commission piece of princess Nymeria, Arya Stark, and Nymeria the direwolf. I learned a lot with this piece, and I was so happy to do something in the asoiaf realm again!

oozey mess

Origami Around
DEAR READER
$LAYYYTER
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2025 on Tumblr: Trends That Defined the Year

roma★
tumblr dot com
Monterey Bay Aquarium

#extradirty

JBB: An Artblog!
taylor price

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hello vonnie

ellievsbear

pixel skylines

Discoholic 🪩
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Misplaced Lens Cap
Keni
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@wardenoftheeast
commission piece of princess Nymeria, Arya Stark, and Nymeria the direwolf. I learned a lot with this piece, and I was so happy to do something in the asoiaf realm again!
A hitman who advertises his services the way a commission artist does
“Um hey guys. I’ve been hit pretty hard with financial difficulty lately. I’d really appreciate it if you’d consider commissioning me.”
Stabbings: $45
Gunshots: $100
Poisonings: $200
Thanks you guys please share if you can! ❤️❤️❤️
Commissions I will NOT take:
👎 Kids (Teens are fine tho)
👎 Bystanders
👎 Other Hitmen
If you want to know why, message me, but otherwise no hate pls ✨
hey guys, normally i try to keep drama off of my blog but this is really important. I just wanted to let you know that someone named WetWorkKing05 has been taking credit for MY kills over on redbloodle.com and is making money off of my hard work. When I messaged him directly he blocked me and threatened to kill ME >_> I’ve tried talking with the mods about getting his account taken down, but redbloodle has NO policy for this and they are no help at all. i don’t know what to do??
PLS signal boost if you can! And in the meantime, if you need somebody killed, do NOT hire WetWorkKing05! he is a THIEF!
repeat after me:
MURDER 👏 THEFT 👏 IS 👏 A 👏 WORSE 👏 CRIME 👏 THAN 👏 REGULAR 👏 MURDER 👏
Credits to the murderer
“Call Me Maybe” with every other beat removed
YOU’RE STUBBORN, JEANS STOLEN, NIGHT ROWING
THINK YOU’RE BABY?
through a well, ask me but tell look too you fell, now youre away tray my soul wish, knees and a kiss wassum for this, now youre away
you’re stubborn, jeans stolen, night rowing
THINK YOU’RE BABY?
hey ah you, and maisy! but jambre, so claybe it’s ha-right BAAAY but jambre, so claybe
hey ah you, and maisy! but jambre, so claybe annnd other buoy, chaaaay! but jambre, so claybe
took you’re t'call, no t'k fall gave me n'mall, do you’re away beg n b'steal, at first it’s real didn'b feel, but it’s away
you’re stubborn, jeans stolen, night rowing
THINK YOU’RE BABY?
hey ah you, and maisy! but jambre, so claybe it’s ha-right BAAAY but jambre, so claybe
hey ah you, and maisy! but jambre, so claybe annnd other buoy, chaaaay! but jambre, so claybe
boy you came my life missed you sad, missed you sad missed you so!
boy you came my life missed you sad, missed you mad missed you so! (sad)
it’s hark right BAAAY but jambre, so claybe!
hey ah you, and maisy! but jambre, so claybe annnd other buoy, chaaaay! but jambre, so claybe
boy you came my life missed you sad, missed you sad missed you so!
boy you came my life missed you sad, missed you mad so c’baby
this, and i cannot stress this enough, changed my life
Thank you Lesbianlinkle!
Back in action, and back in the game for one last time! For the fourth (and final) year running, I’ve made a poll asking for your top 12 favorite musical numbers from season four. The rules are fairly simple:
You can vote for up to 10 of your favorite musical numbers on the poll here!
You can vote as many times as you like until May 15th.
If you can, it would be great if you can reblog this post to help spread the word!
As always, thank you so much for following, and have fun voting!
Yall really out here in 2018 STILL shipping zutara? Come on. This isn’t 2010 anymore, we’re not on the wikia discussion forums, we’re not straight anymore. Zuko is gay
But… for who?
Sokka. Next question
big mood for today yall
Bohemian Rhapsody. We Will Rock You. Somebody To Love. All hit singles, and all the direct product of a band that was formed when an astrophysicist and a dentistry major found a new friend in an art college, who then went on to recruit a fourth member from the electronics school. Based on this alliance I propose the rift in society between Arts and STEM students was fabricated to keep us separated so as to dilute our true power - and fabricated by who, you may ask? The business major, the only member of society who reaps no reward from art and science and thus must weaken us so as to stay ahead. In this essay I will
RE: Stannis “deserving” a better wife
Selyse is not the only “trainwreck and stonecold bitch” in that godsdamned marriage
