…darkened the lower part of his dark-complexioned face.’
Engraving by Blasius Hofel, Beethoven, 1814, color facsimile of engraving after a pencil drawing by Louis Letronne. This engraving was regarded in Beethoven’s circle as particularly lifelike. Beethoven himself thought highly of it, and gave several copies to his friends.
Beethoven, the Black Spaniard
(read more here)
They whitewashed BEETHOVEN? O_O
Thank you, history/fact-checking Tumblr.
I now feel the need to go burn every white-skinned image of Beethoven I can find.
beethoven was totally black! how do people not know this?
jk because erasure
I have been playing Beethoven’s music for 10+ years now and had absolutely no idea he was black. My life has been a lie.
OH MY GOD HOLY SHIT. I HAVE A BACHELOR DEGREE IN MUSIC, MY MAJOR WAS “MUSIC HISTORY, THEORY, AND LITERATURE” I TOOK MULTIPLE CLASSES SPECIFICALLY IN BEETHOVEN’S STRING QUARTETS AND MY SCHOOL HAD AN INTERNATIONAL BEETHOVEN SYMPOSIUM WHERE THERE WERE PAPERS ON THINGS LIKE THE KIND OF FUCKING PAAAAAAPER HE DID HIS MANUSCRIPTS ON, IN DIFFERENT CITIES, TO SEE WHERE AND WHEN HE WROTE SPECIFIC SNIPPETS OF MUSIC. NEVER IN MY EDUCATION OR READINGS DID I EITHER A) NOTICE THIS B) WAS SPECIFICALLY TOLD THIS. I think there’s a combination of systemic racism in this, and my own internalized racism. I have, in fact, read Maynard Solomon’s biography and didn’t pick up on this. I have read the Czerny sources as well. My Beethoven teacher (Bill Kinderman) is one of the top Beethoven scholars in the world, and I don’t remember hearing any of this from him. I even did a semester of graduate work in musicology, specifically focusing on the Beethoven string quartets (I really fucking love those things) and we never spoke about this. I cannot say I am in any way surprised at this. I am embarrassed, angry, and upset that this was erased from my DECADES of music education. Which doesn’t surprise me at all, because classical music is very specifically in our culture for white people, especially men, especially upper class white men. Oof, this one is going to take a while to fully fucking digest, I am in angry tears.
Don’t you hate it when this happens?
Death being a complete killjoy from Freund Heins Erscheinungen in Holbeins Manier (1785).
"Von can’t live on luf…" postcard, 1912
Postcards provided a ubiquitous portrait of everyday culture in the 20th century, documenting buildings and streets, events and community life, business advertisements, and people and places of interest. There was also a category of comic postcards that contained cartoons and caricatures on every topic. As part of this category, there were cards illustrating [immigrant stereotypes].
Often these stereotypes were carried over… by immigrants and perpetuated by or re-created in the United States… They became a source of cultural identity.
But when is an image a straightforward rendering or a stereotype? At what point does an image shift from a faithful graphic representation to exaggerated caricature?
Caricature and stereotype represent a cultural method to deal with the unfamiliar, and for political, religious, economic, and social reasons to ‘pigeonhole’ a particular group. Caricature is a way to assert control on both sides of an issue. [source]
Iowa Digital Library: “Von can’t live on luf…” postcard, 1912
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