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$LAYYYTER
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we're not kids anymore.
KIROKAZE
Kaledo Art
roma★
One Nice Bug Per Day
Peter Solarz
YOU ARE THE REASON
I'd rather be in outer space 🛸
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Monterey Bay Aquarium
Love Begins
Origami Around
Alisa U Zemlji Chuda
Product Placement
he wasn't even looking at me and he found me
ellievsbear
d e v o n
seen from Singapore
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seen from United States
seen from United States
seen from Japan
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seen from Malaysia
seen from Russia
seen from United States
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@wanderinghurin
“Farewell!” he said to Gandalf. “I go to find the Sun.” Then swift as a runner over firm sand he shot away, and quickly overtaking the toiling men, with a wave of his hand he passed them, and sped into the distance, and vanished round the rocky turn.
in other news, i’ve started reading the lord of the rings
I suppose it’s a testament to Tolkien’s economy of language that the entire Lord of the Rings trilogy – interminable preamble and endless appendices and all – has a smaller total page count than the individual books of your average modern doorstopper fantasy series, yet manages to pack in such a high density of worldbuilding detail that reading it feels like it takes about a thousand years.
(For those expressing incredulity at the idea of Tolkien being an economical storyteller, one must understand that the ability to communicate a great deal of information very efficiently is a totally separate skill from the ability to get to the damn point.)
Based On The Literary Works ‘The Lord Of The Rings: The Fellowship Of The Ring’ PlayStation 2
One thing about Gondor bitches is they’re GONNA have curtain bangs
i could literally never be in the fellowship of the ring. what if we were running for our lives through the vast, dark halls of khazad-dum and my tummy hurted. what then
frodo would say some insane shit like “let’s wake up at 4am to go into the awful creepy haunted forest just outside the shire” and i would simply not get up
, said Fredegar Bolger.
Cynthia-Addai Robinson as Queen Regent Míriel
The Lord of the Rings: The Rings of Power 1x04
underrated lotr moment is gandalf’s “let me risk a little more light” so the fellowship can see the ruins of dwarrowdelf.
idk what it is idk how to put it into words but like. such a quick and quiet little moment of, recognizing we’re all in constant mortal peril but while we’re here you should still witness the wonders of the world. while we are here, though it may be on a life-threatening quest, you deserve a little tourist moment. soak it in, the great city that remains long-abandoned and nearly forgotten, the grand pillars that outlived the memories of those who built them. so much of love and life is fleeting in this dark age. but the scraps of it can still be found. the remnants are still here, and even with significant risk they deseve to be beheld.
The world is indeed full of peril, and in it there are many dark places; but still there is much that is fair, and though in all lands love is now mingled with grief, it grows perhaps the greater.
The Lord of the Rings: The Fellowship of the Ring (2001), dir. Peter Jackson
Well modern camera equipment can almost see in the dark so what do you even need lighting for?
i just gotta real quick make sure that youre joking. you are joking, right?
I’m not joking. Do you understand the ISO value system as it relates to film?
im not arguing that you cant film in the dark without special lighting (obviously you can), im saying you shouldnt. im arguing with the second half of your statement. the lighting in the first picture is very purposeful and enhances the horror of the film. they didnt get into the editing room and go “oh darn, we forgot to shine a light on the guy hiding in the shadows!” jaws was made scarier because you could rarely see the shark, so your brain invented the scariest possibility. you can just… see the whole man in the second picture. having a flat shot where the lighting doesnt even draw in the viewers eye to anything (much less obscure something thats supposed to give the movie tension and anticipation) looks fucking boring and adds nothing
thats what we need lighting for
One of these is much more visually appealing than the other
Lighting in film, and especially horror is so *so* important to the tension in the scene, it’s a significant part of visual storytelling, and the cinematographer/DOP (director of photography) should’ve picked up on that.
It’s particularly embarrassing in comparison to the original material, as with digital/modern technology, you can literally see how the shot looks while you’re shooting.
This should’ve also been sorted in comp and fixed well before distribution.
As already pointed out, the lighting values have no depth to them, thus creating a very flat scene (this is one of the first design principles we are taught in design for animation/film- if I had handed in a lighting shot or concept anything like this, I would’ve failed the module).
If you take the shots and put them into greyscale, you can see this a lot clearer.
In the original Halloween shot, we can see a high range of value (how bright or dark something is)- the lighting is brightest on Jamie Lee Curtis, the viewer’s eye is drawn to her first- we can see her emotions clearly and gain sympathy for her character. Then we are drawn into the darkest value, creating dread, and this is fulfilled and heightened with the contrasting (and next highest) value of Michael’s mask.
In the modern shot, all the values are within a similar range (mid-greys), and there is no proper depth in value- making the tension within the shot fall flat (not ideal for horror).
In fact, the highest value in this shot is the fire in the background- which is where the eye is drawn to first. The background. Not the action. So instead of feeling empathy or dread, we are focusing on the wrong details.
And yes, while it could be said from a film analysis POV that the flatness of the shot ‘puts the characters on the same fighting ground/level of power in the shot,’ I’m not going to give them the benefit.
To top it off, the use of colour in the modern shot highlights the errors in lighting. Whilst sharing the blue/orange colour scheme of the original shot, everything is blue except the one area of contrast, the orange fire. So once again, we are drawn to none of the action and instead the background.
With a very small edit in compositing and lighting to match the original Halloween, the feeling (and focus) of the shot is completely changed. The shot has higher contrast and range of values- the focus is on Curtis, while Michael feels more foreboding in the darkness. The contrast puts the characters on opposite sides- good vs evil, telling a narrative in contrast to the unedited shot.
These effects could’ve easily been achieved by adding a key light on Curtis and rim lighting on Michael in production, and if necessary, editing value depth in comp to enhance the raw footage.
TLDR: Digital filmmakers still need to know traditional film and design theory- just because you have good actors, cameras and composition, does not mean you can forgo basic film craft. The aim of cinematography is to enhance the narrative, not restrict it.
The Lord of the Rings - comic book project by AZED
Aragorn + hands
THE LORD OF THE RINGS TRILOGY 2001 - 2003 | dir. Peter Jackson.
The full set of all of my LOTR pieces! they are currently available at Gallery Nucleus!
Hi did you see that Magic the Gathering made Aragorn Black for all the card art.
heres him! I saw you loved LOTR and thought youd want to know. Have a nice day!
I did see, yes! I think it goes to show that if Magic the Gathering- of ALL things- can commit one of the most popular characters in Western fantasy to being Black, all the rest of these companies with their relevant pieces of media should be able to tell all their racist fans to shove it when they create a Black character design. 🤷🏾♀️🤷🏾♀️🤷🏾♀️
Shards of Narsil by thelittleterror on reddit.
Don’t go where I can’t follow…