And if you seriously think Stannis Baratheon deserves better…
But sure, let’s take a look at Stannis’s treatment of women
Addressing his queen as “woman” during councils
Bringing another woman on campaign as his “””standard bearer”””
Refusing to see his wife or daughter for months because he’s shacked up with said woman
Forcing her to hold down court during said publicly humiliating absence
Leaving her at Eastwatch-by-the-Sea and bringing his mistress to Castle Black, immensely damaging her reputation
Calling Gilly a whore and her baby an abomination
Telling Asha she can’t fight because the gods didn’t make her a man
Praising Melisandre as his “faithful servant” then looking at her like “he would gladly have throttled her”
Let’s not forget threatening Melisandre with death “by inches” instead of taking responsibility for his own damn choices
Stannis is a wonderfully complex character with plenty of positive attributes. He is also a sexist, entitled, and at times cruel man. Is that an uncomfortable contradiction?
But I ask in all sincerity: what has Stannis ever done to make his marriage succeed? What has he done to deserve any woman?
Royal houses where every single member has the same horrible horrible face is one of the funniest developments of monarchism
Virgin House of Windsor vs the chad House of Habsburg
did you see them? did you see the lights above? it’s time to play your part in…the adventure zone!
“ugh why do new vegas fans act like it’s so great ugh”
because we’ve played it
brace for maximum NV succ:
when yall shit talk new vegas because “it takes place in a desert” or “i don’t see how the main plot’s interesting” it’s like sayin Watchmen sucks because it’s about superheroes and you don’t see how dr manhattan is interesting and also you only read two chapters
it stands head-and-shoulders above everything else in its genre AND medium
you don’t have to personally like it, but when you start arguing that it’s just outright bad you’re just gonna look fuckin foolish, because nobody who understands what this game is would argue that its content and structure have no merit, especially when compared to other titles in its genre
the vocal “hatedom” for nv mostly consists of people who wrote it off for some personal hang-up unrelated to the actual quality of its content, or because they really fundamentally don’t “get” what the game is. a five-minute conversation with almost anyone who prefers Fallout 3 will reveal that they cannot explain why people like New Vegas, because they don’t understand anything about the game.
when criticizing this game, people might broadly say “i don’t like the story” (because they experienced 1% of it), but nobody challenges the weight of moments like Arcade’s suicide, Robert House’s reveal and breakdown, talking Ulysses down from genocide, realizing the literal weight of your greed under the Sierra Madre, rallying the scattered peoples of the wasteland to your side at Hoover Dam, assassinating Caesar during surgery, or helping Borous remember his childhood dog and watching him realize what he’s done, because these are all wholly effective examples of interactive storytelling that make YOU, the player, feel involved, and important, and clever, and disturbed, and compelled, in a way Bethesda’s post-Morrowind “RPGs” rarely even attempt, much less successfully execute. NV critics are generally completely unaware of all this content (and these are just a handful of examples out of DOZENS) because New Vegas is not a theme park that beats you over the head with the subtleties of its world like Bethesda’s flagship games.
NV’s most rewarding moments are long-term payoffs for making all the right (or wrong) choices, rather than mandatory setpieces that every single player is assaulted with every time they play through the game. Bethesda games shove your face into every twist, plot point, scripted battle, and interesting NPC, because they’re terrified you’ll miss what little worldbuilding they’ve done. NV cuts you lose in the world with the only sure goals of confronting Benny, deciding what to do with the platinum chip, and ending up at hoover dam, EVERYTHING else is optional, missable content that you must seek out and piece together. NV is designed like Morrowind, built around the idea that knowledge, stories, and worldbuilding are their own rewards, and aimed at an audience who actually want to learn about the world they’re exploring. Modern Bethesda fans don’t grasp this and expect to ride through the story like a monorail, and are confused when their simple beeline towards the next main quest objective doesn’t blow the story open. A lot of players quit after confronting Benny, convinced the game is almost “over” because they’ve resolved their initial motivation, ignorant of the dense, living WORLD they’ve just blindly walked past, and unwilling to consider that there could be an underlying central plot bigger than what they’re told in the first few minutes of the game (because every bethesda title bar Morrowind more-or-less tells you what your endgame motivation is before you’ve left the tutorial).
