Oh my gosh I would love a prayer bead! :)
And I would love to make one for you, darling! Message me at [email protected] and give me as much detail as you'd like. Then, we can work out the details!
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@waterspeak
Oh my gosh I would love a prayer bead! :)
And I would love to make one for you, darling! Message me at [email protected] and give me as much detail as you'd like. Then, we can work out the details!
Do you still do prayer bead commissions? I loved seeing your creations!
I do! I would love to make you something, darling. Let me know the details and we can work something out. Feel free to message me through tumblr or send me an email at [email protected].
Prayer doesn’t consist of thinking a great deal, but of loving a great deal.
-St. Teresa of Avila
The Concept of Hero-Worship in Ancient Hellas
It is a long-held tradition for the ancients to venerate the spirits of the dead. Individuals who received such honor, often denoted by the words τιμή and γέρας, were called ἥρως or "hero." Although these mortal heroes were envisioned as figures from the remote past with immortal ancestry, they lived and died in ways that forever linked them to seasonality and to the present of those who remembered the hero. For instance, after death, heroes maintained their superhuman powers to influence the world of the living and therefore required propitiation and reverence, through proper worship or veneration. If the hero was honored correctly, this could be signified by community-wide prosperity and fertility among animals, plants and humans. If the hero did not receive appropriate honors, even on account of one person or action, the whole community could be plagued by grave cosmic sanctions. For these reasons, hero-worship is generally a localized tradition. In many ways, hero-worship was a primary means of creating group identity and solidarity within any given polis.
Originally, hero-worship was ancestor worship, but by the classical period these two traditions had become differentiated due to the evolution of the times.
… the Greek hero is a product of the polis, in that the cult of heroes is historically speaking a transformation of the worship of ancestors on the level of the polis. Furthermore, the Greek hero is a product also of Panhellenism, in that the epic of heroes as represented by Homeric poetry is an artistic and social synthesis on the level of Panhellenic diffusion. (Gregory Nagy 1990:143)
Now, while worship of the Olympian gods generally took place during the day, (and was directed towards the sky), hero worship was actually a night-based tradition associated with the local earth. As such, many of the Ancient Greeks often performed their rituals for heroes around the putative tomb of the hero. The immediate area around the tomb was usually separated from other burials or localities by a wall or monument.
Ritual activities for heroes were not much different than for the gods. These activities included: poetic performances, votive offerings, blood sacrifice, lamentation, athletic competitions and feasting. The blood offerings, which were poured into a pit in the ground, were understood to reanimate the soul of the hero, allowing him or her to appear to worshipers in an epiphany. This communion could be experienced both physically and intellectually.
What does this mean for those of us, today, who wish to contact heroes or incorporate them into our practice?
Meditation and visualizations seem to be a very (if not the most) prudent and powerful way to contact heroes. They appear very much drawn to this particular kind of communication. I would say that divination activities is also a good way to bond with them.
The offering of a thing's "life force" as the reanimation aspect is extremely important. (Though, the interpretation of this will be, of course, will depend on your level of comfort)
Shrines or altars to heroes may benefit from being lower to the ground if not directly upon the ground (or somehow rooted to the ground).
Every time tonight that I think about Perseus, lightning strikes outside my window.
I have no idea what to make of this.
Tarot Drawing for Apollo: The King of Swords
I drew the King of Swords tonight, in communicating with Apollo and asking him about our relationship.
At first, I was dumbfounded. For some reason, I was struggling with what appeared at first blush to be an oddly obtuse reading. I even fleetingly contemplated the possibility that I did not shuffle my deck adequately. But after several long minutes of contemplation, I realized how striking this card appears for him, as a representation of him. This is a card of rationality, reason, and will, just as Apollo is prince of logos and rhetoric, didactic. And it is double sided, as Apollo is as well, both healer and striker. It is also card of "distance" in the same way that Apollo is known as the far-darter, the sender of obtuse prophesies.
...Sometimes these readings are so ridiculously accurate, it shakes me.
Said the far-darter to the Gods on high, “Not one can farther shoot or throw than I.” In sport great Jove Apollo’s challenge took, And quick the lots in Mars’ cap Hermes shook. Luck was with Phœbus. Soon the golden bow And string he circles; lets the arrow go, And shoots within the gardens of the West. Said Jove, when the same range his feet had prest, “Space fails me, boy. To what point can I shoot?” Thus without shaft he won the arrow’s fruit.
Babrius (Fable 68 “Apollo and Zeus/Jove”)
Walking, I am listening to a deeper way. Suddenly, all my ancestors are behind me. Be still, they say. Watch and listen. You are the result of the love of thousands.
Linda Hogan (1947)
PRINCE OF SPIRITS | THANATOS PRAYER BEADS
Made with garnet and smoky quartz. The garnet is an important stone as its name comes from a 14th‑century Middle English word gernet meaning "dark red" from the Latin granatus, from granum (grain, seed) + suffix atus, a reference to pomum granatum or, the pomegranate fruit. Consequently, the smokey quartz are seed-shaped as well. The beads are separated with matte gold spacers and butterfly dividers. The butterfly is one of Thanatos' primary totems alongside the wreath and upended torch. It is said to represent the delicacy of the human soul. Final bead charm is made of fused glass and is an abstract representation of a spliced pomegranate. Central connector is made with the same glass in the shape of a wilting daffodil (with a gold stopper cap).
“...This magical flower suspended between good and evil, light and darkness, healing and annihilation.”
The Poppy flower is very special indeed. With an average of 4-6 pedals per blossom, the poppy is an angiospermae belonging to the spring and summer months. Although there are many different kinds of poppy that each have their own unique symbolisms, nevertheless, all poppies share a special link with the stark contrast between life and death. This contradiction is expressed in the poppy's coloration and use. Specifically, the poppy is at once the pinnacle of aesthetic beauty and impossibly lethal (its seeds are highly poisonous, addictive). As such, poppies are seen as standing at the precipice of existence, half-in/half-out. This duality of the poppy makes it a very good devotional offering due to its ability to reach back and forth between our realm and those beyond. Personally, I love to adorn both Apollo and Thanatos' shrines with poppy pedals or essence.
A very warm welcome to the new influx of followers this week! A friendly reminder that I am always open to answering questions or simply chatting. Don't be shy!
“[Apollo] whose oracle is in Delphi, neither speaks nor suppresses, but indicates.”
Plutarch