Off/Off, 2018
Acrylic on vintage textile
Frances Sousa
One Nice Bug Per Day
AnasAbdin

★

Andulka
Mike Driver
RMH
Aqua Utopia|海の底で記憶を紡ぐ

shark vs the universe

Kaledo Art
PUT YOUR BEARD IN MY MOUTH
No title available
Not today Justin
let's talk about Bridgerton tea, my ask is open
2025 on Tumblr: Trends That Defined the Year
I'd rather be in outer space 🛸

No title available

Discoholic 🪩
🪼
art blog(derogatory)

Product Placement

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@wakeltup
Off/Off, 2018
Acrylic on vintage textile
Frances Sousa
Leo García
“Work with the horse, not against him. Always listen to what the horse is trying to say. And always think for yourself.” - Mark Rashid, Horsemanship Through Life {January 2017}
awards season is NOT about movies and NOT about artistry. it's, and i cannot stress this enough, about pretty women in dresses
For more than forty years, Pulitzer Prize winning poet Mary Oliver lived on Cape Cod with the love of her life, the remarkable photographer Molly Malone Cook.
When Cook died in 2005 at the age of eighty, Oliver looked for a light, however faint, to shine through the thickness of bereavement. She spent a year making her way through thousands of her spouse’s photographs and unprinted negatives, which Oliver then enveloped in her own reflections to bring to life Our World - part memoir, part deeply moving eulogy to a departed soulmate, part celebration of their love for one another through their individual creative loves. Embraced in Oliver’s poetry and prose, Cook’s photographs reveal the intimate thread that brought these two extraordinary women together — a shared sense of deep aliveness and attention to the world, a devotion to making life’s invisibles visible, and above all a profound kindness to everything that exists, within and without.
Oliver ends Our World with The Whistler, a poem on never fully knowing even those nearest to us — a beautiful testament to what another wise woman once wrote: “You can never know anyone as completely as you want. But that’s okay, love is better.”
THE WHISTLER
All of a sudden she began to whistle. By all of a sudden I mean that for more than thirty years she had not whistled. It was thrilling. At first I wondered, who was in the house, what stranger? I was upstairs reading, and she was downstairs. As from the throat of a wild and cheerful bird, not caught but visiting, the sounds war- bled and slid and doubled back and larked and soared.
Finally I said, Is that you? Is that you whistling? Yes, she said. I used to whistle, a long time ago. Now I see I can still whistle. And cadence after cadence she strolled through the house, whistling.
I know her so well, I think. I thought. Elbow and an- kle. Mood and desire. Anguish and frolic. Anger too. And the devotions. And for all that, do we even begin to know each other? Who is this I’ve been living with for thirty years?
This clear, dark, lovely whistler?
“It calms me down right away, the quietness and the proud look of it; nothing very bad could happen to you there, not with those kind men in their nice suits, and that lovely smell of silver and alligator wallets. If I could find a real-life place that made me feel like Tiffany’s, then I’d buy some furniture and give the cat a name.”
— Breakfast at Tiffany’s (1961)
Still life - Carlos Nadal (1917–1998)
really loving the colors in this, the green used to draw out the apples! yum
and the side fruit dish in blue! such good measure of color.
i think im gonna jump
if she’s your girl why did she put a cup over me and slide a piece of paper underneath so she could gently carry me outside
Rossana Taormina, deriva #1 - 2018 (private collection; photo by Franco Noto)
acrylic on nautical chart; 105 x 75 cm
rossanataormina.tumblr.com
[PS2] Toro on Holiday - Suzuki’s Ramen Shop
is this some kind of animal crossing for ps2?
Y’all too old to be saying you don’t like vegetables and/or water.
i dont like vegetables or water except on saturdays
give me intimacy or give me death
ya ya ya
Edouard Vuillard
Still life - Carlos Nadal (1917–1998)
really loving the colors in this, the green used to draw out the apples! yum
and the side fruit dish in blue! such good measure of color.
Still life - Carlos Nadal (1917–1998)
really loving the colors in this, the green used to draw out the apples! yum
Robert Bosisio - heind, 2015-2017