Rather than use the story as a background atmosphere to prop up gameplay, New Vegas uses its engine as a means to simulate stories on a robust, breathing level. Where FO3/4 are static narratives plopped onto a map with some sidequests, NV is basically a simulation of what it would be like to live in Fallout’s world for a year or two, with a “main quest” that simply amounts to the sum of all the decisions you make along the way, many of your actions having far-reaching implications in a way that simply isn’t seen in Bethesda titles.
like… fuck, if I was operating under the assumption that NV was “fallout 3 in a desert” i’d write it off too
I’m pretty sure you don’t have to confront Benny if you decide to side with the NCR. So even the primary motivation of the first half of the game can be optional under certain circumstances. This is one of the reasons why I love this game. The player character can literally be anyone. I can’t think of a time where I thought “Why would my character do this?” and couldn’t come up with a satisfying answer.
I kinda wish there was a “Benny wins” ending slide if you chose not to confront him, though. I can’t think of a reason why his plan wouldn’t have worked if you left him to his own devices. All well.
(EDIT: important context: in bethesda games, an “essential” character is a character who cannot be killed through any means, only temporarily stunned) sorry to add to this post again but i think a great supporting detail for what i’m trying to get across, is that NV has almost zero essential characters. Children are essential because why would you kill kids, and two robots are situationally essential, both with lore explanations related to transferring their programming somewhere else. companions are also essential on non-hardcore difficulty so you don’t lose arcade to a stray missile or whatever
at any time you can kill anyone in the game, and the world will adjust. Most faction leaders are killable from the instant you start the game, and if you kill them, people talk about it! and it affects things! kill a character who has a faction-boosting quest? well, now the cards are stacked against you, bucko, shouldn’t have been killin’ randars
compare tes4/5 and fo3/4, where faction leaders are only killable when the laws of cinematics dictate that it’s “their time” despite them hanging out with you constantly. damn near everyone involved in a sidequest is permanently essential (see: bethesda’s pathological fear of the player missing any of what little content they made), and a handful of NPCs are essential just because they have a lot of dialogue or some dumb shit. this was particularly bad in Skyrim, because busted-ass “cinematic dragon attacks!!” are more important than role-playing in bethesda’s philosophy
NV is a living, reactive world that adjusts to anything and everything you do, bethesda games are cinematic linear narratives (usually with one fork towards the end) padded with completely irrelevant sidequests and lots of walking
Me, finding Solas in dragon age 4:
u can tell who the ancients of tumblr are bc they’re the ones not posting anything abt where to find them if this site collapses…we know this site isnt going anywhere….the apocalypse couldnt stop this garbage…..it has the cybernetic code of a cockroach
those of us who’ve been on tumblr 5+ years:
Queen.
I always have to reboot this.
For anyone wondering, this is amazing enrichment for the animal and a great way to involve guests! The lions aren’t forced to play with the rope if they don’t want to, and these guys (and anyone else who tries this out) have an awesome close up and hands on experience, all without having to come in direct contact with the cat!
This is a statue of Marilyn the dog on Zamami Island.
In the 80′s there were two dogs, Marilyn and Shiro, living on Zamami Island who played together very often. One day Shrio’s owner packed up and moved to the neighboring Aka island taking Shiro with them.
Shiro would often go missing during the day, and the owner decided to follow and find out where he was going.
It turns out that almost every day Shiro would leave home, run to the ocean, swim about 3 miles to Zamami Island where his friend Marilyn patiently waited for him, play with his friend, and then swim home for dinner.
Then a couple years later someone made a rom-com movie about it that was moderately successful. The end.
There is also a statue of Shrio on Aka Island.